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Andrew Spicer - Historical Dictionary of Film Noir, Inbunden

Inbunden, Engelska, 2010

Historical Dictionary of Film Noir

Av Andrew Spicer

Del 38 i serien Historical Dictionaries of Literature and the Arts

2697 kr

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Beskrivning
Film noir—literally "black cinema"—is the label customarily given to a group of black and white American films, mostly crime thrillers, made between 1940 and 1959. Today there is considerable dispute about what are the shared features that classify a noir film, and therefore which films should be included in this category. These problems are partly caused because film noir is a retrospective label that was not used in the 1940s or 1950s by the film industry as a production category and therefore its existence and features cannot be established through reference to trade documents.The Historical Dictionary of Film Noir is a comprehensive guide that ranges from 1940 to present day neo-noir. It consists of a chronology, an introductory essay, a bibliography, a filmography, and over 400 cross-referenced dictionary entries on every aspect of film noir and neo-noir, including key films, personnel (actors, cinematographers, composers, directors, producers, set designers, and writers), themes, issues, influences, visual style, cycles of films (e.g. amnesiac noirs), the representation of the city and gender, other forms (comics/graphic novels, television, and videogames), and noir's presence in world cinema. It is an essential reference work for all those interested in this important cultural phenomenon.
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Andrew Spicer is reader in Cultural History at the University of the West of England. He has published widely on British Cinema and on Film Noir.

Recensioner i media

This dictionary by Spicer (Univ. of the West of England) is the latest entry in a series that has featured, in the last few years, volumes on German, Italian, Russian, Middle Eastern, and Spanish cinema, among others....In all, Spicer offers more than 400 concise, cross-referenced entries covering noir from the 1940s to the present, including entries for actors (e.g., John Garfield, Veronica Lake), directors (e.g., the Coen Brothers, Otto Preminger), movies (e.g., The Last Seduction, Scarlet Street), and writers (e.g., Raymond Chandler, Jim Thompson), along with those for subgenres (e.g., country noir), foreign films (e.g., French film noir), and noir in other media (e.g., comics/graphic novels). Also included are a chronology, a brief introduction, an extensive, up-to-date bibliography, and a filmography. This work will be of value to those new to the study of film noir. Recommended.

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