An examination of representations of the British working class in 20th-century literature and film. John Kirk reasserts the importance of class as a category of critical analysis through a wide-ranging discussion of the changing nature, status and ideological concerns of working-class writing.
John Kirk is Lecturer in English and Cultural Studies at the University of Leeds, Bretton Campus. He has published widely on working-class writing and culture in journals such as Literature and History, Contemporary Literature, Journal of Narrative Theory, Textual Practice and Race and Class.
Recensioner i media
The University of Wales Press is to be complimented on publishing a work from which provides so many insights for the field of Welsh cultural studies.'
Innehållsförteckning
Introduction: Some Theoretical Perspectives I Contrary Voices: Images of the British Working Class from the 1930s and 1950s II Class, Community and 'Structures of Feeling' III Figuring the Dispossessed: Images of the Urban Working Class in the Writing of James Kelman IV Recovered Perspectives: Feminism and the Working Class V Recent Northern Realism: Return of the Repressed VI Black/Asian British Writing and Articulations of Class