Michael William Balfe

William Tyldesley, University of Liverpool, UK

'Ashgate are to be applauded for having included this title in their music series... William Tyldesley's elegant written biography covers all facets of Balfe... [Tyldesley's] clear and detailed descriptions of the appearance of the material he has been working from makes it unnecessary for anyone to consider a need to look at the sources further... This biography replaces the previous one. The reader feels he is present during the searches and William Tyldsley's lively descriptions make the reading of his intriguing bigoraphy a joy.' MusicWeb 'Highly recommended for anyone interested in Victorian music and operas before Gilbert & Sullivan.' The Delian 'This book is excellent on the analysis of Balfe's operas and other works... a valuable addition to musical scholarship...' Opera Now 'As the first full-length study of Balfe and his English opera, [...], William Tyldesley's monograph addresses a long-standing need for a more comprehensive look at this important figure... In making all this information readily available, Tyldesley has rendered an enormous service for scholars of the era.' Opera Quarterly 'The author examines each of the operas in great detail and his enthusiasm for Balfe's work shines on every page. He has succeeded in presenting a biographical and musical portrait of the composer which has been long overdue. Altogether a worthy tribute.' Dublin Historical Record 'Tyldesley's book tackles the important task of beginning to redress the incorrect myths and legends generated from contemporary and late nineteenth-century works on Balfe and the lack of modern scholarship on an important figure in British music and opera.' Notes 'The main contribution of William Tyldesley's biography that should interest historians is its intriguing narrative of how Balfe moved around the continent, first as a singer [...] and then as a composer, from Rome to Naples to Paris, gaining the support of Cherubini and Rossini along the way... Tyldesley has done the first critical biography of Balfe, asking well-informed questions of the quite limited resources extant about both life and works... This book makes extensive discussion of many of Balfe's works... Tyldesley takes an appreciative but not adulatory stance on the quality of music.' Albion 'Tyldesley [...] resists the temptation to indulge in colourful speculation, confining himself to as clear an exposition as possible of the available facts. For this reason alone his study would be invaluable... True to its usual high standards, Ashgate presents the text in elegant type on well-designed pages... we can [...] be grateful for William Tyldesley's judicious study of the life and works of the man whose statue still presides over the theatre that was home to so many of his triumphs.' Music and Letters

• Contents: Preface; Introduction; 1807-34: Early years and travels; 1834: Back in London - the English opera: constructional units and related matters; 1835: The Siege of Rochelle; 1836-43: The Maid of Artois, Catherine Grey, Diadeste, Joan of Arc, Këolanthe; 1843: The Bohemian Girl; 1844-46: The Daughter of St Mark, The Enchantress, The Bondman; 1847-57: The Maid of Honour, The Sicilian Bride, The Devil's in it! (Letty); 1857-58: The Rose of Castille, Satanella; 1860-63: Bianca, The Bravo's Bride, The Puritan's Daughter, The Armourer of Nantes, Blanche de Nevers; Balfe after the English operas: 1860-70 and later; An overview: The life of Balfe, Unanswered questions, Balfe's English operas; Bibliography; Previously unpublished material; Index.