Gary D. Rhodes, a documentary filmmaker, is a professor at the Queen’s University, Belfast.

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• Table of ContentsIntroduction by Gary D. Rhodes      Part I. Early Works1. Stanley Kubrick and Look MagazinePhilippe Mather      2. Kubrick’s Early Non-Fiction WorkMarina Burke      3. The Art of War (Films): Fear and Desire and Paths of GloryCharles Bane      4. The Dream Landscape of Killer’s KissTony Williams      5. One Watches Cells: Kubrick’s Films Noirs in ContextHugh S. Manon      Part I Notes      Part II. Major Works6. Patterns of Space, Sound, and Movement in Paths of GloryEric Eaton      7. Spartacus: The Spectre of Politics and the Politics of SpectacleReynold Humphries      8. Believing Is Seeing: Surveillance and 2001: A Space OdysseyGary D. Rhodes      9. Value, Violence, and Music Recognized: A Clockwork Orange as MusicologyKate McQuiston      10. The Sadness of the Gaze: Barry LyndonHomay King      11. Reconsidering Fidelity and Considering Genre in (and with) The ShiningJarrell D. Wright      Part II Notes      Part III. Eyes Wide Shut (1999): A Case Study12. The Mask that Conceals Nothing: Marital Fidelity and the Lo-Fi Soundscape in Eyes Wide ShutRandolph Jordan      13. Eyes Wide Shut: Kubrick and the Representation of GenderLindiwe Dovey      14. Carnivalesque and Grotesque Bodies in Eyes Wide ShutMiriam Jordan and Julian Jason Haladyn      15. The Phenomenological Quest of Stanley Kubrick: Eyes Wide ShutPhillip Sipiora      Part III Notes      Part IV. Kubrick’s Legacy16. Mechanical Humanity, or How I Learned to Stop Worrying and Love the Android: The Posthuman Subject in 2001: A Space Odyssey and Artificial Intelligence: A.I.Scott Loren      17. Whose Stanley Kubrick? The Myth, Legacy, and Ownership of the Kubrick ImageRobert J.E. Simpson      Part IV Notes      About the Contributors      Index

Gary D. Rhodes, a documentary filmmaker, is a professor at the Queen’s University, Belfast.

Select Guide Rating

• Table of ContentsIntroduction by Gary D. Rhodes      Part I. Early Works1. Stanley Kubrick and Look MagazinePhilippe Mather      2. Kubrick’s Early Non-Fiction WorkMarina Burke      3. The Art of War (Films): Fear and Desire and Paths of GloryCharles Bane      4. The Dream Landscape of Killer’s KissTony Williams      5. One Watches Cells: Kubrick’s Films Noirs in ContextHugh S. Manon      Part I Notes      Part II. Major Works6. Patterns of Space, Sound, and Movement in Paths of GloryEric Eaton      7. Spartacus: The Spectre of Politics and the Politics of SpectacleReynold Humphries      8. Believing Is Seeing: Surveillance and 2001: A Space OdysseyGary D. Rhodes      9. Value, Violence, and Music Recognized: A Clockwork Orange as MusicologyKate McQuiston      10. The Sadness of the Gaze: Barry LyndonHomay King      11. Reconsidering Fidelity and Considering Genre in (and with) The ShiningJarrell D. Wright      Part II Notes      Part III. Eyes Wide Shut (1999): A Case Study12. The Mask that Conceals Nothing: Marital Fidelity and the Lo-Fi Soundscape in Eyes Wide ShutRandolph Jordan      13. Eyes Wide Shut: Kubrick and the Representation of GenderLindiwe Dovey      14. Carnivalesque and Grotesque Bodies in Eyes Wide ShutMiriam Jordan and Julian Jason Haladyn      15. The Phenomenological Quest of Stanley Kubrick: Eyes Wide ShutPhillip Sipiora      Part III Notes      Part IV. Kubrick’s Legacy16. Mechanical Humanity, or How I Learned to Stop Worrying and Love the Android: The Posthuman Subject in 2001: A Space Odyssey and Artificial Intelligence: A.I.Scott Loren      17. Whose Stanley Kubrick? The Myth, Legacy, and Ownership of the Kubrick ImageRobert J.E. Simpson      Part IV Notes      About the Contributors      Index

Gary D. Rhodes, a documentary filmmaker, is a professor at the Queen’s University, Belfast.

Select Guide Rating

• Table of ContentsIntroduction by Gary D. Rhodes      Part I. Early Works1. Stanley Kubrick and Look MagazinePhilippe Mather      2. Kubrick’s Early Non-Fiction WorkMarina Burke      3. The Art of War (Films): Fear and Desire and Paths of GloryCharles Bane      4. The Dream Landscape of Killer’s KissTony Williams      5. One Watches Cells: Kubrick’s Films Noirs in ContextHugh S. Manon      Part I Notes      Part II. Major Works6. Patterns of Space, Sound, and Movement in Paths of GloryEric Eaton      7. Spartacus: The Spectre of Politics and the Politics of SpectacleReynold Humphries      8. Believing Is Seeing: Surveillance and 2001: A Space OdysseyGary D. Rhodes      9. Value, Violence, and Music Recognized: A Clockwork Orange as MusicologyKate McQuiston      10. The Sadness of the Gaze: Barry LyndonHomay King      11. Reconsidering Fidelity and Considering Genre in (and with) The ShiningJarrell D. Wright      Part II Notes      Part III. Eyes Wide Shut (1999): A Case Study12. The Mask that Conceals Nothing: Marital Fidelity and the Lo-Fi Soundscape in Eyes Wide ShutRandolph Jordan      13. Eyes Wide Shut: Kubrick and the Representation of GenderLindiwe Dovey      14. Carnivalesque and Grotesque Bodies in Eyes Wide ShutMiriam Jordan and Julian Jason Haladyn      15. The Phenomenological Quest of Stanley Kubrick: Eyes Wide ShutPhillip Sipiora      Part III Notes      Part IV. Kubrick’s Legacy16. Mechanical Humanity, or How I Learned to Stop Worrying and Love the Android: The Posthuman Subject in 2001: A Space Odyssey and Artificial Intelligence: A.I.Scott Loren      17. Whose Stanley Kubrick? The Myth, Legacy, and Ownership of the Kubrick ImageRobert J.E. Simpson      Part IV Notes      About the Contributors      Index