Cambridge Studies in Renaissance Literature and Culture – serie

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97 produkter

Del 12 - Cambridge Studies in Renaissance Literature and Culture
The Emergence of the English Author
Scripting the Life of the Poet in Early Modern England
AvKevin Pask,Stephen Orgelm. fl.
Häftad, Engelska, 2005
733 kr
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The historical construction of literary authorship has long been of particular interest to literary scholars. Yet an important aspect of the historical emergence of the author - the literary biography or 'life of the poet' - has received scant attention. In The Emergence of the English Author, Kevin Pask studies the early life-narratives of five now-canonical English poets: Geoffrey Chaucer, Philip Sidney, Edmund Spenser, John Donne and John Milton. By attending to the changing shape of the lives of these poets, Pask produces a history of the developing conception of literary authorship in England from the late medieval period to the end of the eighteenth century, and offers a long-term sociological account of literary production. His book is the first full-scale history of the cultural construction of literary authority in early modern England.
Del 41 - Cambridge Studies in Renaissance Literature and Culture
Staging Domesticity
Household Work and English Identity in Early Modern Drama
AvWendy Wall,Stephen Orgelm. fl.
Häftad, Engelska, 2006
533 kr
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What role does food and cooking play in how people imagine themselves and their communities? In this book Wendy Wall argues that representations of housework in the early modern period helped to forge crucial conceptions of national identity. Rich with a detailed account of household practices in the period, Staging Domesticity reads plays on the London stage in the light of the first printed cookbooks in England. Working from original historical sources on wetnursing, laundering, sewing, medical care and butchery, Wall shows that domesticity was represented as deeply familiar but also enticingly alien. Wall analyses a wide range of the repertoire, including some now little-known plays, as well as key works in the period by Shakespeare and others. Wall concludes that, rather than dramatizations of only court-based and aristocratic domestic life, literature of the period drew on work from the more common household.
Del 44 - Cambridge Studies in Renaissance Literature and Culture
Theatres and Encyclopedias in Early Modern Europe
AvWilliam N. West,Stephen Orgelm. fl.
Häftad, Engelska, 2006
477 kr
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In this 2003 book West explores what 'theatre' meant to medieval and Renaissance writers and places Renaissance drama within the influential context of the encyclopedic writings produced at the time. It was an encyclopedic culture, obsessed with sorting knowledge, and early encyclopedias presented themselves as textual theatres, in which everything knowable could be represented in concrete, visible form. Medieval and Renaissance plays, similarly, took encyclopedic themes as their topics: the mysteries of nature, universal history, the world of learning. But instead of transmitting authorized knowledge unambiguously, as it was supposed to be, the theatre created a situation in which ordinary experience could become a source of authority. West covers a wide range of works, from the encyclopedic texts of the Middle Ages and Renaissance to Marlowe's Dr Faustus, Jonson's The Alchemist, and Bacon's Novum Organum, to provide a fascinating picture of the cultural life of the period.
Del 23 - Cambridge Studies in Renaissance Literature and Culture
Shakespeare, Spenser, and the Crisis in Ireland
AvChristopher Highley,Stephen Orgelm. fl.
Häftad, Engelska, 2007
534 kr
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Ireland is increasingly recognized as a crucial element in early modern British literary and political history. Christopher Highley's book explores the most serious crisis the Elizabethan regime faced: its attempts to subdue and colonize the native Irish. Through a range of literary representations from Shakespeare and Spenser, and contemporaries like John Hooker, John Derricke, George Peele and Thomas Churchyard he shows how these writers produced a complex discourse about Ireland that cannot be reduced to a simple ethnic opposition. This book challenges traditional views about the impact of Spenser's experience in Ireland on his cultural identity, while also arguing that the interaction between English and Ireland is a powerful and provocative subtext in the work of Shakespeare and his fellow dramatists. Highley argues that the confrontation between an English imperial presence and a Gaelic 'other' was a profound factor in the definition of an English poetic self.
Del 3 - Cambridge Studies in Renaissance Literature and Culture
Spenser's Secret Career
AvRichard Rambuss,Stephen Orgel
Häftad, Engelska, 2007
533 kr
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Edmund Spenser (c. 1552-99) conducted two careers at once: a celebrated national poet, he also pursued a lifelong career as secretary to various political and ecclesiastical figures. Richard Rambuss's book explores the ways in which this latter career, usually allotted only a cursory mention in accounts of Spenser's professional and social ambitions, informed his poetic career. The study takes issue with prevailing historicist accounts which see Spenser's careerism as shaped entirely by service to the court and as focused on a single-minded pursuit of laureateship along a Virgilian career route from pastoral to epic. It presents an alternative picture, and argues that for Spenser the manipulation of secrets provided a strategy for self-promotion and a means of measuring his distance from royal and aristocratic power. Spenser's Secret Career throws light on Spenser and on ideas of gender, power and subjecthood in the Renaissance.
