Johnny Salda-a is a Professor of Theatre at Arizona State University.

What a splendid opportunity Professor Saldaña gives us here to help qualitative researchers learn more about the genre of research known as ethnodrama. Following his excellent overview, he provides examples of three types of reality theatre—monologue, dialogue, and ethnodramatic 'extension'—including the full text from seven of these productions. Bravo for this much needed resource.

• Part 1 AcknowledgmentsPart 2 Series Editors' IntroductionPart 3 Prologue: the theatrePart 4 An Introduction to EthnodramaPart 5 Part One—Ethnodramatic MonologueChapter 6 Scenes from Voices in the RainChapter 7 Scenes from 14Chapter 8 Chalkboard Concerto: Growing Up as a Teacher in the Chicago Public SchoolsPart 9 Part Two—Ethnodramatic Dialogue with MonologueChapter 10 Storm Tracking: Scenes of Marital DisintegrationChapter 11 The PracticeChapter 12 Wearing the Secret OutPart 13 Part Three—Ethnodramatic ExtensionsChapter 14 Baddies, Grubs and the Nitty-GrittyChapter 15 Street RatChapter 16 HiddenPart 17 Appendix: Dramatic Models for EthnodramaPart 18 About the Contributors

Johnny Salda-a is a Professor of Theatre at Arizona State University.

What a splendid opportunity Professor Saldaña gives us here to help qualitative researchers learn more about the genre of research known as ethnodrama. Following his excellent overview, he provides examples of three types of reality theatre—monologue, dialogue, and ethnodramatic 'extension'—including the full text from seven of these productions. Bravo for this much needed resource.

• Part 1 AcknowledgmentsPart 2 Series Editors' IntroductionPart 3 Prologue: the theatrePart 4 An Introduction to EthnodramaPart 5 Part One—Ethnodramatic MonologueChapter 6 Scenes from Voices in the RainChapter 7 Scenes from 14Chapter 8 Chalkboard Concerto: Growing Up as a Teacher in the Chicago Public SchoolsPart 9 Part Two—Ethnodramatic Dialogue with MonologueChapter 10 Storm Tracking: Scenes of Marital DisintegrationChapter 11 The PracticeChapter 12 Wearing the Secret OutPart 13 Part Three—Ethnodramatic ExtensionsChapter 14 Baddies, Grubs and the Nitty-GrittyChapter 15 Street RatChapter 16 HiddenPart 17 Appendix: Dramatic Models for EthnodramaPart 18 About the Contributors

Johnny Salda-a is a Professor of Theatre at Arizona State University.

What a splendid opportunity Professor Saldaña gives us here to help qualitative researchers learn more about the genre of research known as ethnodrama. Following his excellent overview, he provides examples of three types of reality theatre—monologue, dialogue, and ethnodramatic 'extension'—including the full text from seven of these productions. Bravo for this much needed resource.

• Part 1 AcknowledgmentsPart 2 Series Editors' IntroductionPart 3 Prologue: the theatrePart 4 An Introduction to EthnodramaPart 5 Part One—Ethnodramatic MonologueChapter 6 Scenes from Voices in the RainChapter 7 Scenes from 14Chapter 8 Chalkboard Concerto: Growing Up as a Teacher in the Chicago Public SchoolsPart 9 Part Two—Ethnodramatic Dialogue with MonologueChapter 10 Storm Tracking: Scenes of Marital DisintegrationChapter 11 The PracticeChapter 12 Wearing the Secret OutPart 13 Part Three—Ethnodramatic ExtensionsChapter 14 Baddies, Grubs and the Nitty-GrittyChapter 15 Street RatChapter 16 HiddenPart 17 Appendix: Dramatic Models for EthnodramaPart 18 About the Contributors