Häftad, Engelska, 2004
After Criticism
New Responses to Art and Performance
Av Butt, Gavin Butt
Del 20 i serien New Interventions in Art History
610 kr
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Beskrivning
Produktinformation
- Utgivningsdatum: 2004-06-10
- Mått: 152 x 229 x 19 mm
- Vikt: 345 g
- Format: Häftad
- Språk: Engelska
- Serie: New Interventions in Art History
- Antal sidor: 232
- Förlag: John Wiley and Sons Ltd
- ISBN: 9780631232841
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Gavin Butt teaches in the Unit of Visual Cultures at Goldsmiths College, University of London. His research interests encompass performance and performativity in the visual arts; queer theory; and queer cultures and their histories. He is the author of a book on gossip and homosexuality entitled Between You and Me: Queer Disclosures in the American Art World 1948–1963 (2005).
Recensioner i media
"After Criticism is crucial to any discussion regarding the status of criticism and critical theory after post-structuralism and, equally importantly, is one of few texts that is innovative in its illumination of context, history, aesthetic judgement and, rare for an academic text, enjoyable to read." Art Monthly"After Criticism is no doubt the most intriguing collection of performative writing published yet. Being refreshing, entertaining as well as inspiringly confusing, it is essential reading for anyone writing on art who does not only think of what to write, but also how to write it." Contemporary "Though it seems contradictory to write words of praise for a book that deeply interrogates the marketability of praiseful language (in the guise of art criticism), Gavin Butt's collection deserves them. Framed by Butt's astute introduction, these performative essays pulse with vitality. Food for thought, this book makes us think, again, about art and its interpretations in a new way. Critical writing as a kind of performance – delicious." Amelia Jones, University of Manchester "This anthology is an excellent overview of performative critical discourse edited and introduced by one of its leading proponents. All the contributions have an experimental or improvisational edge that preserves a sense of the critical encounter. The book is at the cutting edge of art theory and will be read with enthusiasm by a large number of people engaged with contemporary art practice and criticism." Margaret Iversen, University of Essex
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