Del 13 - Cambridge Studies in Renaissance Literature and Culture
The Poetics of English Nationhood, 1590-1612
AvClaire McEachern,Stephen Orgelm. fl.
Häftad, Engelska, 2007
841 kr
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The Poetics of English Nationhood is a 1996 study of the formation of English national identity during the early modern period. Claire McEachern aims to recontextualize our understanding of the term literary through an examination of Spenser, Shakespeare and Drayton. She shows how the concept of nationality in their work is always fluid; it crucially depends on a sense of intimacy that exends across and beyond hierarchies and boundaries. McEachern shows how those texts we traditionally label literary already encode and personify power, thereby sealing the intimacy which binds the nation as an imagined community. The representation of faith, fatherland and crown in Tudor texts continually personified English political institutions, promoting an enduring social order and collective unity. By focusing on the rhetorical forms of cultural unity in Tudor texts, McEachern traces a profound shift from a monarchically defined Englishness to a system based within the cultural institution of the common law.
Del 22 - Cambridge Studies in Renaissance Literature and Culture
Shakespeare's Troy
Drama, Politics, and the Translation of Empire
AvHeather James,Stephen Orgelm. fl.
Häftad, Engelska, 2007
533 kr
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Heather James examines the ways in which Shakespeare handles the inheritance and transmission of the Troy legend. She argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth, and goes on to distinguish Shakespeare's deployment of the myth from 'official' Tudor and Stuart ideology. James traces Shakespeare's reworking of the myth in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The Tempest, and shows how the legend of Troy in Queen Elizabeth's day differed from that in the time of King James. The larger issue the book confronts is the directly political one of the way in which Shakespeare's textual appropriations participate in the larger cultural project of finding historical legitimation for a realm that was asserting its status as an empire.
Del 35 - Cambridge Studies in Renaissance Literature and Culture
The Rhetoric of the Body from Ovid to Shakespeare
AvLynn Enterline,Stephen Orgelm. fl.
Häftad, Engelska, 2006
533 kr
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This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature.
Del 31 - Cambridge Studies in Renaissance Literature and Culture
Theatre, Finance and Society in Early Modern England
AvTheodore B. Leinwand,Stephen Orgelm. fl.
Häftad, Engelska, 2006
733 kr
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This interesting study examines emotional responses to socio-economic pressures in early modern England, as they are revealed in plays, historical narratives and biographical accounts of the period. These texts yield fascinating insights into the various, often unpredictable, ways in which people coped with the exigencies of credit, debt, mortgaging and capital ventures. Plays discussed include Shakespeare's The Merchant of Venice and Timon of Athens, Jonson's The Alchemist and Massinger's A New Way to Pay Old Debts. They are paired with writings by and about the finances of the corrupt Earl of Suffolk, the privateer Walter Raleigh, the royal agent Thomas Gresham, theatre entrepreneur James Burbage, and the Lord Treasurer Lionel Cranfield. Leinwand's new readings of these texts reveal a blend of affect and cognition concerning finance that includes nostalgia, anger, contempt, embarrassment, tenacity, bravado and humility.
Del 30 - Cambridge Studies in Renaissance Literature and Culture
Eroticism on the Renaissance Stage
Transcendence, Desire, and the Limits of the Visible
AvCelia R. Daileader,Stephen Orgelm. fl.
Häftad, Engelska, 2006
463 kr
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In this 1998 book, Celia Daileader explores the paradoxes of eroticism on the stage in early modern England, where women and their bodies (represented by boy actors) were materially absent and yet symbolically central. Her starting point is the theoretical and theatrical problem of sexual acts that take place offstage, which is a paradigm for the limits of the visible in Renaissance theatre. The space that lies offstage becomes an imaginary realm, encompassing both spiritual and erotic transcendence. In accounting for its power, Daileader looks to the suppression of religious drama in England and the resulting secularization of the stage. Focusing on the link between absence and desire, and discussing a wide range of drama from Corpus Christi plays to Shakespeare, her argument draws together questions about sexuality and the sacred, in the bodies - of Christ and of woman - that are banished from the early modern English stage.
Del 25 - Cambridge Studies in Renaissance Literature and Culture
Foreign Bodies and the Body Politic
Discourses of Social Pathology in Early Modern England
AvJonathan Gil Harris,Stephen Orgelm. fl.
Häftad, Engelska, 2006
764 kr
