"This introductory study fully realizes the aims of a Cambridge Opera Handbook by presenting abundant, synoptic, analytical, and historical information about Die Meistersinger along with distinctive critical interpretations." Opera Quarterly

• List of illustrations; General preface; Acknowledgements; Abbreviations; Composition and performance details; 1. The sources and genesis of the text John Warrack; 2. Synopsis John Warrack; 3. Sachs, Beckmesser, and Mastersong John Warrack; 4: Sachs and Schopenhauer Lucy Beckett; 5. Richard Wagner and Hans Sachs Michael Tanner; 6. Die Meistersinger: naive or sentimental art? Lucy Beckett; 7. Wahn, words and music John Warrack; 8. Stage history Patrick Carnegy; Appendices: 1. The Wahn monologue; 2. Sachs's final address; 3. The original Prize Song; Notes; Bibliography; Index.

"This introductory study fully realizes the aims of a Cambridge Opera Handbook by presenting abundant, synoptic, analytical, and historical information about Die Meistersinger along with distinctive critical interpretations." Opera Quarterly

• List of illustrations; General preface; Acknowledgements; Abbreviations; Composition and performance details; 1. The sources and genesis of the text John Warrack; 2. Synopsis John Warrack; 3. Sachs, Beckmesser, and Mastersong John Warrack; 4: Sachs and Schopenhauer Lucy Beckett; 5. Richard Wagner and Hans Sachs Michael Tanner; 6. Die Meistersinger: naive or sentimental art? Lucy Beckett; 7. Wahn, words and music John Warrack; 8. Stage history Patrick Carnegy; Appendices: 1. The Wahn monologue; 2. Sachs's final address; 3. The original Prize Song; Notes; Bibliography; Index.

"This introductory study fully realizes the aims of a Cambridge Opera Handbook by presenting abundant, synoptic, analytical, and historical information about Die Meistersinger along with distinctive critical interpretations." Opera Quarterly

• List of illustrations; General preface; Acknowledgements; Abbreviations; Composition and performance details; 1. The sources and genesis of the text John Warrack; 2. Synopsis John Warrack; 3. Sachs, Beckmesser, and Mastersong John Warrack; 4: Sachs and Schopenhauer Lucy Beckett; 5. Richard Wagner and Hans Sachs Michael Tanner; 6. Die Meistersinger: naive or sentimental art? Lucy Beckett; 7. Wahn, words and music John Warrack; 8. Stage history Patrick Carnegy; Appendices: 1. The Wahn monologue; 2. Sachs's final address; 3. The original Prize Song; Notes; Bibliography; Index.