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    1. Historia och arkeologi
    2. Historia
    3. Europas historia

    Transparency in Postwar France

    A Critical History of the Present

    AvStefanos Geroulanos

    Inbunden, Engelska, 2017

    Del i serien Cultural Memory in the Present

    1 573 kr

    Beställningsvara. Skickas inom 5-8 vardagar. Fri frakt över 249 kr.

    Fler format och utgåvor

    Häftad

    352 kr

    E-bok

    436 kr

    Beskrivning

    This book returns to a time and place when the concept of transparency was met with deep suspicion. It offers a panorama of postwar French thought where attempts to show the perils of transparency in politics, ethics, and knowledge led to major conceptual inventions, many of which we now take for granted.Between 1945 and 1985, academics, artists, revolutionaries, and state functionaries spoke of transparency in pejorative terms. Associating it with the prying eyes of totalitarian governments, they undertook a critical project against it—in education, policing, social psychology, economic policy, and the management of information. Focusing on Sartre, Lacan, Canguilhem, Lévi-Strauss, Leroi-Gourhan, Foucault, Derrida, and others, Transparency in Postwar France explores the work of ethicists, who proposed that individuals are transparent neither to each other nor to themselves, and philosophers, who clamored for new epistemological foundations. These decades saw the emergence of the colonial and phenomenological "other," the transformation of ideas of normality, and the effort to overcome Enlightenment-era humanisms and violence in the name of freedom. These thinkers' innovations remain centerpieces for any resistance to contemporary illusions that tolerate or enable power and social coercion.

    Produktinformation

    • Utgivningsdatum:2017-09-05
    • Mått:152 x 229 x 36 mm
    • Vikt:839 g
    • Format:Inbunden
    • Språk:Engelska
    • Serie:Cultural Memory in the Present
    • Antal sidor:520
    • Förlag:Stanford University Press
    • ISBN:9780804799744

    Utforska kategorier

    • Europas historia inom Historia och arkeologi

    Mer om författaren

    Stefanos Geroulanos is Associate Professor of European History and Director of the Center for International Research in the Humanities and Social Sciences at New York University. He is the author of An Atheism that Is Not Humanist Emerges in French Thought (Stanford, 2010).

