Fictions of the Real

Synergies Between Screen and Stage in Argentine Performance

AvBrenda Werth

Häftad, Engelska, 2026

609 kr

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Beskrivning

Brenda Werth’s Fictions of the Real traces the transformation of “the real” and its transnational conceptualization by Argentine artists in the twenty-first century, focusing on artists who engage in both documentary theater and filmmaking. Werth places the work of Lola Arias, Romina Paula, Federico León, Mariano Pensotti, and Grupo Krapp in dialogue with the distinct but intertwined lineages of theater and film exploring the intermedial dimensions of these artists’ theatrical work, resonances in their documentary films, and the transmedial relationships between their documentary plays and films. Focusing on the dynamic and shifting context of Argentina between 1998 and 2023, a period roughly bookmarked by the economic crisis of 2001 and the COVID-19 pandemic, this book explores how these artists disrupt the relations of power and counter political manipulation with their own evocative fictions of the real as they engage in the roles of translators, curators, researchers, archivists, and collaborators.

Produktinformation

Utgivningsdatum:2026-09-02
Mått:152 x 229 x undefined mm
Format:Häftad
Språk:Engelska
Antal sidor:276
Förlag:The University of Michigan Press
ISBN:9780472058204

Utforska kategorier

Teater inom Kultur
Film inom Kultur

Mer om författaren

Brenda Werth is Associate Professor of Latin American and Spanish Studies and Department Chair of World Languages and Cultures at American University. She is the coeditor of Bodies on the Front Lines: Performance Gender, and Sexuality in Latin America and the Caribbean.

Recensioner i media

“Fictions of the Real is both ambitious and unpretentious; it recognizes other contributions to Argentinian performance studies while offering its own original approach to the subject. Werth’s well-researched and well-written book speaks to various audiences, reaching researchers, artists, and anyone interested in Latin American theater.”

Innehållsförteckning

ContentsList of IllustrationsAcknowledgmentsList of Primary Works and PremieresIntroduction: Argentina’s Culture of the RealLola Arias: Researching the Past through Stunt Doubles and Time Machines Federico León: Everything is an Archive; Everything is Recorded El Grupo Krapp: A Collaborative Choreography of Affects Romina Paula: Translating the Fantasy of the Real Mariano Pensotti: Curating Live Novels and Impossible Films Conclusion: Deepfake Politics and Fictions of the RealNotesBibliography