Crossroads in Qualitative Inquiry - Böcker

This is a book of signposts, of key turning points, of Gregory Bateson's 'knots tied in a handkerchief.' Each article reproduced in this volume, edited by leading qualitative methodologists Lincoln and Denzin, represents one of these turning points in qualitative research, a revolution in the way research is conceptualized and practiced. Authority, representation, legitimation, ethics, methods, presentation, even the purpose of qualitative research, have all been transformed by these articles and the authors who penned them. Bringing together the work of scholars from Haraway to Geertz, Mead to Mishler, Clifford to Conquergood, Laurel Richardson to Miles Richardson, the editors are able trace the changes in the discipline over the past five decades. A necessary addition to the shelf of all researchers, it will also be a key textbook for training the next generation of scholars in the history and trajectory of qualitative research.

This is a book of signposts, of key turning points, of Gregory Bateson's 'knots tied in a handkerchief.' Each article reproduced in this volume, edited by leading qualitative methodologists Lincoln and Denzin, represents one of these turning points in qualitative research, a revolution in the way research is conceptualized and practiced. Authority, representation, legitimation, ethics, methods, presentation, even the purpose of qualitative research, have all been transformed by these articles and the authors who penned them. Bringing together the work of scholars from Haraway to Geertz, Mead to Mishler, Clifford to Conquergood, Laurel Richardson to Miles Richardson, the editors are able trace the changes in the discipline over the past five decades. A necessary addition to the shelf of all researchers, it will also be a key textbook for training the next generation of scholars in the history and trajectory of qualitative research.

In response to the events following September 11, a number of leading cultural studies and interpretive qualitative researchers write from their own experiences and hearts. Their essays—by noted scholars Kellner, Fine, McLaren, Richardson, Denzin, Giroux and others—are collected in this volume, and were written in crisis within days and weeks of September 11. The immediacy of their writing is refreshing, and reflects the varied emotional and critical responses that bring meaning to this cataclysmal event. From the poetic to the personal, the theoretical to the historical, these contributions represent intelligent and reflective responses to crises like 9/11. This unique collection of essays represents a selfless act of sharing by poets and professors who tell us how they made sense of these tragic events, and predicts what the place of the humanities and the social sciences might hold in an age of terror. Lachrymal and elegiac, their words will stay with us for years to come. The articles were originally published in the journals Qualitative Inquiry and Cultural Studies/Critical Methodologies.

Stephen Hartnett merges the evocative power of poetry with scholarly research to produce both a genre-bending critique of the prison industrial complex and an innovative new method of qualitative research. Based on ten years of teaching in, writing about, and protesting at prisons across America, Harnett weaves together the hopes of prisoners, their families, and friends with the stories of activist communities struggling against the death penalty, the war on drugs, and a culture that treats prisoners as commodities. Full of materials from philosophers, poets, and historians, rich in personal detail, and written as a passionate and urgent call for justice, Incarceration Nation shows the power of ethnographic poetry to give voice to the hopes and horrors of a generation confronted by the mass-production of criminality.

The Zapatistas of Chiapas, Mexico, have often been portrayed in reductive, polarized terms; either as saintly activists or dangerous rebels. Cultural anthropologists Duncan Earle and Jeanne Simonelli, drawing on decades-long relationships and fieldwork, attained a collegiality with the Zapatistas that reveals a more complex portrait of a people struggling with self-determination on every level. Seeking a new kind of experimental ethnography, Earle & Simonelli have chronicled a social experiment characterized by resistance, autonomy and communality. Combining their own compelling narrative as participant-observers, and those of their Chiapas compadres, the authors effectively call for an activist approach to research. The result is a unique ethnography that is at once analytical and deeply personal. Uprising of Hope will be compelling reading for scholars and general readers of anthropology, social justice, ethnography, Latin American history and ethnic studies.

The Zapatistas of Chiapas, Mexico, have often been portrayed in reductive, polarized terms; either as saintly activists or dangerous rebels. Cultural anthropologists Duncan Earle and Jeanne Simonelli, drawing on decades-long relationships and fieldwork, attained a collegiality with the Zapatistas that reveals a more complex portrait of a people struggling with self-determination on every level. Seeking a new kind of experimental ethnography, Earle & Simonelli have chronicled a social experiment characterized by resistance, autonomy and communality. Combining their own compelling narrative as participant-observers, and those of their Chiapas compadres, the authors effectively call for an activist approach to research. The result is a unique ethnography that is at once analytical and deeply personal. Uprising of Hope will be compelling reading for scholars and general readers of anthropology, social justice, ethnography, Latin American history and ethnic studies.

In 1993 Rik Scarce was imprisoned for contempt of court in Spokane, Washington. For five months he refused to testify to a federal grand jury about his interviews with animal rights activists after they had broken into a research laboratory, and his story made headlines in numerous newspapers. Now Scarce tells of his jailing and the rationale behind his ethical stance, bringing an ethnographer's trained sensibility and a journalist's storytelling skill to his tale. Viewed as an outsider even by his fellow inmates, Scarce gained from his imprisonment a painful, rare glimpse of the jail world. This text raises serious questions about the failures of the American justice system and protection of civil liberties, and is a valuable resource for criminologists, sociologists, and corrections professionals.

