Wendy Heller is Assistant Professor of Music at Princeton University.

• List of Illustrations List of Tables Preface and Acknowledgments List of Abbreviations Editorial Principles Introduction 1. The Emblematic Woman 2. Bizzarrie Femminile: Opera and the Accademia degli Incogniti 3. Didone and the Voice of Chastity 4. "Disprezzata regina": Woman and Empire 5. The Nymph Calisto and the Myth of Female Pleasure 6. Semiramide and Musical Transvestism 7. Messalina la Meretrice: Envoicing the Courtesan Conclusions Notes Bibliography Index

Wendy Heller is Assistant Professor of Music at Princeton University.

• List of Illustrations List of Tables Preface and Acknowledgments List of Abbreviations Editorial Principles Introduction 1. The Emblematic Woman 2. Bizzarrie Femminile: Opera and the Accademia degli Incogniti 3. Didone and the Voice of Chastity 4. "Disprezzata regina": Woman and Empire 5. The Nymph Calisto and the Myth of Female Pleasure 6. Semiramide and Musical Transvestism 7. Messalina la Meretrice: Envoicing the Courtesan Conclusions Notes Bibliography Index

Wendy Heller is Assistant Professor of Music at Princeton University.

• List of Illustrations List of Tables Preface and Acknowledgments List of Abbreviations Editorial Principles Introduction 1. The Emblematic Woman 2. Bizzarrie Femminile: Opera and the Accademia degli Incogniti 3. Didone and the Voice of Chastity 4. "Disprezzata regina": Woman and Empire 5. The Nymph Calisto and the Myth of Female Pleasure 6. Semiramide and Musical Transvestism 7. Messalina la Meretrice: Envoicing the Courtesan Conclusions Notes Bibliography Index