Elizabeth J. West is an associate professor of English at Georgia State University. She received her Ph.D. in English with a certificate in Women's Studies from Emory University. Her research and teaching focuses on representations of gender, race, class, and spirituality in early American and African American literary works. She has published articles in anthologies and in CLA, MELUS, JCCH, Womanist, Black Magnolias, and South Central Review. She was an invited speaker and discussant for the 2009 Summer Transnational American Studies Seminar (sponsored by the German Academic Exchange Service) at the University of Mainz (Germany). She was a 2002 AAUW Research Fellow and a ROOTS 2003 NEH Summer Seminar Participant (6/2-7/11 Virginia Foundation for the Humanities and University of Virginia). She has served as a Special Delegate for the Modern Language Association, and she is currently Assistant Treasurer for the College Language Association.

West's fine study adds to a growing body of literature demonstrating the impact of African heritage on African American culture. West (Georgia State Univ.) makes an important advance on this tradition, exploring ways in which African spirituality is woven into the more obvious Christian elements of the works. This clearly written, well-researched study treats the canon of African women's literature from Phillis Wheatley through the Harlem Renaissance. The author discusses well-known works--Frances Harper's Iola Leroy, Harriet Jacobs's Incidents of the Life of a Slave Girl, Zora Neale Hurston's Their Eyes Were Watching God, and Nella Larsen's Quicksand--but is at her best in her exploration of less-familiar texts, e.g., Hannah Crafts's The Bondswoman's Narrative; Gifts of Power, a collection of Rebecca Jackson's writings (CH, Dec'81); and Jarena Lee's Religious Experience and Journal of Mrs. Jarena Lee....The specificity of the topic makes the book most appropriate for large collections. Summing Up: Recommended.

• AcknowledgmentsChapter 1: From Africa to AmericaChapter 2: Wheatley as BeginningChapter 3: African and Christian Encounters in Early Black Women’s Writings Chapter 4: Silencing Africa: Christianity’s Persistent Voice in Early Black Women’s NovelsChapter 5: Christianity and a Reawakening Africanity: Black Spirituality in the Post-Reconstruction Novels of Frances E. W. Harper and Pauline HopkinsChapter 6: Rethinking Religiosity in the Wake of Modernity: Transformations of Christian Idealisms in the Novels of Jessie FausetChapter 7: Transformed Religiosities: Africanity and Christianity in Nella Larsen’s Quicksand and Zora Neale Hurston’s Jonah’s Gourd Vine and Their Eyes Were Watching God

Elizabeth J. West is an associate professor of English at Georgia State University. She received her Ph.D. in English with a certificate in Women's Studies from Emory University. Her research and teaching focuses on representations of gender, race, class, and spirituality in early American and African American literary works. She has published articles in anthologies and in CLA, MELUS, JCCH, Womanist, Black Magnolias, and South Central Review. She was an invited speaker and discussant for the 2009 Summer Transnational American Studies Seminar (sponsored by the German Academic Exchange Service) at the University of Mainz (Germany). She was a 2002 AAUW Research Fellow and a ROOTS 2003 NEH Summer Seminar Participant (6/2-7/11 Virginia Foundation for the Humanities and University of Virginia). She has served as a Special Delegate for the Modern Language Association, and she is currently Assistant Treasurer for the College Language Association.

West's fine study adds to a growing body of literature demonstrating the impact of African heritage on African American culture. West (Georgia State Univ.) makes an important advance on this tradition, exploring ways in which African spirituality is woven into the more obvious Christian elements of the works. This clearly written, well-researched study treats the canon of African women's literature from Phillis Wheatley through the Harlem Renaissance. The author discusses well-known works--Frances Harper's Iola Leroy, Harriet Jacobs's Incidents of the Life of a Slave Girl, Zora Neale Hurston's Their Eyes Were Watching God, and Nella Larsen's Quicksand--but is at her best in her exploration of less-familiar texts, e.g., Hannah Crafts's The Bondswoman's Narrative; Gifts of Power, a collection of Rebecca Jackson's writings (CH, Dec'81); and Jarena Lee's Religious Experience and Journal of Mrs. Jarena Lee....The specificity of the topic makes the book most appropriate for large collections. Summing Up: Recommended.

• AcknowledgmentsChapter 1: From Africa to AmericaChapter 2: Wheatley as BeginningChapter 3: African and Christian Encounters in Early Black Women’s Writings Chapter 4: Silencing Africa: Christianity’s Persistent Voice in Early Black Women’s NovelsChapter 5: Christianity and a Reawakening Africanity: Black Spirituality in the Post-Reconstruction Novels of Frances E. W. Harper and Pauline HopkinsChapter 6: Rethinking Religiosity in the Wake of Modernity: Transformations of Christian Idealisms in the Novels of Jessie FausetChapter 7: Transformed Religiosities: Africanity and Christianity in Nella Larsen’s Quicksand and Zora Neale Hurston’s Jonah’s Gourd Vine and Their Eyes Were Watching God