The Pull of the Earth is Laurie Thorp's dirt-under-the-fingernails ethnography of four years in an elementary school garden and the ways in which this garden catalyzed cultural transformation and inspired hope, growth, and community. Filled with photographs, sketches, poetry, and journal entries, Thorp's engaging book describes the educational benefits of learning through the environment: lessons on nutrition, the rhythms and cycles found in nature, and the stability found in entering a reciprocal relationship with the land. It will be a valuable resource for educators, environmentalists, and ethnographers.

The Pull of the Earth is Laurie Thorp's dirt-under-the-fingernails ethnography of four years in an elementary school garden and the ways in which this garden catalyzed cultural transformation and inspired hope, growth, and community. Filled with photographs, sketches, poetry, and journal entries, Thorp's engaging book describes the educational benefits of learning through the environment: lessons on nutrition, the rhythms and cycles found in nature, and the stability found in entering a reciprocal relationship with the land. It will be a valuable resource for educators, environmentalists, and ethnographers.

Ethnodrama: An Anthology of Reality Theatre contains seven carefully-selected ethnodramas that best illustrate this emerging genre of arts-based research, a burgeoning but evident trend in the field of theatre production itself. In his introduction to ethnodrama and to the plays themselves, Salda-a emphasizes how a credible, vivid, and persuasive rendering of a research participant's story as a theatrical performance creates insights for both researcher and audience not possible through conventional qualitative data analysis. With their focus on the personal, immediate and contextual, these plays about marginalized identities, abortion, street life and oppression manage a unique balance between theoretical research and everyday realism.

Ethnodrama: An Anthology of Reality Theatre contains seven carefully-selected ethnodramas that best illustrate this emerging genre of arts-based research, a burgeoning but evident trend in the field of theatre production itself. In his introduction to ethnodrama and to the plays themselves, Salda-a emphasizes how a credible, vivid, and persuasive rendering of a research participant's story as a theatrical performance creates insights for both researcher and audience not possible through conventional qualitative data analysis. With their focus on the personal, immediate and contextual, these plays about marginalized identities, abortion, street life and oppression manage a unique balance between theoretical research and everyday realism.

Before coming to the academy, Nathaniel Kohn was a screenwriter and producer in Hollywood, London, and South Africa. He produced the epic film Zulu Dawn (with Burt Lancaster, Peter O'Toole and 6,000 Zulu extras), and was involved in other projects in that wheel-and-deal world. Moving to the communications research world, he struggled to apply theory to his personal experiences, showing how everyday life and the pursuits of Hollywood interact and how communication and cultural theory (mis)inform those exchanges. The book is filled with priceless tales of finding a black market money changer in Johannesburg to pay off his extras during the filming of Zulu Dawn, the on again/off again nature of movie projects, the obsessed women and dreadful men, the egos, and the duplicity. His experimental writing style_descriptive ethnography, imaginary screen dialogue, recounted conversations_makes this a highly readable work.

Before coming to the academy, Nathaniel Kohn was a screenwriter and producer in Hollywood, London, and South Africa. He produced the epic film Zulu Dawn (with Burt Lancaster, Peter O'Toole and 6,000 Zulu extras), and was involved in other projects in that wheel-and-deal world. Moving to the communications research world, he struggled to apply theory to his personal experiences, showing how everyday life and the pursuits of Hollywood interact and how communication and cultural theory (mis)inform those exchanges. The book is filled with priceless tales of finding a black market money changer in Johannesburg to pay off his extras during the filming of Zulu Dawn, the on again/off again nature of movie projects, the obsessed women and dreadful men, the egos, and the duplicity. His experimental writing style_descriptive ethnography, imaginary screen dialogue, recounted conversations_makes this a highly readable work.

This is a remarkable set of linked essays on the African American male experience. Alexander picks a number of settings that highlight Black male interaction, sexuality, and identity_the student-teacher interaction, the black barbershop, drag queen performances, the funeral eulogy. From these he builds a theory of Black masculine identity using auto-ethnography and ideas of performance as his base.

This is a remarkable set of linked essays on the African American male experience. Alexander picks a number of settings that highlight Black male interaction, sexuality, and identity_the student-teacher interaction, the black barbershop, drag queen performances, the funeral eulogy. From these he builds a theory of Black masculine identity using auto-ethnography and ideas of performance as his base.

The San/Bushmen are one of the most studied people in anthropology, subjects of research going back one hundred years, of documentaries, and even of popular movies (The Gods Must Be Crazy). This intriguing new work on the San is a team-based ethnography, collaborative (one of the writers is married to a member of the community), reflexive (the authors become characters in the book themselves), and literary (with poetry, dialogue, interviews, photography, and first person accounts, as well as traditional ethnographic description). In this book, South Africans are studying other South Africans, in a new environment in which many San are no longer hunter gatherers, but are activist and engaged in cultural tourism. It will be an exciting counterpoint to traditional ethnographies and stories about the San people, for anthropologists and Africanists.

The San/Bushmen are one of the most studied people in anthropology, subjects of research going back one hundred years, of documentaries, and even of popular movies (The Gods Must Be Crazy). This intriguing new work on the San is a team-based ethnography, collaborative (one of the writers is married to a member of the community), reflexive (the authors become characters in the book themselves), and literary (with poetry, dialogue, interviews, photography, and first person accounts, as well as traditional ethnographic description). In this book, South Africans are studying other South Africans, in a new environment in which many San are no longer hunter gatherers, but are activist and engaged in cultural tourism. It will be an exciting counterpoint to traditional ethnographies and stories about the San people, for anthropologists and Africanists.