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Valerie Traub, Stephen Orgel, Anne Barton - The Renaissance of Lesbianism in Early Modern England, Häftad

Häftad, Engelska, 2002

The Renaissance of Lesbianism in Early Modern England

Av Valerie Traub, Stephen Orgel, Anne Barton

Del 42 i serien Cambridge Studies in Renaissance Literature and Culture

973 kr

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Beskrivning
The Renaissance of Lesbianism in Early Modern England is the eagerly-awaited study by the feminist scholar who was among the first to address the issue of early modern female homoeroticism. Valerie Traub analyzes the representation of female-female love, desire and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography and medicine. Contrary to the silence and invisibility typically ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. By means of sophisticated interpretations of a comprehensive set of texts, the book not only charts a crucial shift in representations of female homoeroticism over the course of the seventeenth century, but also offers a provocative genealogy of contemporary lesbianism. A contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.
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Valerie Traub is Professor of English and Women's Studies at the University of Michigan, Ann Arbor. She is the recipient of a National Endowment for the Humanities Fellowship, and author of numerous works on gay/lesbian studies, including the book Desire and Anxiety: Circulations of Sexuality in Shakespearean Drama and coeditor of Feminist Readings in Early Modern Culture: Emerging Subjects.

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'Breathtaking in its knowledge and dazzling in its analysis, The Renaissance of Lesbianism shows us how female same-sex desires become not only legible but pivotal during the course of the English Renaissance. Traub's brilliant readings of sexual representation, both in early modern texts and in the scholarly imagination today, turn the screw of interpretation on figures from Queen Elizabeth to Katherine Philips and on topics from terminology to teleology. This synthesis of 'theory' and 'history' sets a new standard for lesbian scholarship and opens new paths for studying both sexuality and early modernity.' Susan Lanser, Brandeis University

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