Pam Meecham – författare

Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art.This second edition has been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history.

Modern Art: A Critical Introduction traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood. The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art.This new edition has been restructured to focus on key themes. It has also been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art: A Critical Introduction is the essential textbook for students of Art History.

Making American Art presents a thematic, interdisciplinary examination of art in the United States from the seventeenth century to the present day.The themes and issues explored in Making American Art pull together documentary material, art works and contemporary theory to enliven what can often be a complex and geographically overwhelming history. The abiding and connective theme of the book is an extended and multidimensional examination of the perennial and vexing question: what is American about American art? In attempting an answer, the book draws upon topics that are not always present in conventional art-historical accounts - the education of the artist, the mechanisms for promoting and institutionalising art work, the facilities for reproducing and disseminating American art, and the organisation of artistic activities. In considering the quest for an authentic expression of Americanism in the visual arts this book incorporates areas that normally fall outside the remit of high art, such as the conditions under which American art was produced. Chapter topics include: education and the American artistart into reproductiontouring Americathe art of American landscapeaccommodating American artwriting about American art. Making American Art includes a detailed and discursive account of the reception of American art and artists outside the United States.