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Jonathan Gil Harris examines the origins of modern discourses of social pathology in Elizabethan and Jacobean medical and political writing. Plays, pamphlets and political treatises of this period display an increasingly xenophobic tendency to attribute England's ills to 'foreign bodies' such as Jews, Catholics and witches, as well as treat their allegedly 'poisonous' features for the health of the body politic. Harris argues that this tendency resonates with two of the distinctive paradigms of Paracelsus' pharmacy which also includes the notion that poison has a medicinal power. The emergence of these paradigms in early modern English political thought signals a decisive shift from Galenic humoral tradition towards twentieth-century politico-medical discourses of 'infection' and 'containment', which, like their early modern predecessors, make mysterious the domestic origins of social conflict and the operations of political authority.
Del 29 - Cambridge Studies in Renaissance Literature and Culture
The Limits of Eroticism in Post-Petrarchan Narrative
Conditional Pleasure from Spenser to Marvell
AvDorothy Stephens,Stephen Orgel
Häftad, Engelska, 2006
702 kr
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Although theories of exploitation and subversion have radically changed our understanding of gender in Renaissance literature, to favour only those theories is to risk ignoring productive exchanges between 'masculine' and 'feminine' in Renaissance culture. 'Appropriation' is too simple a term to describe these exchanges - as when Petrarchan lovers flirt dangerously with potentially destructive femininity. Spenser revises this Petrarchan phenomenon, constructing flirtations whose participants are figures of speech, readers or narrative voices. His plots allow such exchanges to occur only through conditional speech, but this very conditionality powerfully shapes his work. Seventeenth-century works - including a comedy by Jane Cavendish and Elizabeth Brackley, and Upon Appleton House by Andrew Marvell - suggest that the civil war and the upsurge of female writers necessitated a reformulation of conditional erotics.
Del 17 - Cambridge Studies in Renaissance Literature and Culture
The Marketplace of Print
Pamphlets and the Public Sphere in Early Modern England
AvAlexandra Halasz,Stephen Orgel
Häftad, Engelska, 2006
733 kr
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Early modern pamphlets serve as an important vehicle for examining print culture, particularly the historical entanglement between the technology of print and a developing capitalism. Attention to the controversies surrounding their circulation reveals that pamphlets became a focus for anxieties about print culture in general. Alexandra Halasz combines close readings of pamphlets by Robert Greene, Thomas Nashe, Gabriel Harvey, Thomas Deloney and John Taylor, among others, with a discussion of the history and deployment of print technology and its specifically English organization as a monopoly. Taking account of the theoretical and historical issues surrounding textual property, authorship and publicity, The Marketplace of Print, first published in 1997, is both a work of historical recovery and a reflection on the ongoing problems of the relationship between the marketplace and the public sphere.
Del 36 - Cambridge Studies in Renaissance Literature and Culture
From Playhouse to Printing House
Drama and Authorship in Early Modern England
AvDouglas A. Brooks,Stephen Orgelm. fl.
Häftad, Engelska, 2006
394 kr
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This study examines how Shakespeare and his contemporaries made the difficult transition from writing plays for the theatre to publishing them as literary works. Tracing the path from playhouse to printing house, Douglas Brooks analyses how and why certain popular plays found their way into print while many others failed to do so and looks at the role played by the Renaissance book trade in shaping literary reputations. Incorporating many finely observed typographical illustrations, this book focuses on plays by Shakespeare, Jonson, Webster and Beaumont and Fletcher as well as reviewing the complicated publication history of Thomas Heywood's work. Brooks uncovers the continually shifting relationship between theatre and publisher and defines the way in which the concept of authorship changed. His book represents an important contribution to the refiguration of two histories: English Renaissance drama and the early modern book.
Del 33 - Cambridge Studies in Renaissance Literature and Culture
The Performance of Nobility in Early Modern European Literature
AvDavid M. Posner,Stephen Orgelm. fl.
Häftad, Engelska, 2006
795 kr
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This valuable study illuminates the idea of nobility as display, as public performance, in Renaissance and seventeenth-century literature and society. Ranging widely from Castiglione and French courtesy manuals, through Montaigne and Bacon, to the literature of the Grand Siècle, David Posner examines the structures of public identity in the period. He focuses on the developing tensions between, on the one hand, literary or imaginative representations of 'nobility' and, on the other, the increasingly problematic historical position of the nobility themselves. These tensions produce a transformation in the notion of the noble self as a performance, and eventually doom court society and its theatrical mode of self-presentation. Situated at the intersection of rhetorical and historical theories of interpretation, this book contributes significantly to our understanding of the role of literature both in analysing and in shaping social identity.
Del 6 - Cambridge Studies in Renaissance Literature and Culture
The Reformation of the Subject
Spenser, Milton, and the English Protestant Epic
AvLinda Gregerson,Stephen Orgel
Häftad, Engelska, 2006
625 kr
