Legal Stories

Narrative-Based Property Development in the Modern Copyright Era

Inbunden, Engelska, 2024

921 kr

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Beskrivning

Tracing the emergence of what the media industries today call transmedia, story worlds, and narrative franchises, Legal Stories provides a dual history of copyright law and narrative-based media development between the Copyright Act of 1909 and the Copyright Act of 1976. Drawing on archival material, including legal case files, and employing the principles of actor-network theory, Gregory Steirer demonstrates how the meaning and form of narrative-based property in the twentieth century was integral to the letter and practice of intellectual property law during this time. Steirer’s expansive view of intellectual property law encompasses not only statutes and judicial opinions, but also the everyday practices and productions of authors, editors, fans, and other legal laypersons. The result is a history of the law as improvisatory and accident-prone, taking place as often outside the courtroom as inside, and shaped as much by laypersons as lawyers. Through the examination of influential legal disputes involving early properties such as Dashiell Hammett’s Sam Spade, H. P. Lovecraft’s Cthulhu Mythos, and Robert E. Howard’s Conan the Barbarian, Steirer provides a ground’s eye view of how copyright law has operated and evolved in practice.

Produktinformation

Utgivningsdatum:2024-07-01
Mått:152 x 229 x undefined mm
Format:Inbunden
Språk:Engelska
Antal sidor:320
Förlag:The University of Michigan Press
ISBN:9780472076826

Utforska kategorier

Medievetenskap inom Samhälle och politik
Upphovsrätt inom Juridik
Underhållning och media: Juridik inom Juridik

Mer om författaren

Gregory Steirer is Associate Professor of English and Film & Media Studies at Dickinson College and the author (with Alisa Perren) of The American Comic Book Industry and Hollywood.

Recensioner i media

“Legal Stories is detailed, careful, and nuanced. To my knowledge, no other book-length work has given as much serious attention to the ways in which copyright law—not just as a general idea, but as a specific legal institution with particular and idiosyncratic requirements and repercussions—has shaped the expansion of transmedia/franchise storytelling.”—Shawna Kidman, author of Comic Books Incorporated: How the Business of Comics Became the Business of Hollywood

Innehållsförteckning

Table of ContentsDedicationList of Illustrations AcknowledgmentsIntroductionChapter 1: The Modern Copyright Era’s Foundational Legal Infrastructure: Short Copyright Duration and Copyright FormalitiesChapter 2: “Only the Chessman in the Game of Telling the Story:” Warner Bros. v. CBS, the Idea-Expression Dichotomy, and the Principle of Iterative Textual DerivationChapter 3: From Yog-Sothery to Property: H. P. Lovecraft and the Making of the Cthulhu MythosChapter 4: When Is a Copyright Not a Copyright? Unfair Competition and Cartoon and Comics Characters in the Modern Copyright EraChapter 5: Conan, the Syndicate: Informal Contracting and the Making of Narrative-Based PropertyCoda: What Comes After? Toward a Periodization of U.S. Intellectual Property LawNotesBibliographyIndex