Pam Meecham has worked as an art teacher in schools and universities since 1971. She currently teaches museum and gallery studies, is course leader for the MA Museums & Galleries in Education and has a number of doctoral students researching aspects of art education and museum studies at the Institute of Education, University of London. Julie Sheldon is Reader in Art History at Liverpool John Moores University. She is the Programme Leader for BA History of Art and Museum Studies, a collaborative undergraduate course with Tate Liverpool, and MRes Art and Design History. Previous publications with Pam Meecham include Modern Art: A Critical Introduction (2000).

"Making American Art provides a refreshing overview of the multiple kinds of labor - physical, intellectual, economic, political, social - that drive and define culture productions in the United States. It features an excellent bibliography, which is to be commended at a time when many publishers are eliminating such helpful resources for reasons of cost." - Spring/Summer issue of American Studies, Vol. 50:1/2

• Introduction 1. Educating American Artists 2. Art into Reproduction 3. Touring America 4. Landscape 5. Accommodating American Art 6. Writing About American Art 7. End Notes Bibiography

Pam Meecham has worked as an art teacher in schools and universities since 1971. She currently teaches museum and gallery studies, is course leader for the MA Museums & Galleries in Education and has a number of doctoral students researching aspects of art education and museum studies at the Institute of Education, University of London. Julie Sheldon is Reader in Art History at Liverpool John Moores University. She is the Programme Leader for BA History of Art and Museum Studies, a collaborative undergraduate course with Tate Liverpool, and MRes Art and Design History. Previous publications with Pam Meecham include Modern Art: A Critical Introduction (2000).

"Making American Art provides a refreshing overview of the multiple kinds of labor - physical, intellectual, economic, political, social - that drive and define culture productions in the United States. It features an excellent bibliography, which is to be commended at a time when many publishers are eliminating such helpful resources for reasons of cost." - Spring/Summer issue of American Studies, Vol. 50:1/2

• Introduction 1. Educating American Artists 2. Art into Reproduction 3. Touring America 4. Landscape 5. Accommodating American Art 6. Writing About American Art 7. End Notes Bibiography

Pam Meecham has worked as an art teacher in schools and universities since 1971. She currently teaches museum and gallery studies, is course leader for the MA Museums & Galleries in Education and has a number of doctoral students researching aspects of art education and museum studies at the Institute of Education, University of London. Julie Sheldon is Reader in Art History at Liverpool John Moores University. She is the Programme Leader for BA History of Art and Museum Studies, a collaborative undergraduate course with Tate Liverpool, and MRes Art and Design History. Previous publications with Pam Meecham include Modern Art: A Critical Introduction (2000).

"Making American Art provides a refreshing overview of the multiple kinds of labor - physical, intellectual, economic, political, social - that drive and define culture productions in the United States. It features an excellent bibliography, which is to be commended at a time when many publishers are eliminating such helpful resources for reasons of cost." - Spring/Summer issue of American Studies, Vol. 50:1/2

• Introduction 1. Educating American Artists 2. Art into Reproduction 3. Touring America 4. Landscape 5. Accommodating American Art 6. Writing About American Art 7. End Notes Bibiography