Cruising Utopia

José Esteban Muñoz (1967–2013) was Professor and Chair of Performance Studies at New York University. His works include Disidentifications: Queers of Color and the Performance of Politics (1999), Cruising Utopia: The Then and There of Queer Futurity (2009), as well as the forthcoming The Sense of Brown. He was co-editor of Pop Out: Queer Warhol (1996) and Everynight Life: Culture and Dance in Latin/o America (1997) and founding co-editor of the Sexual Cultures series at NYU Press.

"In the course of an introduction, a conclusion, and the ten lush chapters in between, Cruising Utopia elaborates an archive of queer aesthetic practices from the present and the recent past." - Kevin Floyd (Meditations: The Journal of the Marxist Literary Group) "Brilliant, extraordinary, and necessary, Muñozs critical refusal of queer pragmatism, his commitment to the utopian force of the radical attemptthe radical aesthetic, erotic, and philosophical experimentis indispensable in an historical moment characterized by political surrender and intellectual timidity passing itself off as boldness." - Fred Moten,author of In the Break "Muñoz takes Ernst Bloch as his Virgil as he descends into the dark woods of futurity looking for signposts along the way that will guide him to a place of hope, belonging, queerness and quirkiness. Refusing to simply sign on to the & anti-relational, anti-future brand of queer theory espoused by Edelman, Bersani and others, Muñoz insists that for some queers, particularly for queers of color, hope is something one cannot afford to lose and for them giving up on futurity is not an option." - Jack Halberstam,author of In a Queer Time and Place "Gay liberations activist past and pragmatic present are merely prologue to a queer cultural future, Muñoz suggests in this critical condemnation of the political status quo. Casting his vision of a radical gay aesthetic through the prisms of literature, photography and performance, the author dismisses commonplace concerns like same-sex marriage as desires for & mere inclusion in a & corrupt mainstream. More defiantly, he exalts the persistence of commercial sex spaces in the face of & antisex and homphobic policings, and celebrates the overlay of punk and queer in performance spaces." (Publishers Weekly) "In this interesting study of queerness and identity politics, Munoz (performance studies, New York Univ.) invites readers to look beyond the immediate present and toward a queer future." (Choice)

• Acknowledgments Introduction: Feeling Utopia1 Queerness as Horizon: Utopian Hermeneutics in the Face of Gay Pragmatism2 Ghosts of Public Sex: Utopian Longings, Queer Memories 3 The Future Is in the Present: Sexual Avant-Gardes and the Performance of Utopia4 Gesture, Ephemera, and Queer Feeling: Approaching Kevin Aviance5 Cruising the Toilet: LeRoi Jones/Amiri Baraka, Radical Black Traditions, and Queer Futurity6 Stages: Queers, Punks, and the Utopian Performative 7 Utopia's Seating Chart: Ray Johnson, Jill Johnston, and Queer Intermedia as System8 Just Like Heaven: Queer Utopian Art and the Aesthetic Dimension9 A Jete Out the Window: Fred Herko's Incandescent Illumination 10 After Jack: Queer Failure, Queer Virtuosity Conclusion: "Take Ecstasy with Me"Notes Bibliography Index About the Author