Caroline Brown is an assistant professor in the English department at the University of Montreal. She specializes in African-American and diasporic literature, 20th century U.S. literature, and women’s studies. Her articles have appeared in African American Review, Obsidian III, NWSA Journal, and Comparative Studies of South Asia, Africa, and the Middle East.

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• Acknowledgments Abbreviations Introduction: Gaps and Contradictions: Righting the Black Body in the White Text 1: The Poetics of Late Capitalism and the Black Cultural Imaginary: Revising Modernity’s Archive through Postmodern Praxis 2: A Complicated Anger: The Performative Black Body as Postmodern Bricolage 3: When the Circle Has Been Broken and No Words Can Heal the Pain: Possession-Performance as Ritual Mourning 4: The Haunted Echo and the Riddle of the Word: the Black Musical Tradition as the Renegotiation of Identity 5: The Scopic and the Scene: Performance, Performativity, and the Destabilization of the Racial Gaze 6: The Silenced Tongue, a Rebellious Art: the Body as Tableau Notes Bibliography Index

Caroline Brown is an assistant professor in the English department at the University of Montreal. She specializes in African-American and diasporic literature, 20th century U.S. literature, and women’s studies. Her articles have appeared in African American Review, Obsidian III, NWSA Journal, and Comparative Studies of South Asia, Africa, and the Middle East.

Select Guide Rating

• Acknowledgments Abbreviations Introduction: Gaps and Contradictions: Righting the Black Body in the White Text 1: The Poetics of Late Capitalism and the Black Cultural Imaginary: Revising Modernity’s Archive through Postmodern Praxis 2: A Complicated Anger: The Performative Black Body as Postmodern Bricolage 3: When the Circle Has Been Broken and No Words Can Heal the Pain: Possession-Performance as Ritual Mourning 4: The Haunted Echo and the Riddle of the Word: the Black Musical Tradition as the Renegotiation of Identity 5: The Scopic and the Scene: Performance, Performativity, and the Destabilization of the Racial Gaze 6: The Silenced Tongue, a Rebellious Art: the Body as Tableau Notes Bibliography Index

Caroline Brown is an assistant professor in the English department at the University of Montreal. She specializes in African-American and diasporic literature, 20th century U.S. literature, and women’s studies. Her articles have appeared in African American Review, Obsidian III, NWSA Journal, and Comparative Studies of South Asia, Africa, and the Middle East.

Select Guide Rating

• Acknowledgments Abbreviations Introduction: Gaps and Contradictions: Righting the Black Body in the White Text 1: The Poetics of Late Capitalism and the Black Cultural Imaginary: Revising Modernity’s Archive through Postmodern Praxis 2: A Complicated Anger: The Performative Black Body as Postmodern Bricolage 3: When the Circle Has Been Broken and No Words Can Heal the Pain: Possession-Performance as Ritual Mourning 4: The Haunted Echo and the Riddle of the Word: the Black Musical Tradition as the Renegotiation of Identity 5: The Scopic and the Scene: Performance, Performativity, and the Destabilization of the Racial Gaze 6: The Silenced Tongue, a Rebellious Art: the Body as Tableau Notes Bibliography Index