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The Reformation of the Subject is a study of the cultural contradictions that gave birth to the English Protestant epic. In lucid and theoretically sophisticated language, Linda Gregerson examines the fraught ideological, political and gender conflicts that are woven into the texture of The Faerie Queene and Paradise Lost. She reminds us that Reformation iconoclasts viewed verbal images with the same aversion as visual images, because they too were capable of waylaying the human imagination. Through a series of detailed readings, Gregerson examines the different strategies adopted by Spenser and Milton as they sought to distinguish their poems from idols yet preserve the shaping power that iconoclasts have long attributed to icons. Tracing the transformation of the epic poem into an instrument for the reformation of the political subject, Gregerson thus provides an illuminating contribution to our understanding of the ways in which subjectivities are historically produced.
Del 9 - Cambridge Studies in Renaissance Literature and Culture
Shakespeare and the Theatre of Wonder
AvT. G. Bishop,Stephen Orgelm. fl.
Häftad, Engelska, 2006
579 kr
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Playwrights throughout history have used the emotion of wonder to explore the relation between feeling and knowing in the theatre. In Shakespeare and the Theatre of Wonder, T. G. Bishop argues that wonder provides a turbulent space, rich at once in emotion and self-consciousness, where the nature and value of knowing is brought into question. Bishop compares the treatment of wonder in classical philosophy and drama, and goes on to examine English cycle-plays, charting wonder's ambivalent relation to dogma and sacrament in the medieval religious theatre. Through extended readings of three of Shakespeare's plays - The Comedy of Errors, Pericles and The Winter's Tale - Bishop argues that Shakespeare uses wonder as a key component of his dialectic between affirmation and critique. Wonder is shown as vital to the characteristic self-consciousness of Shakespeare's plays as acts of narrative enquiry and renovation.
Del 37 - Cambridge Studies in Renaissance Literature and Culture
Defending Literature in Early Modern England
Renaissance Literary Theory in Social Context
AvRobert Matz,Stephen Orgel
Häftad, Engelska, 2006
733 kr
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Why was literature so often defended and defined in early modern England in terms of its ability to provide the Horatian ideal of both profit and pleasure? This book, first published in 2000, analyses Renaissance literary theory in the context of social transformations of the period, focusing on conflicting ideas about gentility that emerged as the English aristocracy evolved from a feudal warrior class to a civil elite. Through close readings centered on works by Thomas Elyot, Philip Sidney and Edmund Spenser, Matz argues that literature attempted to mediate a complex set of contradictory social expectations. His original study engages with important theoretical work such as Pierre Bourdieu's and offers a substantial critique of New Historicist theory. It challenges recent accounts of the power of Renaissance authorship, emphasizing the uncertain status of literature during this time of cultural change, and sheds light on why and how canonical works became canonical.
Del 26 - Cambridge Studies in Renaissance Literature and Culture
Writing, Gender and State in Early Modern England
Identity Formation and the Female Subject
AvMegan Matchinske,Stephen Orgelm. fl.
Häftad, Engelska, 2006
733 kr
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The period from the Reformation to the English Civil War saw an evolving understanding of social identity in England. This book uses four illuminating case studies to chart a discursive shift from mid-sixteenth-century notions of an individually generated, spiritually motivated sense of identity, to Civil War perceptions of the self as inscribed by the state and inflected according to gender, a site of civil and sexual invigilation and control. Each centres on the work of an early modern woman writer in the act of self-definition and authorization, in relation to external powers such as the Church and the monarchy. Megan Matchinske's study illustrates the evolving relationships between public and private selves and the increasing role of gender in determining different identities for men and women. The conjunction of gender and statehood in Matchinske's analysis represents an original contribution to the study of early modern identity.
Del 18 - Cambridge Studies in Renaissance Literature and Culture
Courtly Letters in the Age of Henry VIII
Literary Culture and the Arts of Deceit
AvSeth Lerer,Stephen Orgelm. fl.
Häftad, Engelska, 2006
733 kr
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This revisionary study of the origins of courtly poetry reveals the culture of spectatorship and voyeurism that shaped early Tudor English literary life. Through research into the reception of Chaucer's Troilus and Criseyde, it demonstrates how Pandarus became the model of the early modern courtier. His blend of counsel, secrecy and eroticism informed the behaviour of poets, lovers, diplomats and even Henry VIII himself. In close readings of the poetry of Hawes and Skelton, the drama of the court, the letters of Henry VIII to Anne Boleyn, the writings of Thomas Wyatt, and manuscript anthologies and early printed books, Seth Lerer illuminates a 'Pandaric' world of displayed bodies, surreptitious letters and transgressive performances. In the process, he redraws the boundaries between the medieval and the Renaissance and illustrates the centrality of the verse epistle to the construction of subjectivity.
Del 7 - Cambridge Studies in Renaissance Literature and Culture
Voyages in Print
English Narratives of Travel to America 1576-1624
AvMary C. Fuller
Häftad, Engelska, 2007
625 kr
