David Larmour is Professor of Classics and Comparative Literature at Texas Tech University. He co-edited Russian Literature and the Classics (1996) and since 1997 has been one of the editors of the journal Intertexts.

'I would like to stress that the volume makes for fascinating reading.' - MLR 99.2, 2004

• Introduction: collusion and collision PART I The artist and ideology 1 The Nabokov–Wilson debate: art versus social and moral responsibility 2 Two organ-grinders: duality and discontent in Bend Sinister PART II Discourses of gender and sexuality 3 Okrylyonnyy Soglyadatay – The winged eavesdropper: Nabokov and Kuzmin 4 Getting one past the goalkeeper: sports and games in Glory 5 The crewcut as homoerotic discourse in Nabokov’s Pale Fire PART III Lolita 6 Seeing through Humbert: focussing on the feminist sympathy in Lolita 7 Discourse, ideology, and hegemony: the double dramas in and around Lolita PART IV Cultural contacts 8 Nabokov and the sixties 9 Vladimir Nabokov and popular culture

David Larmour is Professor of Classics and Comparative Literature at Texas Tech University. He co-edited Russian Literature and the Classics (1996) and since 1997 has been one of the editors of the journal Intertexts.

'I would like to stress that the volume makes for fascinating reading.' - MLR 99.2, 2004

• Introduction: collusion and collision PART I The artist and ideology 1 The Nabokov–Wilson debate: art versus social and moral responsibility 2 Two organ-grinders: duality and discontent in Bend Sinister PART II Discourses of gender and sexuality 3 Okrylyonnyy Soglyadatay – The winged eavesdropper: Nabokov and Kuzmin 4 Getting one past the goalkeeper: sports and games in Glory 5 The crewcut as homoerotic discourse in Nabokov’s Pale Fire PART III Lolita 6 Seeing through Humbert: focussing on the feminist sympathy in Lolita 7 Discourse, ideology, and hegemony: the double dramas in and around Lolita PART IV Cultural contacts 8 Nabokov and the sixties 9 Vladimir Nabokov and popular culture

David Larmour is Professor of Classics and Comparative Literature at Texas Tech University. He co-edited Russian Literature and the Classics (1996) and since 1997 has been one of the editors of the journal Intertexts.

'I would like to stress that the volume makes for fascinating reading.' - MLR 99.2, 2004

• Introduction: collusion and collision PART I The artist and ideology 1 The Nabokov–Wilson debate: art versus social and moral responsibility 2 Two organ-grinders: duality and discontent in Bend Sinister PART II Discourses of gender and sexuality 3 Okrylyonnyy Soglyadatay – The winged eavesdropper: Nabokov and Kuzmin 4 Getting one past the goalkeeper: sports and games in Glory 5 The crewcut as homoerotic discourse in Nabokov’s Pale Fire PART III Lolita 6 Seeing through Humbert: focussing on the feminist sympathy in Lolita 7 Discourse, ideology, and hegemony: the double dramas in and around Lolita PART IV Cultural contacts 8 Nabokov and the sixties 9 Vladimir Nabokov and popular culture