Routledge Harwood Studies in Russian and European Literature – serie

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

Gender and Sexuality in Russian Civilisation considers gender and sexuality in modern Russia in the nineteenth and early twentieth centuries. Chapters look individually at gender and sexuality through history, art, folklore, philosophy or literature,but are also arranged into sections according to the arguments they develop. A number of chapters also consider Russia in the Soviet and post-Soviet periods. Thematic sections include:*Gender and Power*Gender and National Identity*Sexual Identity and Artistic Impression*Literary Discourse of Male and Female Sexualities*Sexuality and Literature in Contemporary Russian Society

The prose writings of Vladimir Nabokov form one of the most intriguing oeuvres of the twentieth century. His novels, which include Despair, Lolita and Pale Fire, have been celebrated for their stylistic artistry, their formal complexity, and their unique treatment of themes of memory, exile, loss, and desire.This collection of essays offers readings of several novels as well as discussions of Nabokov's exchange of views about literature with Edmund Wilson, and his place in the 1960s and contemporary popular culture.The volume brings together a diverse group of Nabokovian readers, of widely divergent scholarly backgrounds, interests, and approaches. Together they shift the focus from the manipulative games of author and text to the restless and sometimes resistant reader, and suggest new ways of enjoying these endlessly fascinating texts.

Gender and Sexuality in Russian Civilisation considers gender and sexuality in modern Russia in the nineteenth and early twentieth centuries. Chapters look individually at gender and sexuality through history, art, folklore, philosophy or literature,but are also arranged into sections according to the arguments they develop. A number of chapters also consider Russia in the Soviet and post-Soviet periods. Thematic sections include:*Gender and Power*Gender and National Identity*Sexual Identity and Artistic Impression*Literary Discourse of Male and Female Sexualities*Sexuality and Literature in Contemporary Russian Society

The prose writings of Vladimir Nabokov form one of the most intriguing oeuvres of the twentieth century. His novels, which include Despair, Lolita and Pale Fire, have been celebrated for their stylistic artistry, their formal complexity, and their unique treatment of themes of memory, exile, loss, and desire.This collection of essays offers readings of several novels as well as discussions of Nabokov's exchange of views about literature with Edmund Wilson, and his place in the 1960s and contemporary popular culture.The volume brings together a diverse group of Nabokovian readers, of widely divergent scholarly backgrounds, interests, and approaches. Together they shift the focus from the manipulative games of author and text to the restless and sometimes resistant reader, and suggest new ways of enjoying these endlessly fascinating texts.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

Russian Literature and the Classics attempts to fill a gap. To date there has been no book-length, systematic study of the impact of antiquity on Russian literature and culture. While by no means claiming to offer a comprehensive approach, the authors focus on various aspects of the influence which the Classics have had on Russian literature at particularly significant junctures - the beginning of the nineteenth century; the age of the great Russian realist novel; the "Silver Age"; Stalin's terror; the "Thaw" after 1956; and the period just before the collapse of Soviet society. In their introductory essay the editors offer an overview of the Classical Tradition. In it, they provide an insight into the contrasting ways in which that tradition manifested itself in the literatures of Western Europe and of Russia.

Russian Literature and the Classics attempts to fill a gap. To date there has been no book-length, systematic study of the impact of antiquity on Russian literature and culture. While by no means claiming to offer a comprehensive approach, the authors focus on various aspects of the influence which the Classics have had on Russian literature at particularly significant junctures - the beginning of the nineteenth century; the age of the great Russian realist novel; the "Silver Age"; Stalin's terror; the "Thaw" after 1956; and the period just before the collapse of Soviet society. In their introductory essay the editors offer an overview of the Classical Tradition. In it, they provide an insight into the contrasting ways in which that tradition manifested itself in the literatures of Western Europe and of Russia.