Elizabeth J. West - Böcker

African Spirituality in Black Women’s Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spiritualityin Black Women’s Fiction traces applications and transformations of African spirituality in black women’s writings that culminate in the conscious and deliberate celebration of Africanity in Hurston’s Their Eyes Were Watching God. The journey from Wheatley’s veiled remembrances to Hurston’s explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston’s icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women’s writings.

African Spirituality in Black Women’s Fiction: Threaded Visions of Memory, Community, Nature and Being is the nexus to scholarship on manifestations of Africanisms in black art and culture, particularly the scant critical works focusing on African metaphysical retentions. This study examines New World African spirituality as a syncretic dynamic of spiritual retentions and transformations that have played prominently in the literary imagination of black women writers. Beginning with the poetry of Phillis Wheatley, African Spiritualityin Black Women’s Fiction traces applications and transformations of African spirituality in black women’s writings that culminate in the conscious and deliberate celebration of Africanity in Hurston’s Their Eyes Were Watching God. The journey from Wheatley’s veiled remembrances to Hurston’s explicit gaze of continental Africa represents the literary journey of black women writers to represent Africa as not only a very real creative resource but also a liberating one. Hurston’s icon of black female autonomy and self realization is woven from the thread work of African spiritual principles that date back to early black women’s writings.

With a focus on the connected spiritual legacy of the black Atlantic, Literary Expressions of African Spirituality leads the way to more comprehensive trans-geographical studies of African spirituality in black art. With essays focusing on African spirituality in creative works by several trans-Atlantic black authors across varying locations in the Ameri-Atlantic diaspora, this collection reveals and examines their shared spiritual cosmology. Diasporic in scope, Literary Expressions of African Spirituality offers new readings of black literatures through the prism of spiritual memory that survived the damaging impact of trans-Atlantic slaving. This memory is a significant thread that has often been missed in the reading and teaching of the literatures of the African diaspora. Essays in this collection explore unique black angles of seeing and ways of knowing that characterize African spiritual presence and influence in trans-Atlantic black artistic productions. Essays exploring works ranging from turn-of-the-century African American figure W.E.B. DuBois, South African novelist Zakes Mda, Haitian novelists Edwidge Danticat and Jacques Roumain, as well as African belief systems such as Voudoun and Candomble, provide a scope not yet offered in a single published volume. This collection explores the deep and often unconscious spiritual and psychosocial connectedness of people of African descent in the African and Ameri-Atlantic world.

Finding Francis, finding family, freeing historyFrancis is found. Beyond Francis, a family is found—in archival material that barely deigned to notice their existence. This is the story of Francis Sistrunk and her children, from enslavement into forced migration across South Carolina, Georgia, Alabama, and Mississippi. It spans decades before the Civil War and continues into post-emancipation America. A family story full of twists and turns, Finding Francis reclaims and honors those women who played an essential role in the historical survival and triumph of Black people during and after American slavery. Elizabeth West has created a remarkable "biohistoriography" of everyday Black resistance, grounded in a determination to maintain enduring connections of family, kinship, and community despite the inhumanity and rapacity of slavery. There is inevitable heartbreak in these histories, but there is also an empowering strength and inspiration—the truth of these lives will indeed set us all free.

Gullah-Geechee Diasporas counters romantic portrayals of Gullah-Geechee culture as a static, geographically isolated remnant of the past. Across eight interdisciplinary essays, the book's contributors trace an arc, described in time and space, from pre-Middle Passage Africa through the Caribbean and coastal United States into the interior South and beyond. They consider how Gullah-Geechee cultural traditions are simultaneously rooted in the physical Lowcountry homeland and represent a dynamic cultural ethos that is not bounded by geography and has shaped Black life across North America and the Caribbean Basin. Together, these essays reveal the resilience and adaptability of people whose history defies myths of isolation and immobility. Gullah-Geechee Diasporas is a fresh framework for understanding African American cultural origins, migrations, and transformations.