Messages

Brian Winston, currently a Pro-Vice Chancellor at the University of Lincoln, worked in the 1960s on Granada TV's World in Action; then for the BBC and WNET (New York) where he won an Emmy for documentary script writing in 1985, as a columnist on Ink, The Soho (New York)Weekly News and The Listener, as a co-producer of a Canadian feature film and a governor of the BFI. He has taught at Universities on both sides of the Atlantic and at Britain's National Film School. Messages is his thirteenth book.

'An astonishingly well-detailed but highly readable overview of the development of ideas and practices about freedom of speech ... [this book] makes a point, a rare statement of academic and societal importance' – Historical Journal of Film, Radio and Television'An astonishingly well-detailed but highly readable overview of the development of ideas and practices about freedom of speech ... [this book] makes a point, a rare statement of academic and societal importance' – Historical Journal of Film, Radio and Television'told with such gusto, energy and panache that [this book] should be required reading for any media scholar or student trying to understand where the media come from... Messages provides critical and often debunking insights into the received wisdom of the birth of new media and mass communication... Readers of Winston's previous work will not be surprised by the erudition and the sheer scale of the author's knowledge of the development of media technologies. But Messages also reminds us of the lasting and significant contribution that Brian Winston has made to the field of media and communication studies over the years.' - European Journal of Communication'an astonishingly well-detailed but highly readable overview of the development of ideas and practices about freedom of speech... an impressive account of media history, media freedom and individual expression... a praiseworthy achievement and a commendable work to keep on the bedside table.' - Historical Journal of Film, Radio and Television'the historical research is thorough and wide-ranging... the tone is lucid, straightforward, and spiced with snarky moments' - International Journal of Communication'commendably accessible... There is a fine selection of reading, signposting to the interested reader a range of more specialized histories for further exploration... As a general text of considerable wit and erudition it succeeds with aplomb.' - Martin Conboy, Journalism Practice

• Part 1 Print; prologue1 ‘The Liberty to Know’: Print From 1455; Chapter 1 ‘Taking off Vizards and Vailes And Disguises’: Newspapers From 1566; Chapter 2 ‘Congress Shall Make No Law’: Journalism From 1702; Chapter 3 ‘Here's The Papers, Here's The Papers!’: Journalism From 1836; Part 2 Images, Spectacle And Sound; prologue2 ‘Leal Sovvenir ’: Imaging From 1413; Chapter 4 ‘Who Knows Not Her Name’: Theatre From 1513; Chapter 5 ‘So Much For Stage Feeling’: Stage and Screen From 1737; Chapter 6 ‘Give the Public What We Think They Need’: Radio From 1906; Chapter 7 ‘American Shots’: Cinema From 1925; Chapter 8 ‘See It Now’: Television From 1954; Part 3 Convergence; epilogue ‘Free Expression is in Very Deep Trouble’: Media To 1991 And Beyond;