“[G]round shaking. The book is disorienting in a good way. It invites the reader to be shaken, disoriented, to question our selves and our position and it evokes the power and necessity ofdisorientation as a source of movement and challenge. Ahmed doesn’t seem to insist that we deny the positions we currently occupy, or to move on, but to reorient ourselves. Like earthly tremors, queer phenomenology facilitates the formation of lines and fissures along the spaces of our existence, as events that open up new connections, rather than points in lines that bind us to existing structures and spaces in which living obliquely is made uncomfortable, if not impossible.” - Margaret Mayhew, Cultural Studies Review “Ahmed’s most valuable contribution in Queer Phenomenology is her reorienting of the language of queer theory. The phenomenological understanding of orientation and its attendant geometric metaphors usefully reframes queer discourse, showing disorientation as a moment not of desperation but of radical possibility, of getting it twisted in a productive and revolutionary way.” - Zachary Lamm, GLQ “In her book, Queer Phenomenology: Orientations, Objects, Others, Sara Ahmed offers a thorough and at times playful analysis of what it means to be oriented-oriented toward objects, ideas, cultures, and sexes. . . . [T]his book is . . . inspiring, stimulating, and a pleasure to read.” - Elizabeth Simon Ruchti, College Literature “Rarely does philosophical writing successfully manage to make its reader embrace the abstraction that comes along with such writing and bridge this abstraction with everyday, lived experience. Sara Ahmed’s Queer Phenomenology astoundingly does both. . . . Queer Phenomenology impressively emerges as a text that is reachable to its readers.” - Yetta Howard, Women’s Studies “The aim of Sara Ahmed’s dense, stimulating and thought-provoking book is to connect sexual orientation with phenomenology in a way that takes the spatiality of sexuality, gender and race seriously, opening up new questions for the cross-disciplinary audience that should read this book. . . . In the acknowledgment, Sara Ahmed notes that her book was a pleasure to write. It is also a pleasure to read. The author’s immense erudition is worn lightly and the book, although dealing with complex ideas is a joy to read as it guides the reader through the argument with great clarity. It will appeal to a wide range of readers-and deservedly so.” - Linda McDowell, Sexualities “Finally, a theorist who takes sexual ‘orientation’ at its word. In this moving meditation on directionality, Sara Ahmed takes phenomenology for a turn through queer theory, postcolonial studies, feminism, critical race theory, geometry, and labor politics. In the world Ahmed encourages us to reinhabit, as bodies come to matter, bodily action materializes space, children inherit proximities rather than attributes, privileged bodies sink into familiarity, and politics is at its best when it involves a measure of disorientation. Follow her ‘lines’ of reasoning and you’ll never again reach for an explanation, a book, or a lover without wondering how your grasp extended so far in the first place.”-Kath Weston, author of Gender in Real Time: Power and Transience in a Visual Age “In this dazzling new book, Sara Ahmed has begun a much needed dialogue between queer studies and phenomenology. Focusing on the directionality, spatiality, and inclination of desires in time and space, Ahmed explains the straightness of heterosexuality and the digressions made by those queer desires that incline away from the norm, and, in her chapter on racialization, she puts the orient back into orientation. Ahmed’s book has no telos, no moral purpose for queer life, but what it brings to the table instead is an original and inspiring meditation on the necessarily disorienting, disconcerting, and disjointed experience of queerness.”-Judith Halberstam, author of In a Queer Time and Place: Transgender Bodies, Subcultural Lives “This is an original and refreshing use of phenomenological theory to address the kinds of questions-about orientations and about how bodies and objects become oriented through their interrelations-that help link it more directly to political and social questions-about gender, sexuality, and race, for example-that have tended to be treated as outside or beyond phenomenological frameworks. This extension and development of phenomenology is a major contribution.”-Elizabeth Grosz, author of The Nick of Time: Politics, Evolution, and the Untimely “In the context of recent literary and critical theories that have often favored impatience over patience, a hermeneutics of suspicion over a sense of wonder, extremity over everydayness, one of Ahmed’s singular achievements is to reorient our affective stances and intellectual idioms toward a less punitive engagement with the ordinary.” - Rita Felski (Contemporary Women's Writing) “[G]round shaking. The book is disorienting in a good way. It invites the reader to be shaken, disoriented, to question our selves and our position and it evokes the power and necessity of disorientation as a source of movement and challenge. Ahmed doesn’t seem to insist that we deny the positions we currently occupy, or to move on, but to reorient ourselves. Like earthly tremors, queer phenomenology facilitates the formation of lines and fissures along the spaces of our existence, as events that open up new connections, rather than points in lines that bind us to existing structures and spaces in which living obliquely is made uncomfortable, if not impossible.” - Margaret Mayhew (Cultural Studies Review) “Ahmed’s most valuable contribution in Queer Phenomenology is her reorienting of the language of queer theory. The phenomenological understanding of orientation and its attendant geometric metaphors usefully reframes queer discourse, showing disorientation as a moment not of desperation but of radical possibility, of getting it twisted in a productive and revolutionary way.” - Zachary Lamm (GLQ) “In her book, Queer Phenomenology: Orientations, Objects, Others, Sara Ahmed offers a thorough and at times playful analysis of what it means to be oriented-oriented toward objects, ideas, cultures, and sexes. . . . This book is . . . inspiring, stimulating, and a pleasure to read.” - Elizabeth Simon Ruchti (College Literature) “Rarely does philosophical writing successfully manage to make its reader embrace the abstraction that comes along with such writing and bridge this abstraction with everyday, lived experience. Sara Ahmed’s Queer Phenomenology astoundingly does both. . . . Queer Phenomenology impressively emerges as a text that is reachable to its readers.” - Yetta Howard (Women's Studies) “The aim of Sara Ahmed’s dense, stimulating and thought-provoking book is to connect sexual orientation with phenomenology in a way that takes the spatiality of sexuality, gender and race seriously, opening up new questions for the cross-disciplinary audience that should read this book. . . . In the acknowledgment, Sara Ahmed notes that her book was a pleasure to write. It is also a pleasure to read. The author’s immense erudition is worn lightly and the book, although dealing with complex ideas is a joy to read as it guides the reader through the argument with great clarity. It will appeal to a wide range of readers-and deservedly so.” - Linda McDowell (Sexualities)
