David Shepherd – författare

Although metafiction has been the subject of much critical and theoretical writing, this is the first full-length study of its place in Soviet literature.Focusing on metafictional works by Leonid Leonov, Marietta Shaginyan, Konstantin Vaginov, and Veniamin Kaverin, it examines, within a broadly Bakhtinian theoretical framework, the relationship between their self-consciousness and their cultural and political context. The texts are shown to challenge notions about the nature and function of literature fundamental to both Soviet and Anglo-American criticism. In particular, although metafictional strategies may seem designed to confirm assumptions about the aesthetic autonomy of the literary text, their effect is to reveal the shortcomings of such assumptions. The texts discussed take us beyond conventional understandings of metafiction by highlighting the need for a theoretically informed account of the history and reception of Soviet literature in which the inescapability of politics and ideology is no longer acknowledged grudgingly, but is instead celebrated.

Intended as a companion to Constructing Russian Culture in the Age of Revolution: 1881-1940 (also published by OUP) and covering a later period until the present day, this stimulating, original, and controversial book will not only be a vital resource for university courses on Russian culture at undergraduate and postgraduate level but essential reading for all those interested in Russian culture in the Soviet and post-Soviet periods. In a wide-ranging account of a variety of cultural forms and sites of cultural production--literature, cinema, radio, television, the visual arts, journalism, advertising and consumerism, music, theatre, the Church--the book sets out to give greater prominence to the processes of cultural reception than in previous texts. The book highlights the role images of national identity, gender politics , youth culture and the interaction of public and private consciousness have played in the formation of cultural forms in the USSR and post-communist Russia. Drawing extensively but critically on the theoretical agenda of contemporary cultural studies the book challenges the `top-down' model according to which cultural production is determined principally by its relationship to `high' politics and political institutions. Contributors include leading specialists in Russian literature, cultural history, and cultural theory from Britain, the USA, and Russia and the text is liberally illustrated with picture features and includes a chronology of events and suggestions for further reading with each section.

Constructing Russian Culture offers a pioneering new account of the relationship between literature and other cultural forms in Late Imperial Russia and Revolutionary Russia. The general consensus in Western study of Russia and the Soviet Union has been that understanding of `historical background' is essential to the study of `literature'. But this consensus has so far failed to produce sophisticated overviews of the culture as a whole; literary histories seldom venture outside a rigid canon of authors and literary groupings, and the account of `historical background' sometimes amount to little more than a listing of certain predictable political and social factors that can be perceived to have `influenced' (or impeded) literary developments. This book is an ambitious attempt to recontextualize Russian literature, and rethink the relations between literature and other cultural forms. The book examines a number of, in Bourdieu's term `cultural fields' in late Imperial Russia: science and objectivity; national and personal identity; consumerism and commercial culture. There is also a `keywords' introduction explaining the evolution of concepts of the self, the nation, and `literariness' in Russian culture, and an `Epilogue' outlining the further history of the central themes after 1917. Contributors include leading specialists in Russian literature, cultural history, and cultural theory from Britain, the USA, and Russia. Intended as a companion to Russian Cultural Studies: An Introduction (also OUP), this stimulating, original, and controversial book will be a vital resource for all those interested in Russian culture during `the age of Revolution'.

This book is the first attempt to establish 'economic crime' as a new sub-discipline within criminology. Fraud, corruption, bribery, money laundering, price-fixing cartels and intellectual property crimes pursued typically for financial and professional gain, have devastating consequences for the prosperity of economic life. While most police forces in the UK and the USA have an ‘economic crime’ department, and many European bodies such as Europol use the term and develop strategies and structures to deal with it, it is yet to grain traction as a widely used term in the academic community. Economic Crime: From Conception to Response aims to change that and covers: definitions of the key premises of economic crime as the academic sub-discipline within criminology; an overview of the key research on each of the crimes associated with economic crime; public, private and global responses to economic crime across its different forms and sectors of the economy, both within the UK and globally. This book is an essential resource for students, academics and practitioners engaged with aspects of economic crime, as well as the related areas of financial crime, white-collar crime and crimes of the powerful.

This book is the first attempt to establish 'economic crime' as a new sub-discipline within criminology. Fraud, corruption, bribery, money laundering, price-fixing cartels and intellectual property crimes pursued typically for financial and professional gain, have devastating consequences for the prosperity of economic life. While most police forces in the UK and the USA have an ‘economic crime’ department, and many European bodies such as Europol use the term and develop strategies and structures to deal with it, it is yet to grain traction as a widely used term in the academic community. Economic Crime: From Conception to Response aims to change that and covers: definitions of the key premises of economic crime as the academic sub-discipline within criminology; an overview of the key research on each of the crimes associated with economic crime; public, private and global responses to economic crime across its different forms and sectors of the economy, both within the UK and globally. This book is an essential resource for students, academics and practitioners engaged with aspects of economic crime, as well as the related areas of financial crime, white-collar crime and crimes of the powerful.

While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era’s most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

This study analyses the causes of British manufacturing investment overseas, focusing primarily on the period from the mid 1960s to the mid 1980s. During these years there were significant changes in UK direct investment and this book represented the first major analysis of these changes based on detailed case studies of British international firms. The early chapters assess the available statistical evidence and the theories of overseas investment that had hitherto been put forward. The authors emphasize the need for recognizing the dynamic and varied nature of firms and the relevance of their historical development in order to understand business decision-making. Through a detailed consideration of the activities of a large sample of companies, the book explains why they manufacture abroad and assesses the overall consequences for the British economy of its overseas investment.

