Jennifer Milioto Matsue is an Assistant Professor in the Department of Music at Union College.

'This book is a welcome contribution to the study of music in Japan and popular music studies in general. Matsue’s notion of ‘playing with resistance’ serves as a powerful reminder that so-called ‘alternative’ styles of popular music are less about resistance to mainstream culture and more about the construction of an imagined alternative society that actually recreates and reinforces social norms.' - Jay Keister, author of Shaped By Japanese Music 'This book is a model of rich and committed ethnography. Its account of hardcore music-making in Tokyo engages with key questions of creative labour and its meaning. With insight and wit, Matsue analyzes music’s relationship to work and play, to movement through the city, and to the meaning of musical undergrounds.' - Will Straw, McGill University, Canada

• Introduction: Ethnography of a Scene 1. The Underground Tokyo Hardcore Scene 2. Trains, 20,000volt, Tower Records, and the Illicit Intimacy of the Spaces of Play 3. Schoolboys, Aspiring Stars, Underground Girls, and the Multiple Identities of the People who Play 4. More than the Musical in the Performance of Hardcore. Conclusion: Meaning and the Power of Performance. Epilogue: “Koenji, the sacred place for underground music."