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The decades leading up to England's first permanent American colony saw not only territorial and commercial expansion but also the emergence of a vast and heterogeneous literature. In the multiple relations of writing to discovery over these decades, these texts played a role more powerful than that of simple recording. They needed to establish certain realities against a background of scepticism - the possibility of discovery, the lands discovered, the intentions and experiences of the discoverers - and they also had to find ways of theorizing their enterprise. Yet conceiving of the American enterprise positively or even survivably proved surprisingly difficult; the voyage narratives evolved almost from the outset as a genre concerned with recuperating failure - as noble, strategic, even as a form of success. Reception of these texts from the Victorian era on has often accepted their claims of heroism and mastery; through a careful re-reading, Mary Fuller argues for a more complicated, less glorious history.
Del 20 - Cambridge Studies in Renaissance Literature and Culture
Narrative and Meaning in Early Modern England
Browne's Skull and Other Histories
AvHoward Marchitello
Häftad, Engelska, 2007
702 kr
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Howard Marchitello's 1997 study of narrative techniques in Renaissance discourse analyses imaginative conjunctions of literary texts, such as those by Shakespeare and Browne, with developments in scientific and technical writing. In Narrative and Meaning in Early Modern England he explores the relationship between a range of early modern discourses, such as cartography, anatomy and travel writing, and the developing sense of the importance of narrative in producing meaning. Narrative was used in the Renaissance as both a mode of discourse and an epistemology; it not only produced knowledge, it also dictated how that knowledge should be understood. Marchitello uses a wide range of cultural documents to illustrate the importance of narrative in constructing the Renaissance understanding of time and identity. By highlighting the inherent textual element in imaginative and scientific discourses, his study also evaluates a range of contemporary critical practices and explores their relation to narrative and the production of meaning.
Del 47 - Cambridge Studies in Renaissance Literature and Culture
The French Fetish from Chaucer to Shakespeare
AvDeanne Williams
Häftad, Engelska, 2007
394 kr
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What was the impact of the Norman Conquest on the culture of medieval and early modern England? Deanne Williams answers this question by contending that not only French language and literature, but the idea of Frenchness itself, produced England's literary and cultural identity. Examining a variety of English representations of, and responses to, France and 'the French' in the work of Chaucer, Caxton, Skelton, Shakespeare and others, this book shows how English literature emerged out of a simultaneous engagement with, and resistance to, the pervasive presence of French language and culture in England that was the legacy of the Norman Conquest. Drawing upon theories of gender and postcoloniality, this book revises traditional notions of English literary history by inserting France as a primary element in English self-fashioning, from Chaucer's Prioress to Shakespeare's Henry V.
Del 46 - Cambridge Studies in Renaissance Literature and Culture
Science, Reading, and Renaissance Literature
The Art of Making Knowledge, 1580-1670
AvElizabeth Spiller
Häftad, Engelska, 2007
764 kr
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Science, Reading, and Renaissance Literature brings together key works in early modern science and imaginative literature (from the anatomy of William Harvey and the experimentalism of William Gilbert to the fictions of Philip Sidney, Edmund Spenser and Margaret Cavendish). The book documents how what have become our two cultures of belief define themselves through a shared aesthetics that understands knowledge as an act of making. Within this framework, literary texts gain substance and intelligibility by being considered as instances of early modern knowledge production. At the same time, early modern science maintains strong affiliations with poetry because it understands art as a basis for producing knowledge. In identifying these interconnections between literature and science, this book contributes to scholarship in literary history, history of reading and the book, science studies and the history of academic disciplines.
Del 43 - Cambridge Studies in Renaissance Literature and Culture
Ben Jonson and Possessive Authorship
AvJoseph Loewenstein
Häftad, Engelska, 2007
764 kr
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What is the history of authorship, of invention, of intellectual property? Joseph Loewenstein describes the fragmentary and eruptive emergence of a key phase of the bibliographical ego, a specifically Early Modern form of authorial identification with printed writing. In the work of many playwrights and non-dramatic writers - and especially that of Ben Jonson - that identification is tinged, remarkably, with possessiveness. This 2002 book examines the emergence of possessive authorship within a complex industrial and cultural field. It traces the prehistory of modern copyright both within the monopolistic practices of London's acting troupes and its Stationers' Company and within a Renaissance cultural heritage. Under the pressures of modern competition, a tradition of literary, artistic and technological imitation began to fissure, unleashing jealous accusations of plagiarism and ingenious new fantasies of intellectual privacy. Perhaps no-one was more creatively attuned to this momentous transformation in Early Modern intellectual life than Ben Jonson.
