T. Denean Sharpley-Whiting is Associate Professor of French, Film Studies, Comparative Literature, and African American Studies at Purdue University. She is the author of Frantz Fanon: Conflicts and Feminisms and coeditor of Spoils of War: Women of Color, Cultures, and Revolutions and Fanon: A Critical Reader.

“A cogently argued study of representations of black women in French literature. In locating the Black Venus and the ideologies surrounding and informing her representations at the center of literary and cultural narratives, this book makes significant interventions in nineteenth-century French studies and current race and gender studies.”-Thadious M. Davis, Vanderbilt University “Intellectually rigorous, extremely well written, and solidly arguing against the dated French (and European) conceptualizations of black female sexuality. What a refreshing and much needed addition!”-Marjorie Attignol Salvodon, Connecticut College

• List of Illustrations ixAcknowledgments xiIntroduction: Theorizing Black Venus 1Writing Sex, Writing DIfference: Creating the Master Text on the Hottentot Venus 16Representing Sarah- Same Difference or No Difference at All? La VÉnus hottentote, ou haine au FranÇaises 32"The Other Woman": Reading a Body of Difference in Balzac's La Fille aux Yeux d'or 42Black Blood, White Masks, and NÉgresse Sexuality in de Pon's Ourika, l'Africaine 52Black Is the Difference: Identity, Colonialism, and Fetishism in La Belle DorothÉe 62Desirous and Dangerous Imaginations:: The Black Female Body and the Courtesan in Zola's ThÉrÈse Raquin 71Can a White Man Love a Black Woman? Perversions of Love beyond the Plae in Maupassant's "Boitelle" 86Bamboulas, Bacchanals, and Dark Veils over Whtie Memories in Loti's Le Roman d'un spahi 91Cinematic Venus in the Africanist Orient 105Epilogue 119Appendix: The Hottentot Venus, or Hatred of Frenchwomen 127Notes 165Works Cited 177Index 185

T. Denean Sharpley-Whiting is Associate Professor of French, Film Studies, Comparative Literature, and African American Studies at Purdue University. She is the author of Frantz Fanon: Conflicts and Feminisms and coeditor of Spoils of War: Women of Color, Cultures, and Revolutions and Fanon: A Critical Reader.

“A cogently argued study of representations of black women in French literature. In locating the Black Venus and the ideologies surrounding and informing her representations at the center of literary and cultural narratives, this book makes significant interventions in nineteenth-century French studies and current race and gender studies.”-Thadious M. Davis, Vanderbilt University “Intellectually rigorous, extremely well written, and solidly arguing against the dated French (and European) conceptualizations of black female sexuality. What a refreshing and much needed addition!”-Marjorie Attignol Salvodon, Connecticut College

• List of Illustrations ixAcknowledgments xiIntroduction: Theorizing Black Venus 1Writing Sex, Writing DIfference: Creating the Master Text on the Hottentot Venus 16Representing Sarah- Same Difference or No Difference at All? La VÉnus hottentote, ou haine au FranÇaises 32"The Other Woman": Reading a Body of Difference in Balzac's La Fille aux Yeux d'or 42Black Blood, White Masks, and NÉgresse Sexuality in de Pon's Ourika, l'Africaine 52Black Is the Difference: Identity, Colonialism, and Fetishism in La Belle DorothÉe 62Desirous and Dangerous Imaginations:: The Black Female Body and the Courtesan in Zola's ThÉrÈse Raquin 71Can a White Man Love a Black Woman? Perversions of Love beyond the Plae in Maupassant's "Boitelle" 86Bamboulas, Bacchanals, and Dark Veils over Whtie Memories in Loti's Le Roman d'un spahi 91Cinematic Venus in the Africanist Orient 105Epilogue 119Appendix: The Hottentot Venus, or Hatred of Frenchwomen 127Notes 165Works Cited 177Index 185

T. Denean Sharpley-Whiting is Associate Professor of French, Film Studies, Comparative Literature, and African American Studies at Purdue University. She is the author of Frantz Fanon: Conflicts and Feminisms and coeditor of Spoils of War: Women of Color, Cultures, and Revolutions and Fanon: A Critical Reader.

“A cogently argued study of representations of black women in French literature. In locating the Black Venus and the ideologies surrounding and informing her representations at the center of literary and cultural narratives, this book makes significant interventions in nineteenth-century French studies and current race and gender studies.”-Thadious M. Davis, Vanderbilt University “Intellectually rigorous, extremely well written, and solidly arguing against the dated French (and European) conceptualizations of black female sexuality. What a refreshing and much needed addition!”-Marjorie Attignol Salvodon, Connecticut College

• List of Illustrations ixAcknowledgments xiIntroduction: Theorizing Black Venus 1Writing Sex, Writing DIfference: Creating the Master Text on the Hottentot Venus 16Representing Sarah- Same Difference or No Difference at All? La VÉnus hottentote, ou haine au FranÇaises 32"The Other Woman": Reading a Body of Difference in Balzac's La Fille aux Yeux d'or 42Black Blood, White Masks, and NÉgresse Sexuality in de Pon's Ourika, l'Africaine 52Black Is the Difference: Identity, Colonialism, and Fetishism in La Belle DorothÉe 62Desirous and Dangerous Imaginations:: The Black Female Body and the Courtesan in Zola's ThÉrÈse Raquin 71Can a White Man Love a Black Woman? Perversions of Love beyond the Plae in Maupassant's "Boitelle" 86Bamboulas, Bacchanals, and Dark Veils over Whtie Memories in Loti's Le Roman d'un spahi 91Cinematic Venus in the Africanist Orient 105Epilogue 119Appendix: The Hottentot Venus, or Hatred of Frenchwomen 127Notes 165Works Cited 177Index 185