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Beskrivning
This title explores the myriad decisions directors and actors make to produce a version of Shakespeare's play. It's full discussions of eighteen productions from the UK, Italy, Japan and the US empower readers to appreciate the many choices Shakespeare's text supports.
Bernice W. Kliman is Professor Emeritus at Nassau Community College, State University of New York
Innehållsförteckning
Series editors' prefaceAcknowledgementsIntroduction1. The protagonists and the production1606–1623Davenant and BettertonDavid GarrickSarah SiddonsMacready and Forrest2. Operatic Macbeth: What we could still learn from VerdiConical hats and broomsticksThinking about MacbethPerformance as representation: Metaphor v. mimesis3 The protagonists: Chiasmus interpretation on stageLaurence Olivier and Vivien Leigh directed by Glen Byam Shaw4. The protagonists: Chiasmus interpretations on televisionMaurice Evans and Judith Anderson directed by George SchaeferEric Porter and Janet Suzman directed by John GorrieNicol Williamson and Jane Lapotaire directed by Jack Gold5. The production: Visionary directors on stage and screenOrson Welles' 1936 'Voodoo' 'Macbeth' and its reincarnation on filmTrevor Nunn's production with Ian McKellan and Judi DenchRon Daniels's ensemble productionNinagawa Macbeth: Fusion of Japanese and Western theatrical styles – Paul A. S. Harvey and Bernice W. Kliman6. The production: Visionary directors on filmAkira Kurosawa's 'Throne of Blood'Roman PolanskiEpilogueAppendixBibliographyIndex
