David Cateforis is Professor and Chair of Art History at the University of Kansas. He has published widely on twentieth-century American art and international contemporary art. He is the editor of Rethinking Andrew Wyeth and Decade of Transformation: American Art of the 1960s and coeditor of Albert Bloch: Artistic and Literary Perspectives.  Steven Duval is an artist and researcher based in Buffalo, New York, who has shown work in the Gwangju biennale, Nuit Blanche Paris, Apexarts New York, and the Fruitmarket Gallery in Edinburgh. He also runs the Independent Arts Research project.   Shepherd Steiner is Associate Professor of Contemporary Art and Theory at the University of Manitoba. He is the coeditor of Cork Caucus: On Art, Possibility and Democracy and The New Criticism: Formalist Literary Theory in America and Abroad. He is the author of Rodney Graham: Phonokinetoscope and the editor of Mosaic, an Interdisciplinary Critical Journal.

"The hybrid practices featured in this collection speak to collaboration and participation, between disciplines and between presenters and audiences. They speak to a fluidity of working in and across scientific, artistic, and performance disciplines."

• ForewordSaralyn Reece Hardy and Rebecca BlocksomeIntroduction: Reassessing Hybrid PracticeDavid Cateforis, Steven Duval, and Shepherd SteinerPART I: FALLOUT: CREATIVITY AND INVENTION IN, AS, OR BETWEEN ART, SCIENCE, AND GOVERNMENT1. Launching “Hybrid Practices” in the 1960s: On the Perils and Promise of Art and Technology / Anne Collins Goodyear2. Identity, Rhetoric, and Method in the Collaborations of Experiments in Art and Technology, the Artist Placement Group, and the Art and Technology Program at the Los Angeles County Museum of Art / Steven Duval3. Fallout and Spinoff : Commercializing the Art-Technology Nexus / W. Patrick McCray4. Beyond Method and without Object: Subject as Inquiry in the Irwin-Wortz Collaboration / Dawna Schuld5. Monuments to the Period We Live In / Craig RichardsonPART II: AFFECTIVE FEEDBACK: TIME, PLAY, AND CONTAGION AS SYSTEMS OF PARTICIPATION6. Sounding Snows: Bodily Static and the Politics of Visibility during the Vietnam War / Erica Levin7. Contagious Creativity: Participatory Engagement in the Magic Theater Exhibition (1968) / Cristina Albu8. Programming and Reprogramming the Institution: Systems Politics in Hans Haacke’s Photoelectric Viewer-Programmed Coordinate System / John A. TysonPART III: THRESHOLDS OF THE VISIBLE: TECHNOLOGIES OF THE EVERYDAY9. Technologies of Indeterminacy: John Cage Invents / Sandra Skurvida10. Dramaturgical Devices and Stanley Milgram’s Hybrid Practice / Maya Rae Oppenheimer11. Prostheses or Technical Extensions: Rereading the Work of Bernd and Hilla Becher / Shepherd SteinerSupplement: The Hale Experiments: Object-Oriented Ventriloquy during the Cold WarAn ESTAR(SER) project by the Prosopopoeia Working GroupAcknowledgmentsList of ContributorsList of IllustrationsIndex

David Cateforis is Professor and Chair of Art History at the University of Kansas. He has published widely on twentieth-century American art and international contemporary art. He is the editor of Rethinking Andrew Wyeth and Decade of Transformation: American Art of the 1960s and coeditor of Albert Bloch: Artistic and Literary Perspectives.  Steven Duval is an artist and researcher based in Buffalo, New York, who has shown work in the Gwangju biennale, Nuit Blanche Paris, Apexarts New York, and the Fruitmarket Gallery in Edinburgh. He also runs the Independent Arts Research project.   Shepherd Steiner is Associate Professor of Contemporary Art and Theory at the University of Manitoba. He is the coeditor of Cork Caucus: On Art, Possibility and Democracy and The New Criticism: Formalist Literary Theory in America and Abroad. He is the author of Rodney Graham: Phonokinetoscope and the editor of Mosaic, an Interdisciplinary Critical Journal.

"The hybrid practices featured in this collection speak to collaboration and participation, between disciplines and between presenters and audiences. They speak to a fluidity of working in and across scientific, artistic, and performance disciplines."

