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    1. Kultur
    2. Scenkonst och film
    3. Film

    Seoul Searching

    Culture and Identity in Contemporary Korean Cinema

    AvFrances Gateward

    Häftad, Engelska, 2007

    Del i serien SUNY series, Horizons of Cinema

    435 kr

    Tillfälligt slut

    Beskrivning

    Korean cinema as industry, art form, and cultural product.Seoul Searching is a collection of fourteen provocative essays about contemporary South Korean cinema, the most productive and dynamic cinema in Asia. Examining the three dominant genres that have led Korean film to international acclaim-melodramas, big-budget action blockbusters, and youth films-the contributors look at Korean cinema as industry, art form, and cultural product, and engage cinema's role in the formation of Korean identities.Committed to approaching Korean cinema within its cultural contexts, the contributors analyze feature-length films and documentaries as well as industry structures and governmental policies in relation to transnational reception, marketing, modes of production, aesthetics, and other forms of popular culture. An interdisciplinary text, Seoul Searching provides an original contribution to film studies and expands the developing area of Korean studies.

    Produktinformation

    • Utgivningsdatum:2007-10-04
    • Mått:152 x 229 x 20 mm
    • Vikt:463 g
    • Format:Häftad
    • Språk:Engelska
    • Serie:SUNY series, Horizons of Cinema
    • Antal sidor:328
    • Förlag:State University of New York Press
    • ISBN:9780791472262

    Utforska kategorier

    • Film inom Kultur

    Mer om författaren

    Frances Gateward is Professor of Film Studies at Ursinus College. She is the editor of Zhang Yimou: Interviews and coeditor (with Murray Pomerance) of Where the Boys Are: Cinemas of Masculinity and Youth.

    Recensioner i media

    "This book contributes significantly to the growing body of literature on contemporary Korean cinema." — Korean Studies"…offers a succinct, well-written overview of the ways in which cultural policies in shifting government regimes have influenced the management of film as a cultural commodity. A theoretically informed examination of representations of modernization." — CHOICE"Students and scholars are hungry for good critical material on South Korean films, and this book is a welcome contribution to this quickly growing area in film studies." — Corey K. Creekmur, coeditor of Cinema, Law, and the State in Asia

    Innehållsförteckning

    • List of IllustrationsAcknowledgments IntroductionFrances Gateward Part 1: Industry Trends and Popular Genres 1. Korean Cinema after Liberation: Production, Industry, and Regulatory TrendsSeung Hyun Park 2. Christmas in August and Korean MelodramaDarcy Paquet 3. Storming the Big Screen: The Shiri SyndromeChi-Yun Shin and Julian Stringer 4. Timeless, Bottomless Bad Movies: Or, Consuming Youth in the New Korean CinemaDavid Desser Part 2: Directing New Korean Cinema 5. Scream and Scream Again: Korean Modernity as a House of Horrors in the Films of Kim Ki-youngChris Berry 6. Forgetting to Remember, Remembering to Forget: The Politics of Memory and Modernity in the Fractured Films of Lee Chang-dong and Hong Sang-sooHye Seung Chung and David Scott Diffrient 7. Reflexivity and Identity in Park Chul-soo's Farewell, My DarlingHyangsoon Yi 8. Nowhere to Hide: The Tumultuous Materialism of Lee Myung-seAnne Rutherford 9. Closing the Circle: Why Has Bodhidharma Left for the East?Linda C. Ehrlich Part 3: Narratives of the National 10. Waiting to Exhale: The Colonial Experience and the Trouble with My Own BreathingFrances Gateward 11. Crossing the Border to the "Other" Side: Dynamics of Interaction between North and South Koreans in Spy Li Cheol-jin and Joint Security AreaSuk-Young Kim 12. Race, Gender, and Postcolonial Identity in Kim Ki-duk's Address UnknownMyung Ja Kim 13. Transgressing Boundaries: From Sexual Abuse to Eating Disorders in 301/302Diane Carson 14. Taking the Plunge: Representing Queer Desire in Contemporary South Korean CinemaRobert L. Cagle List of ContributorsIndex