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    1. Skönlitteratur
    2. Litteraturvetenskap
    3. Litteraturvetenskap

    Transatlantic Voices

    Interpretations of Native North American Literatures

    AvElvira Pulitano

    Häftad, Engelska, 2007

    327 kr

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    Beskrivning

    Transatlantic Voices is the first collection of critical essays by European scholars on contemporary Native North American literatures. Devoted to the primary genres of Native  literature—fiction, nonfiction, drama, poetry—the essays chart the course of recent theories of Native literature, delineate the crosscurrents in the history of Native literature studies, and probe specific themes of trauma and memory as well as changing mythologies. These essays also incorporate incipient transnational and transcultural methodologies in their approach to Native North American writing. Blending western critical approaches—from cultural studies to postcolonialism and trauma theory—with indigenous epistemological perspectives, the contributors to Transatlantic Voices advocate "the inescapable hybridity and intermixture of ideas" proposed by Paul Gilroy in his study of black diasporic identity. Native North American writers forcefully suggest that the study of American ethnicities in the twenty-first century can no longer be confined to the borders of the United States. Given the increasing transnational aspect of American studies, a collection such as Transatlantic Voices, presenting scholars from countries as diverse as Germany, France, Bulgaria, Switzerland, Italy, the United Kingdom, and Finland, offers a timely contribution to such border crossing in scholarship and writing.

    Produktinformation

    • Utgivningsdatum:2007-12-01
    • Mått:140 x 216 x 17 mm
    • Vikt:386 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:336
    • Förlag:University of Nebraska Press
    • ISBN:9780803260344

    Utforska kategorier

    • Litteraturvetenskap inom Skönlitteratur
    • Etnicitet inom Samhälle och politik

    Mer om författaren

    Elvira Pulitano is an assistant professor of ethnic studies at California Polytechnic State University. She is the author of Toward a Native American Critical Theory (Nebraska 2003). Contributors: Helmbrecht Breinig, Brigitte Georgi-Findlay, Kathryn Napier Gray, Ulla Haselstein, Hartwig Isernhagen, Yonka Krasteva, A. Robert Lee, Deborah L. Madsen, Simone Pellerin, Gaetano Prampolini, Elvira Pulitano, Bernadette Rigal-Cellard, Mark Shackleton, Paul Beekman Taylor, and Rebecca Tillett.

    Recensioner i media

    "Transatlantic Voices represents some of the most recent critical studies of contemporary Native North American literature by fourteen European scholars... The anthology will be a useful resource for anyone interested in interdisciplinary crossings in postcolonial studies, diaspora studies, and narrative ethics."-Laura Castor, Great Plains Quarterly -- Laura Castor Great Plains Quarterly

    Innehållsförteckning

    • Contents Acknowledgments  Introduction     Elvira Pulitano, California Polytechnic State University Part 1. Theoretical Crossings 1. "They Have Stories, Don't They?": Some Doubts Regarding an Overused Theorem     Hartwig Isernhagen, Universität Basel2. Plotting History: The Function of History in Native North American Literature   Bernadette Rigal-Cellard, Université Michel de MontaigneBordeaux 33. Transculturality and Transdifference: The Case of Native America    Helmbrecht Breinig, Universität Erlangen-Nürnberg Part 2. From Early Fiction to Recent Directions 4. American Indian Novels of the 1930s: John Joseph Mathews's Sundown and D'Arcy McNickle's Surrounded  Gaetano Prampolini, Università di Firenze5. Transatlantic Crossings: New Directions in the Contemporary Native American Novel     Brigitte Georgi-Findlay, Technische Universität Dresden Part 3. Trauma, Memory, and Narratives of Healing  6. Of Time and Trauma: The Possibilities for Narrative in Paula Gunn Allen's The Woman Who Owned the Shadows Deborah L. Madsen, Université de Genève7. "Keep Wide Awake in the Eyes": Seeing Eyes in Wendy Rose's PoetryKathryn Napier Gray, University of Plymouth8. Anamnesiac Mappings: National Histories and Transnational Healing in Leslie Marmon Silko's Almanac of the Dead   Rebecca Tillett, University of East Anglia Part 4. Comparative Mythologies, Transatlantic Journeys  9. Vizenor's Trickster Theft: Pretexts and Paratexts of Darkness in Saint Louis Bearheart Paul Beekman Taylor, Université de Genève10. "June Walked over It like Water and Came Home": Cross-Cultural Symbolism in Louise Erdrich's Love Medicine and Tracks  Mark Shackleton, University of Helsinki11. Encounters across Time and Space: The Sacred, the Profane, and the Political in Linda Hogan's Power     Yonka Krasteva, University of Veliko Tarnovo, Bulgaria12. Double Translation: James Welch's Heartsong of Charging Elk   Ulla Haselstein, Freie Universität Berlin13. Clown, Indians, and Poodles: Spectacular Others in Louis Owens's I Hear the Train   Simone Pellerin, Université Paul-ValéryMontpellier III14. Oklahoma International: Jim Barnes, Poetry, and the Sites of Imagination  A. Robert Lee, Nihon University, Tokyo List of Contributors  Index