• ForewordSaralyn Reece Hardy and Rebecca BlocksomeIntroduction: Reassessing Hybrid PracticeDavid Cateforis, Steven Duval, and Shepherd SteinerPART I: FALLOUT: CREATIVITY AND INVENTION IN, AS, OR BETWEEN ART, SCIENCE, AND GOVERNMENT1. Launching “Hybrid Practices” in the 1960s: On the Perils and Promise of Art and Technology / Anne Collins Goodyear2. Identity, Rhetoric, and Method in the Collaborations of Experiments in Art and Technology, the Artist Placement Group, and the Art and Technology Program at the Los Angeles County Museum of Art / Steven Duval3. Fallout and Spinoff : Commercializing the Art-Technology Nexus / W. Patrick McCray4. Beyond Method and without Object: Subject as Inquiry in the Irwin-Wortz Collaboration / Dawna Schuld5. Monuments to the Period We Live In / Craig RichardsonPART II: AFFECTIVE FEEDBACK: TIME, PLAY, AND CONTAGION AS SYSTEMS OF PARTICIPATION6. Sounding Snows: Bodily Static and the Politics of Visibility during the Vietnam War / Erica Levin7. Contagious Creativity: Participatory Engagement in the Magic Theater Exhibition (1968) / Cristina Albu8. Programming and Reprogramming the Institution: Systems Politics in Hans Haacke’s Photoelectric Viewer-Programmed Coordinate System / John A. TysonPART III: THRESHOLDS OF THE VISIBLE: TECHNOLOGIES OF THE EVERYDAY9. Technologies of Indeterminacy: John Cage Invents / Sandra Skurvida10. Dramaturgical Devices and Stanley Milgram’s Hybrid Practice / Maya Rae Oppenheimer11. Prostheses or Technical Extensions: Rereading the Work of Bernd and Hilla Becher / Shepherd SteinerSupplement: The Hale Experiments: Object-Oriented Ventriloquy during the Cold WarAn ESTAR(SER) project by the Prosopopoeia Working GroupAcknowledgmentsList of ContributorsList of IllustrationsIndex

David Cateforis is Professor and Chair of Art History at the University of Kansas. He has published widely on twentieth-century American art and international contemporary art. He is the editor of Rethinking Andrew Wyeth and Decade of Transformation: American Art of the 1960s and coeditor of Albert Bloch: Artistic and Literary Perspectives.  Steven Duval is an artist and researcher based in Buffalo, New York, who has shown work in the Gwangju biennale, Nuit Blanche Paris, Apexarts New York, and the Fruitmarket Gallery in Edinburgh. He also runs the Independent Arts Research project.   Shepherd Steiner is Associate Professor of Contemporary Art and Theory at the University of Manitoba. He is the coeditor of Cork Caucus: On Art, Possibility and Democracy and The New Criticism: Formalist Literary Theory in America and Abroad. He is the author of Rodney Graham: Phonokinetoscope and the editor of Mosaic, an Interdisciplinary Critical Journal.

"The hybrid practices featured in this collection speak to collaboration and participation, between disciplines and between presenters and audiences. They speak to a fluidity of working in and across scientific, artistic, and performance disciplines."

• ForewordSaralyn Reece Hardy and Rebecca BlocksomeIntroduction: Reassessing Hybrid PracticeDavid Cateforis, Steven Duval, and Shepherd SteinerPART I: FALLOUT: CREATIVITY AND INVENTION IN, AS, OR BETWEEN ART, SCIENCE, AND GOVERNMENT1. Launching “Hybrid Practices” in the 1960s: On the Perils and Promise of Art and Technology / Anne Collins Goodyear2. Identity, Rhetoric, and Method in the Collaborations of Experiments in Art and Technology, the Artist Placement Group, and the Art and Technology Program at the Los Angeles County Museum of Art / Steven Duval3. Fallout and Spinoff : Commercializing the Art-Technology Nexus / W. Patrick McCray4. Beyond Method and without Object: Subject as Inquiry in the Irwin-Wortz Collaboration / Dawna Schuld5. Monuments to the Period We Live In / Craig RichardsonPART II: AFFECTIVE FEEDBACK: TIME, PLAY, AND CONTAGION AS SYSTEMS OF PARTICIPATION6. Sounding Snows: Bodily Static and the Politics of Visibility during the Vietnam War / Erica Levin7. Contagious Creativity: Participatory Engagement in the Magic Theater Exhibition (1968) / Cristina Albu8. Programming and Reprogramming the Institution: Systems Politics in Hans Haacke’s Photoelectric Viewer-Programmed Coordinate System / John A. TysonPART III: THRESHOLDS OF THE VISIBLE: TECHNOLOGIES OF THE EVERYDAY9. Technologies of Indeterminacy: John Cage Invents / Sandra Skurvida10. Dramaturgical Devices and Stanley Milgram’s Hybrid Practice / Maya Rae Oppenheimer11. Prostheses or Technical Extensions: Rereading the Work of Bernd and Hilla Becher / Shepherd SteinerSupplement: The Hale Experiments: Object-Oriented Ventriloquy during the Cold WarAn ESTAR(SER) project by the Prosopopoeia Working GroupAcknowledgmentsList of ContributorsList of IllustrationsIndex