British Barbershopper

Dr Liz Garnett is a musicologist and choral clinician whose research and praxis both explore the theme of music and its social meanings. She has held academic posts at Colchester Institute and Birmingham Conservatoire, and is in demand internationally as a performance coach and arranger. Her first book, The British Barbershopper: A Study in Socio-Musical Values, is also published by Ashgate.

'... this is an excellent study. Excellent bibliography and glossary... Highly recommended.' Choice '... a new contribution to the literature which is thought-provoking in its appraisal of musicological and ethnographic research, as well as in its insights on a musical phenomenon which is little known to those not directly involved in its performance... well written and accessible... a vivid and frank depiction of a fascinating musical world, which will stimulate welcome debate about the relationship between repertoire, performance practices and contemporary social values.' Popular Music '... Liz Garnett's thick descriptions, theoretical foundation and scientific insight give a brand new perspective to the musical and social world of the British barbershopper... Liz Garnett's book is a very valuable study which, I am certain, will contribute to the study of other musics.' International Review of the Sociology and Aesthetics of Music '...Liz Garnett's book is fascinating and thorough. As a contribution to the ongoing discussion of how the worlds of performance and criticism are evolving, the British Barbershopper is a valuable addition to the literature of musicology and the sociology of music.' The World of Music '... [a] terrific book... the author has illuminated not just the British form of barbershopping but all of contemporary barbershop singing, and that, in doing so, she has made a signal contribution to the study of how contemporary Westerners further the 'project of the self' through participation in networks and institutions of musical performance.' Ethnomusicology Forum

• Contents: Introduction: barbershop singing in the UK; Ethics and aesthetics: the social theory of barbershop harmony; The procedures of preservation: barbershop singing and the invention of tradition; Ridicule, religion, and the public image of barbershop; Separate but equal? Sexual politics in the barbershop; Performance mannerism and the amateur imagination; Tag-singing: the private face of barbershop; To 'be' a barbershopper: theorizing music and self-identity; Conclusion: beyond barbershop; Glossary; Bibliography; Index.