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    1. Historia och arkeologi
    2. Historia
    3. Historia: särskilda händelser och ämnen
    4. Socialhistoria och kulturhistoria

    Rooted Jazz Dance

    Africanist Aesthetics and Equity in the Twenty-First Century

    AvLindsay Guarino,Carlos R.A. Jones

    Häftad, Engelska, 2024

    307 kr

    Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt över 249 kr.

    Beskrivning

    National Dance Education Organization Ruth Lovell Murray Book AwardUNCG | Susan W. Stinson Book Award for Dance EducationStrategies for recovering the Africanist roots of jazz dance in teaching and practice An African American art form, jazz dance has an inaccurate historical narrative that often sets Euro-American aesthetics and values at the inception of the jazz dance genealogy. The roots were systemically erased and remain widely marginalized and untaught, and the devaluation of its Africanist origins and lineage has largely gone unchallenged. Decolonizing contemporary jazz dance practice, this book examines the state of jazz dance theory, pedagogy, and choreography in the twenty-first century, recovering and affirming the lifeblood of jazz in Africanist aesthetics and Black American culture. Rooted Jazz Dance brings together jazz dance scholars, practitioners, choreographers, and educators from across the United States and Canada with the goal of changing the course of practice in future generations. Contributors delve into the Africanist elements within jazz dance and discuss the role of Whiteness, including Eurocentric technique and ideology, in marginalizing African American vernacular dance, which has resulted in the prominence of Eurocentric jazz styles and the systemic erosion of the roots. These chapters offer strategies for teaching rooted jazz dance, examples for changing dance curricula, and artist perspectives on choreographing and performing jazz. Above all, they emphasize the importance of centering Africanist and African American principles, aesthetics, and values. Arguing that the history of jazz dance is closely tied to the history of racism in the United States, these essays challenge a century of misappropriation and lean into difficult conversations of reparations for jazz dance. This volume overcomes a major roadblock to racial justice in the dance field by amplifying the people and culture responsible for the jazz language. Contributors:LaTasha Barnes | Lindsay Guarino | Natasha Powell | Carlos R.A. Jones | Rubim de Toledo | Kim Fuller | Wendy Oliver | Joanne Baker | Karen Clemente | Vicki Adams Willis | Julie Kerr-Berry | Pat Taylor | Cory Bowles | Melanie George | Paula J Peters | Patricia Cohen | Brandi Coleman | Kimberley Cooper | Monique Marie Haley | Jamie Freeman Cormack | Adrienne Hawkins | Karen Hubbard | Lynnette Young Overby | Jessie Metcalf McCullough | E. Moncell DurdenPublication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

    Produktinformation

    • Utgivningsdatum:2024-10-29
    • Mått:156 x 232 x 25 mm
    • Vikt:526 g
    • Format:Häftad
    • Språk:Engelska
    • Antal sidor:338
    • Förlag:University Press of Florida
    • ISBN:9780813080765

    Utforska kategorier

    • Socialhistoria och kulturhistoria inom Historia och arkeologi
    • Modern dans inom Kultur
    • Dansböcker inom Kultur

    Mer om författaren

    Lindsay Guarino, associate professor of dance and chair of the Department of Music, Theatre and Dance at Salve Regina University, is coeditor of Jazz Dance: A History of the Roots and Branches. Carlos R. A. Jones, associate dean of the School of Arts and Sciences and professor of musical theatre and dance at the State University of New York College at Buffalo, is a performer and choreographer whose works have appeared on television, film, and regional theatre. Wendy Oliver, professor of dance and chair of the Department of Theater, Dance, and Film at Providence College, is coeditor of Jazz Dance: A History of the Roots and Branches.