Robert Matz – författare

Why was literature so often defended and defined in early modern England in terms of its ability to provide the Horatian ideal of both profit and pleasure? This book, first published in 2000, analyses Renaissance literary theory in the context of social transformations of the period, focusing on conflicting ideas about gentility that emerged as the English aristocracy evolved from a feudal warrior class to a civil elite. Through close readings centered on works by Thomas Elyot, Philip Sidney and Edmund Spenser, Matz argues that literature attempted to mediate a complex set of contradictory social expectations. His original study engages with important theoretical work such as Pierre Bourdieu's and offers a substantial critique of New Historicist theory. It challenges recent accounts of the power of Renaissance authorship, emphasizing the uncertain status of literature during this time of cultural change, and sheds light on why and how canonical works became canonical.

Why was literature so often defended and defined in early modern England in terms of its ability to provide the Horatian ideal of both profit and pleasure? This book, first published in 2000, analyses Renaissance literary theory in the context of social transformations of the period, focusing on conflicting ideas about gentility that emerged as the English aristocracy evolved from a feudal warrior class to a civil elite. Through close readings centered on works by Thomas Elyot, Philip Sidney and Edmund Spenser, Matz argues that literature attempted to mediate a complex set of contradictory social expectations. His original study engages with important theoretical work such as Pierre Bourdieu's and offers a substantial critique of New Historicist theory. It challenges recent accounts of the power of Renaissance authorship, emphasizing the uncertain status of literature during this time of cultural change, and sheds light on why and how canonical works became canonical.

Of Shakespeare's sonnets we know the crystalline meter, exquisite diction, and exhilarating surprise of the "turn" in the final couplet. By contrast, we know very little of their subjects and motives. This book does not approach the sonnets as Shakespearean autobiography but instead delineates the customs that shaped the poet's world and thus his sonnets. It argues for understanding them as brilliant, edgy expressions of the equally brilliant, edgy culture of the English Renaissance.

This critical edition of two early modern marriage sermons provides an important resource for students and scholars of early modern literature and history, allowing them to experience firsthand the competing and historically layered ideas about marriage that circulated in the wake of the English Reformation. Read in their entirety these sermons, by turns engaging and infuriating, resist easy characterization. The edition includes an extended critical introduction to the sermons. In the introduction Robert Matz offers evidence for a view of post-Reformation marriage advice that neither overstates nor minimizes historical change. He shows that if some earlier scholars exaggerated the break between Protestant and earlier ideas of marriage, so the criticism of this view has sometimes exaggerated the continuities-especially with regard to writing about marriage. The introduction also provides biblical, theological, political and discursive contexts for the sermons, including the place of the sermon in English early modern print culture, biographies of each of the sermon's authors, and an account of the textual differences among the editions of each sermon. The texts follow the spelling and punctuation of the originals. Annotations are provided to identify references, gloss words with unfamiliar or altered meanings, clarify difficult syntax, and mark variations between editions.