Greg Singh is Lecturer in Media and Communications at the University of Stirling. He is the author of Film After Jung: Post-Jungian approaches to film theory (Routledge, 2009).

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• Hockley, Foreword. Introduction. Part I: Feelings, Identification and the Problematics of Cinema.The Feeling of Having a Feeling: Cinema and Leibniz’ ‘little perceptions’. Butterfly Affects: Incremental Narrative Changes and Compound Representations in Contemporary Film and Adaptation. What Becomes of the Tender-hearted: Transcendence, Geist and Lifeworld in Popular Independent Cinema. Part II: The Surround of Cinema. Introduction to Part Two – Adventure is Out There (Where I See): The Surround of Cinema. I Love You, Man: Mandate Movies, Bromantic Comedies and the ‘Frat Pack’. The All-Around-All-At-Once: Innovation and Attention-Seeking in the Surround of Cinema. Adventures in the Cinematic Afterlife: A Phenomenology of the Cinematic Glance. Conclusion – The Cinematic Glance: Commodity-Identity, its Afterlife and Foreclosure. Filmography. Bibliography.

Greg Singh is Lecturer in Media and Communications at the University of Stirling. He is the author of Film After Jung: Post-Jungian approaches to film theory (Routledge, 2009).

Select Guide Rating

• Hockley, Foreword. Introduction. Part I: Feelings, Identification and the Problematics of Cinema.The Feeling of Having a Feeling: Cinema and Leibniz’ ‘little perceptions’. Butterfly Affects: Incremental Narrative Changes and Compound Representations in Contemporary Film and Adaptation. What Becomes of the Tender-hearted: Transcendence, Geist and Lifeworld in Popular Independent Cinema. Part II: The Surround of Cinema. Introduction to Part Two – Adventure is Out There (Where I See): The Surround of Cinema. I Love You, Man: Mandate Movies, Bromantic Comedies and the ‘Frat Pack’. The All-Around-All-At-Once: Innovation and Attention-Seeking in the Surround of Cinema. Adventures in the Cinematic Afterlife: A Phenomenology of the Cinematic Glance. Conclusion – The Cinematic Glance: Commodity-Identity, its Afterlife and Foreclosure. Filmography. Bibliography.

Greg Singh is Lecturer in Media and Communications at the University of Stirling. He is the author of Film After Jung: Post-Jungian approaches to film theory (Routledge, 2009).

Select Guide Rating

• Hockley, Foreword. Introduction. Part I: Feelings, Identification and the Problematics of Cinema.The Feeling of Having a Feeling: Cinema and Leibniz’ ‘little perceptions’. Butterfly Affects: Incremental Narrative Changes and Compound Representations in Contemporary Film and Adaptation. What Becomes of the Tender-hearted: Transcendence, Geist and Lifeworld in Popular Independent Cinema. Part II: The Surround of Cinema. Introduction to Part Two – Adventure is Out There (Where I See): The Surround of Cinema. I Love You, Man: Mandate Movies, Bromantic Comedies and the ‘Frat Pack’. The All-Around-All-At-Once: Innovation and Attention-Seeking in the Surround of Cinema. Adventures in the Cinematic Afterlife: A Phenomenology of the Cinematic Glance. Conclusion – The Cinematic Glance: Commodity-Identity, its Afterlife and Foreclosure. Filmography. Bibliography.