Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University, Belfast. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience (Macmillan, 1997), Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Palgrave, 2002) and Filming Shakespeare in the Global Marketplace (Palgrave, 2007). Dr Adrian Streete is Senior Lecturer in the School of English at Queen's University Belfast. Dr Ramona Wray is Senior Lecturer in the School of English at Queen's University Belfast.

This remarkable collection is the most comprehensive and up-to-date Companion to Shakespeare ever assembled. With thirty essays all by distinguished or cutting-edge scholars, covering every significant mode of Shakespearean production and adaptation from the early modern period to the present, such as in music, comics, television, dance, visual arts, radio, film, as well as on the stage, there is no better book for undergraduate Shakespeare courses to contextualize and complement the Bard's own work. -- Professor Bryan Reynolds, University of California, Irvine This is a capacious book on a capacious subject: Shakespearean culture. From comic books to sculpture, poetic language to silent film, the Renaissance stage to the internet, this book shows the ways in which Shakespeare inhabits myriad art forms across time and space. Not only do the thirty topics covered by the contributors illuminate Shakespeare's use for novelists, poets, musicians, artists, dancers and filmmakers but they also locate Shakespeare in his own age and on his own stage. There is no Companion like this! -- Laurie Maguire, University of Oxford This remarkable collection is the most comprehensive and up-to-date Companion to Shakespeare ever assembled. With thirty essays all by distinguished or cutting-edge scholars, covering every significant mode of Shakespearean production and adaptation from the early modern period to the present, such as in music, comics, television, dance, visual arts, radio, film, as well as on the stage, there is no better book for undergraduate Shakespeare courses to contextualize and complement the Bard's own work. This is a capacious book on a capacious subject: Shakespearean culture. From comic books to sculpture, poetic language to silent film, the Renaissance stage to the internet, this book shows the ways in which Shakespeare inhabits myriad art forms across time and space. Not only do the thirty topics covered by the contributors illuminate Shakespeare's use for novelists, poets, musicians, artists, dancers and filmmakers but they also locate Shakespeare in his own age and on his own stage. There is no Companion like this!

• Introduction - Mark Thornton Burnett, Adrian Streete and Ramona WrayPart 1: Shakespeare and the Book1 Textual Shakespeare - Sonia Massai2 Shakespeare and Poetry - Peter Holbrook3 Shakespeare and the Novel - Marianne Novy4 Shakespeare and Translation - Alexander C. Y. Huang5 Shakespeare Anthologized - Kate Rumbold6 Shakespeare and Biography - David BevingtonPart 2: Shakespeare and Music7 Shakespeare and Early Modern Music - Christopher R. Wilson8 Shakespeare and Opera - Adrian Streete9 Shakespeare and Classical Music - Julie Sanders10 Shakespeare and Musical Theatre - Fran Teague11 Shakespeare, Ballet and Dance - Rodney Stenning Edgecombe12 Shakespeare and Popular Music - Adam HansenPart 3: Shakespeare on Stage and in Performance13 Shakespeare and Drama - Lucy Munro14 Shakespeare and the Renaissance Stage - Edel Lamb15 Shakespeare and the Restoration and Eighteenth-Century Stage - Fiona Ritchie16 Shakespeare and the Victorian Stage - Richard Foulkes17 Shakespeare and the Modern Stage - Christie Carson18 Shakespeare and Contemporary Performance Spaces - Andrew James HartleyPart 4: Shakespeare and Youth Culture19 Shakespeare for Children - Amy Scott-Douglass20 Shakespeare and Teenagers - Kevin J. Wetmore, Jr.21 Shakespeare and the Comic Book - Michael P. JensenPart 5: Shakespeare, Visual and Material Culture22 Shakespeare, Portraiture, Painting, and Prints - Erin C. Blake23 Shakespeare, Sculpture and the Material Arts - Balz Engler24 Shakespeare Exhibition and Festival Culture - Mark Thornton BurnettPart 6: Shakespeare, Media and Culture25 Shakespeare and Silent Film - Judith Buchanan26 Shakespeare on Film, 1930-1990 - Anne-Marie Costantini-Cornède27 Shakespeare on Film, 1990-2010 - Ramona Wray28 Shakespeare on Television -Stephen Purcell29 Shakespeare and 29 Shakespeare and Radio - Susanne Greenhalgh30 Shakespeare on the Internet and in Digital Media - Michael BestNotes on ContributorsIndex

Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University, Belfast. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience (Macmillan, 1997), Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Palgrave, 2002) and Filming Shakespeare in the Global Marketplace (Palgrave, 2007). Dr Adrian Streete is Senior Lecturer in the School of English at Queen's University Belfast. Dr Ramona Wray is Senior Lecturer in the School of English at Queen's University Belfast.

