Katja Krebs is Senior Lecturer in Theatre and Performance Studies at the University of Bristol, UK.

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• 1. Introduction: Collisions, Diversions and Meeting Points Katja Krebs Part I: Converging Agendas 2. Definitions, Dyads, Triads and Other Points of Connection in Translation and Adaptation Discourse Márta Minier 3. Bakhtin, Translation and Adaptation Dennis Cutchins 4. Anti-Essentialist Versions of Aggregate Alice: A Grin Without a Cat Eckart Voigts-Virchow Part II: Merging Ideas 5. Theorising Omkara John Milton 6. The Thief of Baghdad: Foreignising Adaptations Jessica Wiest 7. Molière among the Penguins: John Wood’s translations for the early Penguin Classics Adrienne Mason Part III: Emerging Practices 8. Half-Masks and Stage Blood: Translating, Adapting and Performing French Historical Theatre Forms Richard J. Hand 9. Bridging the Translation/ Adaptation Divide: A Pedagogical View Laurence Raw & Tony Gurr 10. Scenic Narration: Between Film and Theatre Ildikó Ungvari Zrínyi 11. When Creation, Translation and Adaptation Meet: SignDance Collective’s New Gold Pedro de Senna

Katja Krebs is Senior Lecturer in Theatre and Performance Studies at the University of Bristol, UK.

Select Guide Rating

• 1. Introduction: Collisions, Diversions and Meeting Points Katja Krebs Part I: Converging Agendas 2. Definitions, Dyads, Triads and Other Points of Connection in Translation and Adaptation Discourse Márta Minier 3. Bakhtin, Translation and Adaptation Dennis Cutchins 4. Anti-Essentialist Versions of Aggregate Alice: A Grin Without a Cat Eckart Voigts-Virchow Part II: Merging Ideas 5. Theorising Omkara John Milton 6. The Thief of Baghdad: Foreignising Adaptations Jessica Wiest 7. Molière among the Penguins: John Wood’s translations for the early Penguin Classics Adrienne Mason Part III: Emerging Practices 8. Half-Masks and Stage Blood: Translating, Adapting and Performing French Historical Theatre Forms Richard J. Hand 9. Bridging the Translation/ Adaptation Divide: A Pedagogical View Laurence Raw & Tony Gurr 10. Scenic Narration: Between Film and Theatre Ildikó Ungvari Zrínyi 11. When Creation, Translation and Adaptation Meet: SignDance Collective’s New Gold Pedro de Senna

Katja Krebs is Senior Lecturer in Theatre and Performance Studies at the University of Bristol, UK.

Select Guide Rating

• 1. Introduction: Collisions, Diversions and Meeting Points Katja Krebs Part I: Converging Agendas 2. Definitions, Dyads, Triads and Other Points of Connection in Translation and Adaptation Discourse Márta Minier 3. Bakhtin, Translation and Adaptation Dennis Cutchins 4. Anti-Essentialist Versions of Aggregate Alice: A Grin Without a Cat Eckart Voigts-Virchow Part II: Merging Ideas 5. Theorising Omkara John Milton 6. The Thief of Baghdad: Foreignising Adaptations Jessica Wiest 7. Molière among the Penguins: John Wood’s translations for the early Penguin Classics Adrienne Mason Part III: Emerging Practices 8. Half-Masks and Stage Blood: Translating, Adapting and Performing French Historical Theatre Forms Richard J. Hand 9. Bridging the Translation/ Adaptation Divide: A Pedagogical View Laurence Raw & Tony Gurr 10. Scenic Narration: Between Film and Theatre Ildikó Ungvari Zrínyi 11. When Creation, Translation and Adaptation Meet: SignDance Collective’s New Gold Pedro de Senna