Feminisms Redux

Robyn Warhol-Down is Humanities Distinguished Professor of English at Ohio State University. In addition to coediting the prior two editons of Feminisms with Diane Price Herndl, she is editor-in-chief of Women's Worlds: The McGraw-Hill Anthology of Women's Writing, and the author of numerous works, including Gendered Interventions: Narrative Discourse in the Victorian Novel (Rutgers University Press).Diane Price Herndl is a professor of English and director of women's studies at Iowa State University. Along with Robyn Warhol-Down she is the coeditor of the prior two editions of Feminisms, and author of several articles and books, including Invalid Women: Figuring Feminine Illness in American Fiction and Culture, 1840–1940.

"Providing rich material for academic users, this volume is perhaps even more accessible to readers outside the academy than earlier editions were. Recommended." (Choice) "Feminisms Redux reflects a pluralistic approach to feminist literary history. The editors invite readers to remap the nexus of women's literatures and their commentaries on canons."(Feminist Formations) "Providing rich material for academic users, this volume is perhaps even more accessible to readers outside the academy than earlier editions were. Recommended." (Choice) "Feminisms Redux reflects a pluralistic approach to feminist literary history. The editors invite readers to remap the nexus of women's literatures and their commentaries on canons."(Feminist Formations)

• CanonsInfection in the Sentence: The Woman Writer and the Anxiety of Authorship" (1979)"Dancing Through the Minefield" (1980)"What Has Never Been:An Overview of Lesbian Feminist Literary Criticism" (1981)"Aesthetics" from How to Suppress Women's Writing (1983)"Caste, Class, and Canon "(1981/87)"A Criticism of Our Own: Autonomy and Assimilation in Afro-American and Feminist Literary Theory" (1989)"Introduction" from Gender in African Women's Writing: Identity, Sexuality, Difference (1997)Readings"Introduction: On the Politics of Literature" from The Resisting Reader (1978)"The Father's Seduction" from The Daughter's Seduction (1982)"Constructing the Subject, Deconstructing the Text" (1985)"Introduction" and "Gender Asymmetry and Erotic Triangles" from Between Men: English Literature and Male Homosocial Desire (1985)"Apostrophe, Animation, and Abortion" (1986)"Feminist Politics: What's Home Got to Do With It?" (1986)"The Highs and Lows of Black Feminist Criticism" (1990)"Two Girls, Fat and Thin" (2002)"Kochinnenako in Academe: Three Approaches to Interpreting a Keres Indian Tale" from The Sacred Hoop (1986)"La conciencia de la mestiza: Towards a New Consciousness" (1987)"Me and My Shadow" (1987)"The Long Goodbye: Against Personal Testimony, or an Infant Grifter Grows Up" (1992)"Feminist and Ethnic Theories in Asian American Literature" (1993)"Four Women's Texts and a Critique of Imperialism" (1985, 1999)"Introduction" from En-gendering India: Woman and Nation in Colonial and Postcolonial Narratives (2000)Bodies"The Laugh of the Medusa" (1975)"Visual Pleasure and Narrative Cinema" (1975)"Mama's Baby, Papa's Maybe: An American Grammar Book" (1987)"Bodily Inscriptions, Performative Subversions" from Gender Trouble (1999)"Reconstructing the Posthuman Feminist Body Twenty Years after Audre Lorde's Cancer Journals" (2002)"Integrating Disability, Transforming Feminist Theory" (2002)"The Cringe: Marriage Plots, Effeminacy, and Feminist Ambivalence" from Having a Good Cry (2003)