Susan Leigh Foster is professor of choreography, history and theories of the body at UCLA. Her work has been supported by grants from the National Endowment of the Arts, the National Endowment of Humanities, and the Rockefeller and Jerome Foundations. Ph.D., History of Consciousness, University of California, Santa Cruz; M.A., Dance, University of California, Los Angeles; B.A. Anthropology, Swarthmore College. She has created several solo concerts which have toured the United States, Canada and Europe.

"May well prove to be one of Susan Foster’s most important works." - Ramsay Burt, De Montford University, UK"This extremely well-documented book is a marvelous addition to the literature on choreographic thought. Highly recommended." - L. K. Rosenberg, Miami University, USA

• Acknowledgements Introducing Choreographing Empathy Chapter 1 – Choreography Inventories and Taxonomies Traveling and Disseminating Authorship, Narrative, and Technique Revealing and Testifying Making and Collaborating Chapter 2 - Kinesthesia Chorographies and Anatomies Trembling and Orienting Hardening and Picturing Encompassing and Expressing Synthesizing and Simulating Chapter 3 – Empathy Taken Unawares by Surprising Magnetisms Surveying the Scene, Nervously Domesticating and Othering Identifying and Emoting Resonating and Predicting Chapter 4 – Choreographing Empathy Grounding and Remembering Locating and Surveilling Engendering and Evaluating Downloading and Accessorizing Choreographing Empathy

Susan Leigh Foster is professor of choreography, history and theories of the body at UCLA. Her work has been supported by grants from the National Endowment of the Arts, the National Endowment of Humanities, and the Rockefeller and Jerome Foundations. Ph.D., History of Consciousness, University of California, Santa Cruz; M.A., Dance, University of California, Los Angeles; B.A. Anthropology, Swarthmore College. She has created several solo concerts which have toured the United States, Canada and Europe.

"May well prove to be one of Susan Foster’s most important works." - Ramsay Burt, De Montford University, UK"This extremely well-documented book is a marvelous addition to the literature on choreographic thought. Highly recommended." - L. K. Rosenberg, Miami University, USA

• Acknowledgements Introducing Choreographing Empathy Chapter 1 – Choreography Inventories and Taxonomies Traveling and Disseminating Authorship, Narrative, and Technique Revealing and Testifying Making and Collaborating Chapter 2 - Kinesthesia Chorographies and Anatomies Trembling and Orienting Hardening and Picturing Encompassing and Expressing Synthesizing and Simulating Chapter 3 – Empathy Taken Unawares by Surprising Magnetisms Surveying the Scene, Nervously Domesticating and Othering Identifying and Emoting Resonating and Predicting Chapter 4 – Choreographing Empathy Grounding and Remembering Locating and Surveilling Engendering and Evaluating Downloading and Accessorizing Choreographing Empathy

Susan Leigh Foster is professor of choreography, history and theories of the body at UCLA. Her work has been supported by grants from the National Endowment of the Arts, the National Endowment of Humanities, and the Rockefeller and Jerome Foundations. Ph.D., History of Consciousness, University of California, Santa Cruz; M.A., Dance, University of California, Los Angeles; B.A. Anthropology, Swarthmore College. She has created several solo concerts which have toured the United States, Canada and Europe.

"May well prove to be one of Susan Foster’s most important works." - Ramsay Burt, De Montford University, UK"This extremely well-documented book is a marvelous addition to the literature on choreographic thought. Highly recommended." - L. K. Rosenberg, Miami University, USA

• Acknowledgements Introducing Choreographing Empathy Chapter 1 – Choreography Inventories and Taxonomies Traveling and Disseminating Authorship, Narrative, and Technique Revealing and Testifying Making and Collaborating Chapter 2 - Kinesthesia Chorographies and Anatomies Trembling and Orienting Hardening and Picturing Encompassing and Expressing Synthesizing and Simulating Chapter 3 – Empathy Taken Unawares by Surprising Magnetisms Surveying the Scene, Nervously Domesticating and Othering Identifying and Emoting Resonating and Predicting Chapter 4 – Choreographing Empathy Grounding and Remembering Locating and Surveilling Engendering and Evaluating Downloading and Accessorizing Choreographing Empathy