James Garratt is a lecturer in music at the National University of Ireland Maynooth, specialising in nineteenth-century German music, aesthetics and culture. He is also active as a choral conductor.

Review of the hardback: 'Palestrina and the German Romantic Imagination offers a comprehensive and in-depth analysis of a crucial phenomenon of Romantic musical life with which English-speaking readers may be only partially familiar. The book is to be recommended for its narrative breadth, its perceptive analytical insights, and its rich counterpoint of aesthetic theories and compositional practice of the Romantic era. It is a must-read for those music and cultural historians with an interest not only in nineteenth-century German intellectual life, but also in issues such as the creation of the modern musical canon and music historiography.' Nineteenth-Century Music Review

• Acknowledgements; List of abbreviations; Introduction; 1. Historicism in nineteenth-century art, aesthetics and culture; 2. Romanticism and the problem of church music; 3. The Protestant Palestrina revival; 4. The Catholic Palestrina Revival; 5. Palestrina in the concert hall; 6. Interpreting the secondary discourse of nineteenth-century music; Notes; Bibliography; Index.

James Garratt is a lecturer in music at the National University of Ireland Maynooth, specialising in nineteenth-century German music, aesthetics and culture. He is also active as a choral conductor.

Review of the hardback: 'Palestrina and the German Romantic Imagination offers a comprehensive and in-depth analysis of a crucial phenomenon of Romantic musical life with which English-speaking readers may be only partially familiar. The book is to be recommended for its narrative breadth, its perceptive analytical insights, and its rich counterpoint of aesthetic theories and compositional practice of the Romantic era. It is a must-read for those music and cultural historians with an interest not only in nineteenth-century German intellectual life, but also in issues such as the creation of the modern musical canon and music historiography.' Nineteenth-Century Music Review

• Acknowledgements; List of abbreviations; Introduction; 1. Historicism in nineteenth-century art, aesthetics and culture; 2. Romanticism and the problem of church music; 3. The Protestant Palestrina revival; 4. The Catholic Palestrina Revival; 5. Palestrina in the concert hall; 6. Interpreting the secondary discourse of nineteenth-century music; Notes; Bibliography; Index.

James Garratt is a lecturer in music at the National University of Ireland Maynooth, specialising in nineteenth-century German music, aesthetics and culture. He is also active as a choral conductor.

Review of the hardback: 'Palestrina and the German Romantic Imagination offers a comprehensive and in-depth analysis of a crucial phenomenon of Romantic musical life with which English-speaking readers may be only partially familiar. The book is to be recommended for its narrative breadth, its perceptive analytical insights, and its rich counterpoint of aesthetic theories and compositional practice of the Romantic era. It is a must-read for those music and cultural historians with an interest not only in nineteenth-century German intellectual life, but also in issues such as the creation of the modern musical canon and music historiography.' Nineteenth-Century Music Review

• Acknowledgements; List of abbreviations; Introduction; 1. Historicism in nineteenth-century art, aesthetics and culture; 2. Romanticism and the problem of church music; 3. The Protestant Palestrina revival; 4. The Catholic Palestrina Revival; 5. Palestrina in the concert hall; 6. Interpreting the secondary discourse of nineteenth-century music; Notes; Bibliography; Index.