    Recensioner i media

    "This expansive and original book sheds important new light on the thought of the trente glorieuses as profoundly preoccupied with opacity and otherness. Geroulanos communicates the deep ethical and political commitments that motivated these philosophical and social investigations, underscoring why the French thought that emerged in this period still matters."—Judith Surkis, Rutgers University "With elegance and rigor, Geroulanos traces the evolution of the concept of transparency in postwar France in fields ranging from philosophy and film to psychoanalysis, medicine, and social history. Interweaving original archival research with careful close readings, this extremely impressive semiotic history challenges us to think about texts, their contexts, and our present in fascinating new ways."—Camille Robcis, Cornell University "Essential for understanding the problems we face in the digital age with regard to new forms of exposure, Geroulanos's masterful account of postwar thought inaugurates a new style of semiotic history and provides a necessary propaedeutic to a revaluation of our current ideals of transparency and openness."—Bernard Harcourt, Columbia University "Transparency, as examined here, has more to do with mechanisms a society or individuals deploy for self-reassurance, self-justification, and political and moral order. Piercing through transparency in a critical manner requires active perceptual shifts that re-engineer long-established collective ways of seeing and thinking. As such, Geroulanos's ambition for producing a critical history of the present equally lets us ponder en transparence the obscure legacy of the Enlightenment and Western modernity....Transparency in Postwar France is a captivating read, which bears resonance with our present times in so many ways and in contexts that exceed the geographical boundaries of France."—Audrey Evrard, H-France Forum "As Stefanos Geroulanos amply demonstrates, there is still plenty of scope for originality...in its erudition, richness and analytical rigour, [Transparency in Postwar France] takes the intellectual history of postwar France in exciting new directions. The most obvious innovation is that the entire book is held together, not by one or two authors, or a specific concept within a thinker's writing, but by a single master concept: "transparency". This becomes the guiding thread that gives the arguments their coherence. Of course, for this to work, "transparency" not only needs to be a clearly-articulated concept, but also speak meaningfully across texts, times and places. This is a tall order....Geroulanos makes an impressive case....What is immediately obvious about this book is how it has changed the way I look at post-war France. I am starting to see new connections, debates, ideas and images."—Emile Chabal, H-France Forum "Interweaving intellectual history with political history, history of science and cultural studies, Geroulanos shows how French intellectuals 'built tool after tool for dismantling' Cartesian-based claims to society, ethics and politics as coherent, legible and stable entities....Geroulanos gives us a model for doing a kind of Derridean analysis, as he turns over the ideas of multiple thinkers from multiple perspectives and multiple contexts."—Contemporary European History "The innovative epistemological and methodological reflection underpinning the project will be of interest to intellectual historians working on periods and places far removed from France in the decades following the Second World War, making Transparency in Postwar France one of the most thought-provoking works of modern intellectual history to have appeared in recent years."—Iain Stewart, H-Diplo "An imposing work of intellectual history, which will no doubt find its place on the shelf alongside some of the classics of the genre. A review of this work could, in some ways, stop there. It is a book one needs discover for oneself—especially at this particular moment in the reception of the postwar French intellectual tradition."—Stephen Sawyer, H-Diplo "Moving away from a treatment of concepts as belonging to disciplinarily defined conversations, or even to particular spheres of social life, Geroulanos has written a history of transparency as a passage point of signification, through which a multitude of cultural productions are made legible. The payoff of this methodological innovation is enormous....[An] exemplary and surprising intellectual history that the reviewers celebrate for its creativity and ambition. Transparency in Postwar France is not only a major achievement in its own right, but a provocation and an incitement to expand the scope of intellectual history."—Isabel Gabel, H-Diplo "Geroulanos has produced not a slice through the history of French ideas, but rather the most comprehensive intellectual history of the postwar French moment since Martin Jay's magisterial Downcast Eyes, published a quarter of a century ago. Few histories have weaved together such a range of intellectuals, both the major names—Jean-Paul Sartre, Michel Foucault, Jacques Lacan, Jacques Derrida—but also myriad other figures who are mostly forgotten today, but who wielded significant influence at the time. Breaking free from the gravitational pull of the discipline of philosophy, Geroulanos also tells us about French anthropology, biology, linguistics, even making brief excursions through the history of French policing, film, and in a particularly engaging chapter, gangsters."—Edward Baring,H-Diplo "An impressive achievement....As Geroulanos demonstrates with great elegance, transparency defies and cuts across philosophical classifications, capturing the emergence of new anxieties, new objects of analysis, and new modes of seeing the world as well as new self-perceptions. Each part of the book traces the fashioning of transparency as a symbol of a totalizing impetus in culture, science, social life, and politics."—Carolyn J. Dean, H-Diplo "Stefanos Geroulanos's book is a conceptual history of another term that postmodernism has sought to problematize: transparency. His ambitious, wide-ranging, and erudite study provides a comprehensive account of this concept's place in French thought since the 1930s, while also rethinking the intellectual history of this period from the standpoint of debates surrounding transparency.... Intellectual historians who believe that their task is to map out the relationships between ideas will find much to admire in Transparency in Postwar France."—Journal of Modern History "Geroulanos's ability to interweave disparate fields to reveal a common preoccupation with the problem of transparency during the postwar is an exceptional accomplishment, complex in its task and ambitious in its scope."—Sarah Shurts, The American Historical Review "Transparency in Postwar Franceis a full-blown piece of critical theory, in the sense that it diagnoses a danger surrounding discourses of transparent information, and provides alternative normative resources to justify resistance to them....a timely and important contribution that stems from a deep meditation on our present challenges."––Andrew Dunstall, History and Theory "In this intellectually impressive and carefully constructed book, Geroulanos has assembled a persuasively argued and informative series of narratives—or, 'entangled microhistories'—that are concerned with the development of various critiques of the concept of transparency....There is a huge amount to be learnt from the archival research and readings of published texts offered up from the very outset of, and throughout, this book....[A] vital challenge for historians to respond to in terms of further reflection on how they conceive of their function and the utility of their histories."—Mark Mason, French History

    Innehållsförteckning

    • Introduction: The Matter with Transparency1. Was Transparency an Optical Problem? A Short History2. France, Year Zero: Perception and Reality after the Liberation3. The World's Opacity to Consciousness: Sartre and Merleau-Ponty4. The Image of Science and the Limits of Knowledge5. Machines and the Cogito6. From the Total Man to the Other: UNESCO, Anti-Colonialism, and the New Humanism of French Anthropology7. What Is Social Transparency? A Second Short History8. Between State and Society, I: The Police, the Black Market, and "the Gangster" after the Liberation9. Between State and Society, II: Psychology, Public Health, and the Rebellion of the Inadaptés10. Alienation, Utopia, and Marxism after 1956: A Clarity Worse Than the Penumbra11. Face, Mask, and Other as Avatars of Selfhood: A Third Short History12. The Norm and the Same13. The Third Order, or the Structural "Symbolic" as Epistemological Interface14. Lévi-Strauss's World Out of Sync15. The Ethnographer, Cinéma-vérité, and the Disruption of the Natural Order: Chronicle of a Summer16. Return to Rousseau: Lévi-Strauss, Starobinski, Derrida17. Return to Descartes: "The Last Tribunal of the Cogito"18. "Speak Not of Darkness, but of a Somewhat Blurred Light": Michel Foucault, Modernity, and the Distortion of Knowledge19. Cybernetic Complexity: Prehistory, Biology, and Derrida's Program for Liberation20. The Present Time and the Agent of History before and after May 196821. The Myth of the Self-Transparency of Society: Claude Lefort and His Circle22. Nineteen Eighty-Four: Information, the Scrambled Signs of the Ideal, and The Postmodern Condition
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