While Jesus has attracted the sporadic interest of film-makers since the epics of the Sixties, it is often forgotten that between the advent of motion pictures in the 1890s and the close of the "silent" era at the end of the 1920s, some of the longest, most expensive and most watched films on both sides of the Atlantic were focused on the Life and Passion of the Christ. Drawing upon rarely seen archival footage and the work of both the era’s most important directors (e.g. Alice Guy, Ferdinand Zecca, Sidney Olcott, D.W. Griffith, Carl Dreyer, and C.B. DeMille) and others who have been all but forgotten, this collection of essays offers a representative survey of the Silents of Jesus, illustrating the ways in which the earliest films and those which followed were influenced by a multiplicity of factors. Written by leading scholars in biblical and early film studies this collection explores the ways in which the Silents of Jesus were shaped not only by the performing and visual arts of the nineteenth century and the technological challenges and opportunities of a new medium and industry, but also by the artistic, theological and ideological predilections of studios and directors, and the expectations of audiences as the genre evolved. Taken together, the essays collected here offer a seminal treatment of the genesis and early evolution of the cinematic Jesus.

This study analyses the causes of British manufacturing investment overseas, focusing primarily on the period from the mid 1960s to the mid 1980s. During these years there were significant changes in UK direct investment and this book represented the first major analysis of these changes based on detailed case studies of British international firms. The early chapters assess the available statistical evidence and the theories of overseas investment that had hitherto been put forward. The authors emphasize the need for recognizing the dynamic and varied nature of firms and the relevance of their historical development in order to understand business decision-making. Through a detailed consideration of the activities of a large sample of companies, the book explains why they manufacture abroad and assesses the overall consequences for the British economy of its overseas investment.

It has seemed at times that there is no neutral territory between those who see Bakhtin as the practitioner of a kind of neo-Marxist, or at least materialist, deconstruction and those who look at the same texts and see a defender of traditional, liberal humanist values and classical conceptions of order, a conservative in the true sense of the term. Arising from a conference under the same title held at Texas Tech University, Carnivalizing Difference seeks to explore the actual and possible relationships between Bakhtinian theory and cultural practice. The introduction explores the changing configurations of our understanding of Bakhtin's work in the context of recent theory and outlines how that understanding can inform, and be informed by, culture both ancient and modern. Eleven articles, spanning a wide range of periods and cultural forms, then address these issues in detail, revealing the ways in which Bakhtinian thought illuminates, sometimes obfuscates, but always challenges.

An important collection of essays which treats Bakhtin as a provocative theorist whose work must be tested, explored and compared with the work of others. Contributors assess Bakhtin's contribution to difficult issues of colonialism, feminism, reception theory and theories of the body, amongst others. New articles explore the origins, previously unacknowledged, of Bakhtin's theory of language and provide a vivid account of the dramatic scandal surrounding Bakhtin's thesis on Rabelais. Contains dramatic new material, drawn from post-perestroika sources, which demythologizes the image of this important writer. A new bibliographical essay and introduction bring the English-language reader up-to-date with the progress of Bakhtin studies in Russia.

This book is a collection of essays on the most important figures associated with the Bakhtin Circle. It offers new biographical material, valuable translations of important Russian texts, a timeline and extensive bibliographical references.

It is estimated that there are over five million incidents of fraud and two million cyber-related crimes committed annually in the UK costing approximately £193 billion with organisations losing £183 billion per year.Aimed at business directors, business owners, in-house lawyers and managers, forensic accountants and non-UK lawyers, Commercial and Cyber Fraud: A Legal Guide to Justice for Businesses sets out the legal process, from discovery of the crime and consideration of options, through engaging lawyers, early interventions to secure assets in the hands of fraudsters and culminating in sections on legal rights and processes, including court trials.This new title:- Arms victims of business fraud with valuable information that will enable them to make confident and wise choices in their pursuit of justice right from the first discovery of commercial fraud or cyber fraud- Sets out both the civil and criminal court options for victims- Includes detailed guidance on how to choose, use and pay for lawyers- Explains strategic imperatives, the relative merits of the different justice options and the hurdles that might have to be overcome- Includes case studies and quotes from real victims of commercial and cyber fraud and insightful quotes from specialist fraud litigation lawyers- Contains an introduction to international fraud cases and cross-border lawsThis title is included in Bloomsbury Professional's Company and Commercial Law and Cyber Law online services.

This Handbook provides an authoritative and practical road map for those implementing and managing BIM workflows. With the 2016 deadline for BIM level 2 fast approaching and the growing realisation of the huge benefits BIM brings these skills are increasingly becoming industry essentials. This will help you to adapt by clearly, and without jargon, explaining standard BIM processes, Government standards and the effective coordination of design, construction and asset information. Spanning both organisational strategy and day-to-day practical tasks it explores bottom line business reasoning as well as potential risks and challenges.This is the go-to guide for BIM coordinators and managers, architectural principals, design team leaders and architectural technicians that will ensure you are ‘BIM ready’ in 2016. It will also be invaluable for students of architecture and BIM getting to grips with strategy and implementation.