New Interventions in Art History – serie

Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought. Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.Introduces the reader to the dynamic interface between philosophical reflections and art practices.Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought. Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought.Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of philosophical frameworks.Introduces the reader to the dynamic interface between philosophical reflections and art practices.Part of the New Interventions in Art History series, which is published in conjunction with the Association of Art Historians.

Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment.Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances.Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.

Architectures: Modernism and After surveys the history of the building from the advent of industrialization to the cultural imperatives of the present moment. Brings together international art and architectural historians to consider a range of topics that have influenced the shape, profile, and aesthetics of the built environment.Presents crucial "moments" in the history of the field when the architecture of the past is made to respond to new and changing cultural circumstances.Provides a view of architectural history as a part of a continuing dialogue between aesthetic criteria and social and cultural imperatives.Part of the New Interventions in Art History Series, which is published in conjunction with the Association of Art Historians.

Bringing together essays by museum professionals and academics from both sides of the Atlantic, Art and its Publics tackles current issues confronting the museum community and seeks to further the debate between theory and practice around the most pressing of contemporary concerns. Brings together essays that focus on the interface between the art object, its site of display, and the viewing public.Tackles issues confronting the museum community and seeks to further the debate between theory and practice.Presents a cross-section of contemporary concerns with contributions from museum professionals as well as academics.Part of the New Interventions in Art History series, published in conjunction with the Association of Art Historians.

It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays which demonstrate how 'the critical' might live on as a vital and efficacious force within contemporary culture.

It has recently become apparent that criticism has fallen on hard times. Either commodification is deemed to have killed it off, or it has become institutionally routine. This book explores contemporary approaches which have sought to renew criticism's energies in the wake of a 'theatrical turn' in recent visual arts practice, and the emergence of a 'performative' arts writing over the past decade or so. Issues addressed include the 'performing' of art's histories; the consequences for criticism of embracing boredom, distraction and other 'queer' forms of (in)attention; and the importance of exploring writerly process in responding to aesthetic experience. Bringing together newly commissioned work from the fields of art history, performance studies, and visual culture with the writings of contemporary artists, After Criticism provides a set of experimental essays which demonstrate how 'the critical' might live on as a vital and efficacious force within contemporary culture.

Envisioning the Past: Archaeology and the Image is a groundbreaking collection of original essays that brings together archaeologists, art historians and anthropologists to provide new perspectives on the construction of knowledge concerning the antiquity of man. Covers a wide variety of time periods and topics, from the Renaissance and the 18th century to the engravings, photography, and virtual realities of todayQuestions what we can learn from considering the use of images in the past and present that might guide our responsible use of them in the futureAvailable within the prestigious New Interventions in Art History series, published in connection with the Association of Art Historians.

Envisioning the Past: Archaeology and the Image is a groundbreaking collection of original essays that brings together archaeologists, art historians and anthropologists to provide new perspectives on the construction of knowledge concerning the antiquity of man. Covers a wide variety of time periods and topics, from the Renaissance and the 18th century to the engravings, photography, and virtual realities of todayQuestions what we can learn from considering the use of images in the past and present that might guide our responsible use of them in the futureAvailable within the prestigious New Interventions in Art History series, published in connection with the Association of Art Historians.

Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.

Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.

Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums. Explores examples of museum experimentalism in light of cutting-edge museum theoryDraws on a range of global and topical examples, including museum experimentation, exhibitionary forms, the fate of conventional notions of ‘object’ and ‘representation’, and the impact of these changesBrings together an international group of art historians, anthropologists, and sociologists to question traditional disciplinary boundariesConsiders the impact of technology on the museum spacetackles a range of examples of experimentalism from many different countries, including Australia, Austria, Germany, Israel, Luxembourg, Sweden, the UK and the USExamines the changes and challenging new possibilities facing museum studies

Exhibition Experiments is a lively collection that considers experiments with museological form that challenge our understanding of - and experience with - museums. Explores examples of museum experimentalism in light of cutting-edge museum theoryDraws on a range of global and topical examples, including museum experimentation, exhibitionary forms, the fate of conventional notions of ‘object’ and ‘representation’, and the impact of these changesBrings together an international group of art historians, anthropologists, and sociologists to question traditional disciplinary boundariesConsiders the impact of technology on the museum spacetackles a range of examples of experimentalism from many different countries, including Australia, Austria, Germany, Israel, Luxembourg, Sweden, the UK and the USExamines the changes and challenging new possibilities facing museum studies

Material Identities examines the way that individuals use material objects as tools for projecting aspects of their identities. Considers the way identity is fashioned, launched, used, and admired in the material world.Contributors intervene from the disciplines of art history, anthropology, design and material culture.Considers contrasting media - painting, print, sculpture, dress, coinage, architecture, furniture, luxury items, and interior design.Explores the complexity of identity through the intersection notions of gender, ethnicity, age, sexuality, and class.Reaffirms the central role of public identities and their impact on social life.

Material Identities examines the way that individuals use material objects as tools for projecting aspects of their identities. Considers the way identity is fashioned, launched, used, and admired in the material world.Contributors intervene from the disciplines of art history, anthropology, design and material culture.Considers contrasting media - painting, print, sculpture, dress, coinage, architecture, furniture, luxury items, and interior design.Explores the complexity of identity through the intersection notions of gender, ethnicity, age, sexuality, and class.Reaffirms the central role of public identities and their impact on social life.

Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periodsCovers topics including melancholia, sex, and pathology to the body, and parent-child relationsAdvances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century artEdited by internationally renowned art historian Griselda Pollock.

Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periodsCovers topics including melancholia, sex, and pathology to the body, and parent-child relationsAdvances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century artEdited by internationally renowned art historian Griselda Pollock.

Art's Agency and Art History re-articulates the relationship of the anthropology of art to key methodological and theoretical approaches in art history, sociology, and linguistics. Explores important concepts and perspectives in the anthropology of artIncludes nine groundbreaking case studies by an internationally renowned group of art historians and art theoristsCovers a wide range of periods, including Bronze-Age China, Classical Greece, Rome, and Mayan, as well as the modern Western worldFeatures an introductory essay by leading experts, which helps clarify issues in the fieldIncludes numerous illustrations

Art's Agency and Art History re-articulates the relationship of the anthropology of art to key methodological and theoretical approaches in art history, sociology, and linguistics. Explores important concepts and perspectives in the anthropology of artIncludes nine groundbreaking case studies by an internationally renowned group of art historians and art theoristsCovers a wide range of periods, including Bronze-Age China, Classical Greece, Rome, and Mayan, as well as the modern Western worldFeatures an introductory essay by leading experts, which helps clarify issues in the fieldIncludes numerous illustrations

Museums After Modernism is a unique collectionthat showcases the ways questions about the museum go to the heart of contemporary debates about the production, consumption and distribution of art. The book features expert artists, curators and art historians who grapple with many of the vibrant issues in museum studies, while paying homage to a new museology that needs to be considered. Examines the key contemporary debates in museum studiesIncludes original essays by noted artists, curators, and art historiansEngages with vital issues in the practice of art-making and art-exhibitingEdited by the world-renowned art historian and author, Griselda Pollock