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    Scenes from the Revolution

    Making Political Theatre 1968-2018

    AvKim Wiltshire,Billy Cowan

    Häftad, Engelska, 2018

    287 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Beskrivning

    Political theatre thrives on turbulence. By turning the political issues of the day into a potent, dramatic art form, its practitioners hold up a mirror to our society - with the power to shock, discomfit and entertain.Scenes from the Revolution is a celebration of fifty years of political theatre in Britain. Including 'lost' scripts from companies including Broadside Mobile Workers Theatre, The Women's Theatre Group and The General Will, with incisive commentary from contemporary political theatre makers, the book asks the essential questions: What can be learnt from our rich history of political theatre? And how might contemporary practitioners apply these approaches to our current politically troubled world?Beginning with a short history of pre-1968 political theatre - covering Brecht, Joan Littlewood and Ewan McColl - the editors move on to explore agit-prop, working-class theatre, theatre in education, theatre and race, women’s theatre and LGBTQ theatre. Featuring many of the leading voices in the field, then and now, Scenes from the Revolution is a must-read for anyone interested in politics in the arts.

    Produktinformation

    • Utgivningsdatum:2018-09-20
    • Mått:135 x 215 x 19 mm
    • Vikt:312 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:256
    • Förlag:Pluto Press
    • ISBN:9780745338514

    Utforska kategorier

    • Dansböcker inom Kultur
    • Övrig scenkonst inom Kultur
    • Teater inom Kultur

    Mer om författaren

    Kim Wiltshire is a playwright and academic who specialises in issue based theatre, especially issues around young people, gender and sexuality, through her company Laid Bare Theatre, with plays such as Project XXX and The Value of Nothing. She is Programme Leader for the Creative Writing course at Edge Hill University. She edited the book Scenes from the Revolution (Pluto, 2018).Billy Cowan is an award-winning playwright and artistic director of Truant Company. His first play Smilin' Through, produced by Birmingham Rep was nominated for Best New Play 2005 by Manchester Evening News and his play Caretakers won the Stage Edinburgh Award at the Edinburgh Fringe Festival in 2016. He is senior lecturer for creative writing at Edge Hill University. He edited the book Scenes from the Revolution (Pluto, 2018).

    Recensioner i media

    'This is an indispensable archive of resistant performance practice, combining memoir, dramatic and critical writing. Wiltshire, Cowan, and their collaborators confront Project Austerity's culture of contempt and despair by recovering and asserting British theatre's history of critical refusal'

    Innehållsförteckning

    • Introduction: A Very Brief History of Political Theatre in theTwentieth Century up to 1968 - Kim Wiltshire and Billy CowanPrologue by Lyn Gardner Scene 1: Agitprop and Political Theatre Introduction - Kim WiltshireInterview with Rod Dixon (Red Ladder) and Kathleen McCreery (Red Ladder and Broadside Mobile Workers' Theatre) - Kim WiltshireApartheid: The British Connection (Extract), Broadside Mobile Workers' Theatre - Kathleen McCreeryContemporary Protest Theatre in South Africa - David PeimerThe Lost Art of Agitprop and the Return of Socialist Praxis - Rebecca HillmanScene 2: Working-Class Theatre Introduction - Kim WiltshireBlood Red Roses at the Liverpool Everyman - Bob EatonWays of Seeing: Class, Gender and the Universal, from Blood Red Roses to The Sum - Lizzie NunneryPlugging into History: Time Travel with John McGrath and 7: 84 - Lindsay RoddenScene 3: Theatre in Education Introduction - Anthony JacksonFarewell to Erin (Extract), Belgrade TIE Company Interview with Tony Hughes (M6 Theatre Company) and Justine Themen (Belgrade TIE Company) - Billy CowanEveryone's Got a Story to Tell ... and Their Own Way of Telling It - Julia Samuels (20 Stories High)Scene 4: Women's Theatre Introduction - Kim WiltshireInterview with Sue Parrish (Sphinx) and Mica Nava (Women's Theatre Group) - Kim WiltshireWork To Role (Extract), Women's Theatre Group The Work of Open Clasp and Why Women-centred Theatre is Still Relevant Today - Catrina McHugh (MBE) and Jill HeslopForty Years of Women-centred Theatre-Making - Anna Hermann with Kim WiltshireA Conversation on Sexual Assault in Theatre - Mighty Heart and Kim WiltshireScene 5: Queer Theatre Introduction - Billy CowanMen (Extract), Don Milligan and Nol Greig Interview with Julie Parker (Drill Hall, 1981-2011) - Billy CowanInterview with Ruth McCarthy (Outburst Queer Arts Festival, Belfast) - Billy CowanWe Who are Here Together: (Re-)making Queer Theatre - Chris GoodeScene 6: Theatre and Race Introduction - May SumbwanyambeA Tainted Dawn (Extract) - Sudha Bhuchar and Kristine Landon-Smith The Personal is Always Political - Sudha BhucharPokfulam Road Productions: A Political Theatre Company? - Jingan YoungEpilogue: Where Next for Political Theatre? - Billy Cowan and Kim WiltshireFurther Reading Notes on Contributors Index