Eleanor Collins is Acquisitions Editor in Literature at Oxford University Press, and Co-Ordinating Editor of The Malone Society.

• IntroductionPart I: Material and Cultural Circumstance1 The Company, the Theatre, and the Dramatists: Christopher Beeston and the formation of Queen Henrietta’s Men2 Queen Henrietta’s Men at Court: Performance and Patronage3 ‘An ould play revived at their house’: Theatrical taste and the cultural status of revivals in Caroline LondonPart II: The Repertory in Play4 Staging the Cockpit Repertory5 Thomas Heywood’s ‘Noyse and shows’: Reconciling the Red Bull fare6 James Shirley, Queen’s ManCodaAppendix A: The Repertory of Queen Henrietta’s MenAppendix B: Evidence for Specific Court Performances Given by Queen Henrietta’s MenBibliographyIndex

Eleanor Collins is Acquisitions Editor in Literature at Oxford University Press, and Co-Ordinating Editor of The Malone Society.

• IntroductionPart I: Material and Cultural Circumstance1 The Company, the Theatre, and the Dramatists: Christopher Beeston and the formation of Queen Henrietta’s Men2 Queen Henrietta’s Men at Court: Performance and Patronage3 ‘An ould play revived at their house’: Theatrical taste and the cultural status of revivals in Caroline LondonPart II: The Repertory in Play4 Staging the Cockpit Repertory5 Thomas Heywood’s ‘Noyse and shows’: Reconciling the Red Bull fare6 James Shirley, Queen’s ManCodaAppendix A: The Repertory of Queen Henrietta’s MenAppendix B: Evidence for Specific Court Performances Given by Queen Henrietta’s MenBibliographyIndex

Eleanor Collins is Acquisitions Editor in Literature at Oxford University Press, and Co-Ordinating Editor of The Malone Society.

• IntroductionPart I: Material and Cultural Circumstance1 The Company, the Theatre, and the Dramatists: Christopher Beeston and the formation of Queen Henrietta’s Men2 Queen Henrietta’s Men at Court: Performance and Patronage3 ‘An ould play revived at their house’: Theatrical taste and the cultural status of revivals in Caroline LondonPart II: The Repertory in Play4 Staging the Cockpit Repertory5 Thomas Heywood’s ‘Noyse and shows’: Reconciling the Red Bull fare6 James Shirley, Queen’s ManCodaAppendix A: The Repertory of Queen Henrietta’s MenAppendix B: Evidence for Specific Court Performances Given by Queen Henrietta’s MenBibliographyIndex