Ramona Wray – författare

The last two decades have transformed the field of Renaissance studies, and Reconceiving the Renaissance: A Critical Reader maps this difficult terrain. Attending to the breadth of fresh approaches, the volume offers a theoretical overview of current thinking about the period.Collecting in one volume the classic and cutting-edge statements which define early modern scholarship as it is now practised, this book is a one-stop indispensable resource for undergraduates and beginning postgraduates alike. Through a rich array of arguments by the world''s leading experts, the Renaissance emerges wonderfully invigorated, while the suggestive shorter extracts, topical questions and engaged editorial introductions give students the wherewithal and encouragement to do somereconceiving themselves.

The last two decades have transformed the field of Renaissance studies, and Reconceiving the Renaissance: A Critical Reader maps this difficult terrain. Attending to the breadth of fresh approaches, the volume offers a theoretical overview of current thinking about the period. Collecting in one volume the classic and cutting-edge statements which define early modern scholarship as it is now practised, this book is a one-stop indispensable resource for undergraduates and beginning postgraduates alike. Through a rich array of arguments by the world's leading experts, the Renaissance emerges wonderfully invigorated, while the suggestive shorter extracts, topical questions and engaged editorial introductions give students the wherewithal and encouragement to do some reconceiving themselves.

The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love''s Labour''s Lost, Othello, Shakespeare in Love and William Shakespeare''s Romeo and Juliet , the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition - familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.

Shakespeare and Ireland examines the complex relationship between the most celebrated icon of the British establishment and Irish literary and cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers' responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, in addition to recent nationalist discourses. In so doing, the collection establishes the multiple 'Shakespeares' and competing 'Irelands' that inform the Irish imagination.

The essays in this volume read the Shakespeare films of the 1990s as key instruments with which western culture confronts the anxieties attendant upon the transition from one century to another. Such films as Hamlet, Love's Labour's Lost, Othello, Shakespeare in Love and William Shakespeare's Romeo and Juliet , the contributors maintain, engage with some of the most pressing concerns of the present, apocalyptic condition - familial crisis, social estrangement, urban blight, cultural hybridity, literary authority, the impact of technology and the end of history. The volume includes an exclusive interview with Kenneth Branagh.

Wray argues that women participated in many kinds of literary discourse, such as poetry, drama, fiction, autobiography, advice books and religio-politico treatises. Covering the work of all the important women writers of the period it introduces readers to a range of women's writing across the breadth of the 17th century.

Wray argues that women participated in many kinds of literary discourse, such as poetry, drama, fiction, autobiography, advice books and religio-politico treatises. Covering the work of all the important women writers of the period it introduces readers to a range of women's writing across the breadth of the 17th century.

A substantial reference work that supersedes existing studies, the Companion, explores the place of Shakespeare in relation to a wide range of artistic practices and activities, past and present. The 'arts' are defined broadly as cultural processes that take in publishing, exhibiting, performing, reconstructing and disseminating. The 30 newly commissioned chapters are divided into 6 sections: Shakespeare and the Book; Shakespeare and Music; Shakespeare on Stage and in Performance; Shakespeare and Youth Culture; Shakespeare, Visual and Material Culture; and Shakespeare, Media and Culture. Each chapter provides both a synthesis and a discussion of a topic, informed by current thinking and theoretical reflection. Key Features* Addresses Shakespeare in terms of a global frame of reference* Chapters consider chronology and overview, critical history and analysis* Responds to a growing critical and pedagogical interest in the relations between Shakespeare, the arts, film, performance and mass media more generally.

A substantial reference work that supersedes existing studies, the Companion, explores the place of Shakespeare in relation to a wide range of artistic practices and activities, past and present. The ''arts'' are defined broadly as cultural processes that take in publishing, exhibiting, performing, reconstructing and disseminating. The 30 newly commissioned chapters are divided into 6 sections: Shakespeare and the Book; Shakespeare and Music; Shakespeare on Stage and in Performance; Shakespeare and Youth Culture; Shakespeare, Visual and Material Culture; and Shakespeare, Media and Culture. Each chapter provides both a synthesis and a discussion of a topic, informed by current thinking and theoretical reflection. Key Features* Addresses Shakespeare in terms of a global frame of reference* Chapters consider chronology and overview, critical history and analysis* Responds to a growing critical and pedagogical interest in the relations between Shakespeare, the arts, film, performance and mass media more generally.

Shakespeare and Ireland examines the complex relationship between the most celebrated icon of the British establishment and Irish literary and cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers'' responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, in addition to recent nationalist discourses. In so doing, the collection establishes the multiple ''Shakespeares'' and competing ''Irelands'' that inform the Irish imagination.

Shakespeare and Ireland examines the complex relationship between the most celebrated icon of the British establishment and Irish literary and cultural traditions. Addressing Shakespearean representations of Ireland as well as Irish writers' responses to the dramatist, it ranges widely across theatrical performances, pedagogical practices, editorial undertakings and political developments. The writings of Joyce, Heaney and Yeats are considered, in addition to recent nationalist discourses. In so doing, the collection establishes the multiple 'Shakespeares' and competing 'Irelands' that inform the Irish imagination.

A substantial reference work that supersedes existing studies, the Companion, explores the place of Shakespeare in relation to a wide range of artistic practices and activities, past and present. The 'arts' are defined broadly as cultural processes that take in publishing, exhibiting, performing, reconstructing and disseminating. The 30 newly commissioned chapters are divided into 6 sections: Shakespeare and the Book; Shakespeare and Music; Shakespeare on Stage and in Performance; Shakespeare and Youth Culture; Shakespeare, Visual and Material Culture; and Shakespeare, Media and Culture. Each chapter provides both a synthesis and a discussion of a topic, informed by current thinking and theoretical reflection. Key Features* Addresses Shakespeare in terms of a global frame of reference* Chapters consider chronology and overview, critical history and analysis* Responds to a growing critical and pedagogical interest in the relations between Shakespeare, the arts, film, performance and mass media more generally.

Tragedy of Mariam, the Fair Queen of Jewry is a Jacobean closet drama by Elizabeth Tanfield Cary. First published in 1613, it was the first work by a woman to be published under her real name. Never performed during Cary's lifetime, and apparently never intended for performance, the Senecan revenge tragedy tells the story of Mariam, the second wife of Herod. The play exposes and explores the themes of sex, divorce, betrayal, murder, and Jewish society under Herod's tyrannous rule. The comprehensive, illustrated introduction discusses the play in the context of closet drama, female dramatists and in terms of the religious issues it explores, seeing Mariam as a martyr figure. The on-page commentary notes provide further close analysis and explanation, creating an ideal edition for study and teaching.

Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.In this volume, leading scholars assess the contribution of Orson Welles, Akira Kurosawa, Grigori Kozintsev and Franco Zeffirelli to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject''s intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.

Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.In this volume, leading scholars assess the contribution of Orson Welles, Akira Kurosawa, Grigori Kozintsev and Franco Zeffirelli to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide a sketch of their subject''s intellectual and professional biography and an account of the wider cultural context, including comparison with other figures or works within the same field.

In this volume, leading scholars assess the contribution of four major film directors to the afterlife and reception of Shakespeare and his plays. Focusing on the work of Orson Welles, Akira Kurosawa, Grigori Kozintsev and Franco Zeffirelli, each essay assesses the double impact of Shakespeare on the film director covered and of the film director on the understanding, interpretation and appreciation of Shakespeare.