This remarkable collection is the most comprehensive and up-to-date Companion to Shakespeare ever assembled. With thirty essays all by distinguished or cutting-edge scholars, covering every significant mode of Shakespearean production and adaptation from the early modern period to the present, such as in music, comics, television, dance, visual arts, radio, film, as well as on the stage, there is no better book for undergraduate Shakespeare courses to contextualize and complement the Bard's own work. -- Professor Bryan Reynolds, University of California, Irvine This is a capacious book on a capacious subject: Shakespearean culture. From comic books to sculpture, poetic language to silent film, the Renaissance stage to the internet, this book shows the ways in which Shakespeare inhabits myriad art forms across time and space. Not only do the thirty topics covered by the contributors illuminate Shakespeare's use for novelists, poets, musicians, artists, dancers and filmmakers but they also locate Shakespeare in his own age and on his own stage. There is no Companion like this! -- Laurie Maguire, University of Oxford This remarkable collection is the most comprehensive and up-to-date Companion to Shakespeare ever assembled. With thirty essays all by distinguished or cutting-edge scholars, covering every significant mode of Shakespearean production and adaptation from the early modern period to the present, such as in music, comics, television, dance, visual arts, radio, film, as well as on the stage, there is no better book for undergraduate Shakespeare courses to contextualize and complement the Bard's own work. This is a capacious book on a capacious subject: Shakespearean culture. From comic books to sculpture, poetic language to silent film, the Renaissance stage to the internet, this book shows the ways in which Shakespeare inhabits myriad art forms across time and space. Not only do the thirty topics covered by the contributors illuminate Shakespeare's use for novelists, poets, musicians, artists, dancers and filmmakers but they also locate Shakespeare in his own age and on his own stage. There is no Companion like this!

• Introduction - Mark Thornton Burnett, Adrian Streete and Ramona WrayPart 1: Shakespeare and the Book1 Textual Shakespeare - Sonia Massai2 Shakespeare and Poetry - Peter Holbrook3 Shakespeare and the Novel - Marianne Novy4 Shakespeare and Translation - Alexander C. Y. Huang5 Shakespeare Anthologized - Kate Rumbold6 Shakespeare and Biography - David BevingtonPart 2: Shakespeare and Music7 Shakespeare and Early Modern Music - Christopher R. Wilson8 Shakespeare and Opera - Adrian Streete9 Shakespeare and Classical Music - Julie Sanders10 Shakespeare and Musical Theatre - Fran Teague11 Shakespeare, Ballet and Dance - Rodney Stenning Edgecombe12 Shakespeare and Popular Music - Adam HansenPart 3: Shakespeare on Stage and in Performance13 Shakespeare and Drama - Lucy Munro14 Shakespeare and the Renaissance Stage - Edel Lamb15 Shakespeare and the Restoration and Eighteenth-Century Stage - Fiona Ritchie16 Shakespeare and the Victorian Stage - Richard Foulkes17 Shakespeare and the Modern Stage - Christie Carson18 Shakespeare and Contemporary Performance Spaces - Andrew James HartleyPart 4: Shakespeare and Youth Culture19 Shakespeare for Children - Amy Scott-Douglass20 Shakespeare and Teenagers - Kevin J. Wetmore, Jr.21 Shakespeare and the Comic Book - Michael P. JensenPart 5: Shakespeare, Visual and Material Culture22 Shakespeare, Portraiture, Painting, and Prints - Erin C. Blake23 Shakespeare, Sculpture and the Material Arts - Balz Engler24 Shakespeare Exhibition and Festival Culture - Mark Thornton BurnettPart 6: Shakespeare, Media and Culture25 Shakespeare and Silent Film - Judith Buchanan26 Shakespeare on Film, 1930-1990 - Anne-Marie Costantini-Cornède27 Shakespeare on Film, 1990-2010 - Ramona Wray28 Shakespeare on Television -Stephen Purcell29 Shakespeare and 29 Shakespeare and Radio - Susanne Greenhalgh30 Shakespeare on the Internet and in Digital Media - Michael BestNotes on ContributorsIndex

Mark Thornton Burnett is Professor of Renaissance Studies at Queen's University, Belfast. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience (Macmillan, 1997), Constructing ‘Monsters’ in Shakespearean Drama and Early Modern Culture (Palgrave, 2002) and Filming Shakespeare in the Global Marketplace (Palgrave, 2007). Dr Adrian Streete is Senior Lecturer in the School of English at Queen's University Belfast. Dr Ramona Wray is Senior Lecturer in the School of English at Queen's University Belfast.

