Shadowing the White Man's Burden

Gretchen Murphy is Associate Professor of English at the University of Texas-Austin. She is the author of Hemispheric Imaginings: The Monroe Doctrine and Narratives of U.S. Empire.

This beautifully argued and engaging literary history addresses a fairly simple question: How did the distinctive multiracial nature of the United States transform that country's sense of itself as an empire? The result is a fascinating and rewarding book worth reading closely and carefully. - Matthew Pratt Guterl (The Journal of American History) Gretchen Murphy's new book is a compelling work that synthesizes critical race theory and U.S. empire studies to produce an original analysis of whiteness in national and international contexts . . . Shadowing the White Man's Burden is a valuable book that makes an important contribution to the growing body of work on U.S. imperialism. Scholars interested in the topic would do well to attend to this remarkable achievement. - Harilaos Stecopoulos (American Historical Review) This impressive book, which is based on extensive archival research, shows how the transformation of racial categories at the turn of the 20th century was a multidirectional process that often generated new meanings. Murphy reveals how multiple imperial histories shaped changing ideas about race and how readers and writers who engaged the trope of the white mans burden exposed contradictory ideas about whiteness as a domestic and transnational racial construct. Shadowing the White Mans Burden is part of an exciting new body of work on race in transnational contexts. It is one of the best accounts we have of the significance of literature in transformations of and contests over race in this period. - Shelley Streeby,author of American Sensations: Class, Empire, and the Production of Popular Culture Murphy's analysis has much to offer to scholars in the humanities...Shadowing the White Man's Burdenis an exciting contribution to transnational analysis, African American Studies, and a welcome gift to scholars in various fields interested in deconstructing concepts of race and nation in the modern era. (Journal of African American History) Through a careful and attentive comparative analysis of literature and history, [Murphy] demonstrates the constructed nature of race in the imperialist mind and shows that, for many, the United States was never able to fix its own white identity strongly enough to fully participate in the & white mans burden, but with every foray into international empire-building, it opened itself up to internal scrutiny about its own racial heterogeneity. (Journal of American Ethnic History)

• Acknowledgments Introduction: Writing Race on the World's Stage Part I: Reading Kipling in America 1 The Burden of Whiteness 2 The White Man's Burden or the Leopard's Spots? Dixon's Political ConundrumPart II: The Black Cosmopolite 3 The Plain Citizen of Black Orientalism: Frank R. Steward's Filipino American War Fiction 4 Pauline Hopkins's "International Policy": Cosmopolitan Perspective at the Colored American MagazinePart III: Pacific Expansion and Transnational Fictions of Race 5 How the Irish Became Japanese: Winnifred Eaton's Transnational Racial Reconstructions 6 American Indians, Asiatics, and Anglo-Saxons: Ranald MacDonald's Japan Story of Adventure Conclusion Notes Index About the Author