Del 16 - Cambridge Studies in Renaissance Literature and Culture
The Project of Prose in Early Modern Europe and the New World
AvElizabeth Fowler,Roland Greene
Häftad, Engelska, 2007
533 kr
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What were the possibilities of prose as a literary medium in the sixteenth and seventeenth centuries? And how did it operate in the literary and social world? The Project of Prose in Early Modern Europe and the New World brings together ten essays by leading scholars of the literatures of England, Spain, France, Italy, Portugal, and the colonial Americas, to answer these questions in wide-ranging ways. Several of the essays shed light on landmark prose works of the period; some discuss what lesser-known writings reveal about the medium; others move between the literary and the non-literary to reflect on the medium's intersections with history, fiction, subjectivity, the state, science and other aspects of social and cultural life. Overall, this 1997 collection will provoke an international reconsideration of the remarkable visibility and diversity of the medium of prose in the early modern period.
Del 28 - Cambridge Studies in Renaissance Literature and Culture
Gender and Literacy on Stage in Early Modern England
AvEve Rachele Sanders
Häftad, Engelska, 2008
533 kr
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In early modern England, boys and girls learned to be masculine or feminine as they learned to read and write. This 1999 book explores how gender differences, instilled through specific methods of instruction in literacy, were scrutinised in the English public theatre. Close readings of plays from Shakespeare's Love's Labour's Lost to Thomas Dekker's Whore of Babylon, and of poems, didactic treatises and autobiographical writings from the same period, offer a richly textured analysis of the interaction between didactic precepts, literary models, and historical men and women. At the cross-roads between literary studies and social and cultural history, Eve Sanders' research offers insights into poems, plays, and first-person narratives (including works by women writers, such as Mary Sidney and Anne Clifford) and into the social conflicts that shaped individuals as the writers and readers of such texts.
Del 2 - Cambridge Studies in Renaissance Literature and Culture
The Renaissance Dialogue
Literary Dialogue in its Social and Political Contexts, Castiglione to Galileo
AvVirginia Cox
Häftad, Engelska, 2008
563 kr
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This is a full-length study of the use of the dialogue form in Italy from the early sixteenth century until Galileo. Drawing on a wide range of sources, it examines the characteristics which determined the genre's unrivalled popularity in the period as a vehicle for polemic, debate, technical exposition and comic drama. More than simply an account of the development of an individual literary genre, however, the book is a contribution to the broader social and cultural history of the period. As representations of conversation, miniature dramas of persuasion, the dialogues of the Italian Renaissance constitute an extraordinarily rich - and largely untapped - source of information about the ideals and practice of communication in the early modern age.
Del 24 - Cambridge Studies in Renaissance Literature and Culture
Discovering the Subject in Renaissance England
AvElizabeth Hanson
Häftad, Engelska, 2008
533 kr
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When Hamlet complains that Guildenstern 'would pluck out the heart of [his] mystery', he imagines an encounter that recurs insistently in the discourses of early modern England. The struggle by one man to discover the secrets in another's heart is rehearsed not only in plays but in legal records, correspondence, philosophical writing and contemporary social description. In this book Elizabeth Hanson argues that the construction of other people as objects of discovery signalled a reconceptualizing of the 'subject' in both the political and philosophical sense of the term. She examines the records of state torture, plays by Shakespeare and Jonson, 'cony-catching' pamphlets and Francis Bacon's philosophical writing, to demonstrate that the subject was both under suspicion and empowered in this period. Her account revises earlier attempts to locate the emergence of modern subjectivity in the Renaissance, arguing for a more nuanced and localized understanding of the relationship with its medieval past.
Del 49 - Cambridge Studies in Renaissance Literature and Culture
Sonnet Sequences and Social Distinction in Renaissance England
AvChristopher Warley
Häftad, Engelska, 2009
579 kr
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Why were sonnet sequences popular in Renaissance England? In this study, Christopher Warley suggests that sonneteers created a vocabulary to describe, and to invent, new forms of social distinction before an explicit language of social class existed. The tensions inherent in the genre - between lyric and narrative, between sonnet and sequence - offered writers a means of reconceptualizing the relation between individuals and society, a way to try to come to grips with the broad social transformations taking place at the end of the sixteenth century. By stressing the struggle over social classification, the book revises studies that have tied the influence of sonnet sequences to either courtly love or to Renaissance individualism. Drawing on Marxist aesthetic theory, it offers detailed examinations of sequences by Lok, Sidney, Spenser, Shakespeare and Milton. It will be valuable to readers interested in Renaissance and genre studies, and post-Marxist theories of class.

