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    1. Skönlitteratur
    2. Essäer

    Placing Movies

    The Practice of Film Criticism

    AvJonathan Rosenbaum

    Häftad, Engelska, 1995

    Del i serien University of California Press

    477 kr

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    E-bok

    517 kr

    Beskrivning

    Jonathan Rosenbaum, longtime contributor to such publications as Film Quarterly, Sight and Sound, and The Village Voice, is arguably the most eloquent, insightful film critic writing in America today. Placing Movies, the first collection of his work, gathers together thirty of his most distinctive and illuminating pieces. Written over a span of twenty-one years, these essays cover an extraordinarily broad range of films--from Hollywood blockbusters to foreign art movies to experimental cinema. They include not just reviews but perceptive commentary on directors, actors, and trends; and thoughtful analysis of the practice of film criticism. It is this last element--Rosenbaum's reflections on the art of film criticism--that sets this collection apart from other volumes of film writing. Both in the essays themselves and in the section introductions, Rosenbaum provides a rare insider's view of his profession: the backstage politics, the formulation of critical judgments, the function of film commentary. Taken together, these pieces serve as a guided tour of the profession of film criticism. They also serve as representative samples of Rosenbaum's unique brand of film writing.Among the highlights are memoirs of director Jacques Tati and maverick critic Manny Farber, celebrations of classics such as Gentlemen Prefer Blondes and The Manchurian Candidate, and considered reevaluations of Orson Welles and Woody Allen.

    Produktinformation

    • Utgivningsdatum:1995-05-10
    • Mått:152 x 229 x 23 mm
    • Vikt:499 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:University of California Press
    • Antal sidor:348
    • Förlag:University of California Press
    • ISBN:9780520086333

    Utforska kategorier

    • Essäer inom Skönlitteratur
    • Film inom Kultur

    Mer om författaren

    Jonathan Rosenbaum, film critic at the Chicago Reader, is author of Greed (1993) and Film: The Front Line 1983. He is also coauthor, with J. Hoberman, of Midnight Movies (1983).

    Innehållsförteckning

    • Dedication and AcknowledgmentsStarting Out in Film CriticismOne. The Critical ApparatusIntroductionTheory and Practice: The Criticism ofJean-Luc GodardFilm Comment Journals, 1974-1977: ExcerptsEdinburgh Encounters: A Consumers/ProducersGuide-in-Progress to Four Recent Avant-Garde FilmsBarthes & Film: 12 SuggestionsA Bluffer's Guide to Bela TarrThey Drive by Night: The Criticism of Manny FarberTwo. TouchstonesIntroductionOzu's GOOD MORNINGAspects of ANATAHANGold Diggers of 1953: Howard Hawks'sGENTLEMEN PREFER BLONDESGERTRUD as Nonnarrative: The Desire for the ImageTHE MANCHURIAN CANDIDATEOTHELLO Goes HollywoodThree. FilinmakersIntroductionWork and Play in the House of Fiction:On Jacques RivetteThe Tyranny of SensitivityLove Films: A Cassavetes RetrospectiveThe Death of HulotOrson Welles's Essay Films and Documentary Fictions:A Two-Part SpeculationThe Importance of Being Perverse: Godard's KING LEARAlain Resnais and MELOFour. ProvocationsIntroductionJerry Lewis's HARDLY WORKINGDOOMED LOVE: The Masterpiece You MissedRAIDERS OF THE LOST ARKMapping the Territory of Rlh11 RuizNotes Toward the Devaluation of Woody AllenCrass Consciousness: BARTON FINKFive. Inside and Outside the Movie TheaterIntroductionBird WatchingJean Vigo's Secret: L' ATALANTEGuilty by OmissionHis Master's Vice: Fuller's WHITE DOGGovernment Lies: THE PANAMA DECEPTION andDEEP COYERA Cinema of Uncertainty: Films byMichelangelo AntonioniBibliographyIndex