Ledger, Sally; McDonagh, Josephine; Spencer, Jane

• Introduction, Sally Ledger, Josephine McDonagh; Part 1 Identities; Chapter 1 Personal Criticism and the Autobiographical Turn, Laura Marcus; Chapter 2 Mixed Feelings, Kadiatu Kanneh; Chapter 3 Gender and Englishness in Villette, Terry Lovell; Chapter 4 Irigaray’s Hom(m)osexuality and Gay Writing in Marlowe and Gunn, Lawrence Normand; Part 2 Epistemologies; Chapter 5 Unseating the Philosopher-Knight, Jane Moore; Chapter 6 ‘Who Fancies Pakis?’, Gargi Bhattacharyya; Chapter 7 Sex and Secrets in Central Australia, Lynnette Turner; Chapter 8 From Omphalos to Phallus, Elisabeth Bronfen; Part 3 Aesthetics; Chapter 9 Unblocking the Oedipal, Christine Battersby; Chapter 10 The Gender of Modernity, Rita Felski; Chapter 11 AIDS to Narration, Derek Duncan; Part 4 Repressions; Chapter 12 ‘The Tyranny of the Passions’, Vivien Jones; Chapter 13 The Pornographic Subject, Linda Ruth Williams; Chapter 14 Unsafe Sex?, Joseph Bristow;

Ledger, Sally; McDonagh, Josephine; Spencer, Jane

• Introduction, Sally Ledger, Josephine McDonagh; Part 1 Identities; Chapter 1 Personal Criticism and the Autobiographical Turn, Laura Marcus; Chapter 2 Mixed Feelings, Kadiatu Kanneh; Chapter 3 Gender and Englishness in Villette, Terry Lovell; Chapter 4 Irigaray’s Hom(m)osexuality and Gay Writing in Marlowe and Gunn, Lawrence Normand; Part 2 Epistemologies; Chapter 5 Unseating the Philosopher-Knight, Jane Moore; Chapter 6 ‘Who Fancies Pakis?’, Gargi Bhattacharyya; Chapter 7 Sex and Secrets in Central Australia, Lynnette Turner; Chapter 8 From Omphalos to Phallus, Elisabeth Bronfen; Part 3 Aesthetics; Chapter 9 Unblocking the Oedipal, Christine Battersby; Chapter 10 The Gender of Modernity, Rita Felski; Chapter 11 AIDS to Narration, Derek Duncan; Part 4 Repressions; Chapter 12 ‘The Tyranny of the Passions’, Vivien Jones; Chapter 13 The Pornographic Subject, Linda Ruth Williams; Chapter 14 Unsafe Sex?, Joseph Bristow;

Ledger, Sally; McDonagh, Josephine; Spencer, Jane

• Introduction, Sally Ledger, Josephine McDonagh; Part 1 Identities; Chapter 1 Personal Criticism and the Autobiographical Turn, Laura Marcus; Chapter 2 Mixed Feelings, Kadiatu Kanneh; Chapter 3 Gender and Englishness in Villette, Terry Lovell; Chapter 4 Irigaray’s Hom(m)osexuality and Gay Writing in Marlowe and Gunn, Lawrence Normand; Part 2 Epistemologies; Chapter 5 Unseating the Philosopher-Knight, Jane Moore; Chapter 6 ‘Who Fancies Pakis?’, Gargi Bhattacharyya; Chapter 7 Sex and Secrets in Central Australia, Lynnette Turner; Chapter 8 From Omphalos to Phallus, Elisabeth Bronfen; Part 3 Aesthetics; Chapter 9 Unblocking the Oedipal, Christine Battersby; Chapter 10 The Gender of Modernity, Rita Felski; Chapter 11 AIDS to Narration, Derek Duncan; Part 4 Repressions; Chapter 12 ‘The Tyranny of the Passions’, Vivien Jones; Chapter 13 The Pornographic Subject, Linda Ruth Williams; Chapter 14 Unsafe Sex?, Joseph Bristow;