Cambridge Studies in Renaissance Literature and Culture – serie

The Emergence of the English Author

Staging Domesticity

Theatres and Encyclopedias in Early Modern Europe

Shakespeare, Spenser, and the Crisis in Ireland

Spenser's Secret Career

The Poetics of English Nationhood, 1590-1612

Shakespeare's Troy

The Rhetoric of the Body from Ovid to Shakespeare

Theatre, Finance and Society in Early Modern England

Eroticism on the Renaissance Stage

Foreign Bodies and the Body Politic

The Limits of Eroticism in Post-Petrarchan Narrative

The Marketplace of Print

From Playhouse to Printing House

The Performance of Nobility in Early Modern European Literature

The Reformation of the Subject

Shakespeare and the Theatre of Wonder

Defending Literature in Early Modern England

Writing, Gender and State in Early Modern England

Courtly Letters in the Age of Henry VIII

Voyages in Print

Narrative and Meaning in Early Modern England

The French Fetish from Chaucer to Shakespeare

Science, Reading, and Renaissance Literature

Ben Jonson and Possessive Authorship

The Project of Prose in Early Modern Europe and the New World

Gender and Literacy on Stage in Early Modern England

The Renaissance Dialogue

Discovering the Subject in Renaissance England

Sonnet Sequences and Social Distinction in Renaissance England