This remarkable collection is the most comprehensive and up-to-date Companion to Shakespeare ever assembled. With thirty essays all by distinguished or cutting-edge scholars, covering every significant mode of Shakespearean production and adaptation from the early modern period to the present, such as in music, comics, television, dance, visual arts, radio, film, as well as on the stage, there is no better book for undergraduate Shakespeare courses to contextualize and complement the Bard's own work. -- Professor Bryan Reynolds, University of California, Irvine This is a capacious book on a capacious subject: Shakespearean culture. From comic books to sculpture, poetic language to silent film, the Renaissance stage to the internet, this book shows the ways in which Shakespeare inhabits myriad art forms across time and space. Not only do the thirty topics covered by the contributors illuminate Shakespeare's use for novelists, poets, musicians, artists, dancers and filmmakers but they also locate Shakespeare in his own age and on his own stage. There is no Companion like this! -- Laurie Maguire, University of Oxford This remarkable collection is the most comprehensive and up-to-date Companion to Shakespeare ever assembled. With thirty essays all by distinguished or cutting-edge scholars, covering every significant mode of Shakespearean production and adaptation from the early modern period to the present, such as in music, comics, television, dance, visual arts, radio, film, as well as on the stage, there is no better book for undergraduate Shakespeare courses to contextualize and complement the Bard's own work. This is a capacious book on a capacious subject: Shakespearean culture. From comic books to sculpture, poetic language to silent film, the Renaissance stage to the internet, this book shows the ways in which Shakespeare inhabits myriad art forms across time and space. Not only do the thirty topics covered by the contributors illuminate Shakespeare's use for novelists, poets, musicians, artists, dancers and filmmakers but they also locate Shakespeare in his own age and on his own stage. There is no Companion like this!

• Introduction - Mark Thornton Burnett, Adrian Streete and Ramona WrayPart 1: Shakespeare and the Book1 Textual Shakespeare - Sonia Massai2 Shakespeare and Poetry - Peter Holbrook3 Shakespeare and the Novel - Marianne Novy4 Shakespeare and Translation - Alexander C. Y. Huang5 Shakespeare Anthologized - Kate Rumbold6 Shakespeare and Biography - David BevingtonPart 2: Shakespeare and Music7 Shakespeare and Early Modern Music - Christopher R. Wilson8 Shakespeare and Opera - Adrian Streete9 Shakespeare and Classical Music - Julie Sanders10 Shakespeare and Musical Theatre - Fran Teague11 Shakespeare, Ballet and Dance - Rodney Stenning Edgecombe12 Shakespeare and Popular Music - Adam HansenPart 3: Shakespeare on Stage and in Performance13 Shakespeare and Drama - Lucy Munro14 Shakespeare and the Renaissance Stage - Edel Lamb15 Shakespeare and the Restoration and Eighteenth-Century Stage - Fiona Ritchie16 Shakespeare and the Victorian Stage - Richard Foulkes17 Shakespeare and the Modern Stage - Christie Carson18 Shakespeare and Contemporary Performance Spaces - Andrew James HartleyPart 4: Shakespeare and Youth Culture19 Shakespeare for Children - Amy Scott-Douglass20 Shakespeare and Teenagers - Kevin J. Wetmore, Jr.21 Shakespeare and the Comic Book - Michael P. JensenPart 5: Shakespeare, Visual and Material Culture22 Shakespeare, Portraiture, Painting, and Prints - Erin C. Blake23 Shakespeare, Sculpture and the Material Arts - Balz Engler24 Shakespeare Exhibition and Festival Culture - Mark Thornton BurnettPart 6: Shakespeare, Media and Culture25 Shakespeare and Silent Film - Judith Buchanan26 Shakespeare on Film, 1930-1990 - Anne-Marie Costantini-Cornède27 Shakespeare on Film, 1990-2010 - Ramona Wray28 Shakespeare on Television -Stephen Purcell29 Shakespeare and 29 Shakespeare and Radio - Susanne Greenhalgh30 Shakespeare on the Internet and in Digital Media - Michael BestNotes on ContributorsIndex