Lara Kriegel is Associate Professor of History at Florida International University.

“For those nostalgic for the days when imperialism reigned and the museum was not yet a domineering manifestation, Kriegel’s book casts an interdisciplinary perspective onto the enlightened richness of Victorian design while sidestepping more traditional interpretations that once held these industrial products to be merely rashly conceived and poorly executed.” - Jennifer Ferng, Leonardo “[A]n ambitious, important book that studies the design reform movement of the mid-nineteenth century, giving special attention to questions of industry and labor. . . . [T]horough and imaginatively conceived.” - Kate Hill, Victorian Studies “In this fascinating interdisciplinary study, Lara Kriegel has woven strands of nineteenth-century economic theory, design history, social developments, and cultural events into a richly textured portrayal of how aesthetics were contemplated and manipulated by various audiences. . . . In a well-written, engaging narrative that flows easily among the various disciplines that inform this study, Kriegel has produced a significant and substantive addition to the literature on nineteenth-century design. The content will be intriguing to scholars of design, social/cultural history, and economic history.” - Marilyn Casto, Enterprise and Society “[A] bold and focused monograph. The book is a successful grand design itself, as the author buries for the foreseeable future myths about Victorian indifference to the many facets of creating and displaying the beautiful and useful, and its attendant association of the nineteenth century with ugly melodramatic statues and equally hideous painted iron bridges. . . . [An] artfully illustrated and skillfully researched study. . . .” - Peter H. Hoffenberg, American Historical Review “The book is well illustrated and is an excellent addition to both historical studies of design and social histories of labourtwo worlds that rarely intersect in academic discourses but have been made to do so with wonderful deftness by Kreigel.” - Deepika Ahlawat, Journal of Design History “Kriegel’s Grand Designs is an important addition to the study of museums as they developed and operated culturally in the nineteenth century. . . . The great triumph of the book is to take seriously the mid-Victorian reformers’ concern to improve the labouring and artisanal classes through education and to examine the means by which they undertook this task.” - Bruce Robertson, Social History “Lara Kriegel has produced a sparkling narrative which presents a new story about the emergence of mid-Victorian design in which laboring men and their allies take center stage, and also a new way of thinking about the property of skill, a theme which has been central to labor history. Grand Designs is written with real zing. Kriegel combines fascinating detail with an important (yet lightly worn) theoretical perspective which challenges the current orthodoxy.”-Anna Clark, author of Scandal: The Sexual Politics of the British Constitution “Too often, debates about design reform, about artisan and fine art education, and about the development of museums, have been allowed to stand as separate narratives. The brilliance of Lara Kriegel’s account lies in her use of new evidence to synthesize these separate stories into a broad cultural history, locating them all in relation to the development of market capitalism. Grand Designs will change not only the way we think about industrial design and education but also the way we teach British cultural history and art history.”-Tim Barringer, author of Men at Work: Art and Labour in Victorian Britain “[A] bold and focused monograph. The book is a successful grand design itself, as the author buries for the foreseeable future myths about Victorian indifference to the many facets of creating and displaying the beautiful and useful, and its attendant association of the nineteenth century with ugly melodramatic statues and equally hideous painted iron bridges. . . . [An] artfully illustrated and skillfully researched study. . . .” - Peter H. Hoffenberg (American Historical Review) “[A]n ambitious, important book that studies the design reform movement of the mid-nineteenth century, giving special attention to questions of industry and labor. . . . [T]horough and imaginatively conceived.” - Kate Hill (Victorian Studies) “In this fascinating interdisciplinary study, Lara Kriegel has woven strands of nineteenth-century economic theory, design history, social developments, and cultural events into a richly textured portrayal of how aesthetics were contemplated and manipulated by various audiences. . . . In a well-written, engaging narrative that flows easily among the various disciplines that inform this study, Kriegel has produced a significant and substantive addition to the literature on nineteenth-century design. The content will be intriguing to scholars of design, social/cultural history, and economic history.” - Marilyn Casto (Enterprise & Society) “Kriegel’s Grand Designs is an important addition to the study of museums as they developed and operated culturally in the nineteenth century. . . . The great triumph of the book is to take seriously the mid-Victorian reformers’ concern to improve the labouring and artisanal classes through education and to examine the means by which they undertook this task.” - Bruce Robertson (Social History) “The book is well illustrated and is an excellent addition to both historical studies of design and social histories of labour-two worlds that rarely intersect in academic discourses but have been made to do so with wonderful deftness by Kreigel.” - Deepika Ahlawat (Journal of Design History)

• List of Illustrations xiAcknowledgments xv1. Introduction Chapter One. Configuring Design: Artisans, Aesthetics, and Aspiration in Early Victorian Britain 19Chapter Two. Originality and Sin: Calico, Capitalism, and the Copyright of Design, 1839-1851 52Chapter Three. Commodification and Its Discontents: Labor, Print Culture, and Industrial Art at the Great Exhibition of 1851 86Chapter Four. Principled Disagreements: The Museum of Ornamental Art and Its Critics, 1852-1856 126Chapter Five. Cultural Locations: South Kensington, Bethnal Green, and the Working Man, 1857-1872 160Afterword. Travels in South kensington 191Notes 203Bibliography 253Index 293

Lara Kriegel is Associate Professor of History at Florida International University.

“For those nostalgic for the days when imperialism reigned and the museum was not yet a domineering manifestation, Kriegel’s book casts an interdisciplinary perspective onto the enlightened richness of Victorian design while sidestepping more traditional interpretations that once held these industrial products to be merely rashly conceived and poorly executed.” - Jennifer Ferng, Leonardo “[A]n ambitious, important book that studies the design reform movement of the mid-nineteenth century, giving special attention to questions of industry and labor. . . . [T]horough and imaginatively conceived.” - Kate Hill, Victorian Studies “In this fascinating interdisciplinary study, Lara Kriegel has woven strands of nineteenth-century economic theory, design history, social developments, and cultural events into a richly textured portrayal of how aesthetics were contemplated and manipulated by various audiences. . . . In a well-written, engaging narrative that flows easily among the various disciplines that inform this study, Kriegel has produced a significant and substantive addition to the literature on nineteenth-century design. The content will be intriguing to scholars of design, social/cultural history, and economic history.” - Marilyn Casto, Enterprise and Society “[A] bold and focused monograph. The book is a successful grand design itself, as the author buries for the foreseeable future myths about Victorian indifference to the many facets of creating and displaying the beautiful and useful, and its attendant association of the nineteenth century with ugly melodramatic statues and equally hideous painted iron bridges. . . . [An] artfully illustrated and skillfully researched study. . . .” - Peter H. Hoffenberg, American Historical Review “The book is well illustrated and is an excellent addition to both historical studies of design and social histories of labourtwo worlds that rarely intersect in academic discourses but have been made to do so with wonderful deftness by Kreigel.” - Deepika Ahlawat, Journal of Design History “Kriegel’s Grand Designs is an important addition to the study of museums as they developed and operated culturally in the nineteenth century. . . . The great triumph of the book is to take seriously the mid-Victorian reformers’ concern to improve the labouring and artisanal classes through education and to examine the means by which they undertook this task.” - Bruce Robertson, Social History “Lara Kriegel has produced a sparkling narrative which presents a new story about the emergence of mid-Victorian design in which laboring men and their allies take center stage, and also a new way of thinking about the property of skill, a theme which has been central to labor history. Grand Designs is written with real zing. Kriegel combines fascinating detail with an important (yet lightly worn) theoretical perspective which challenges the current orthodoxy.”-Anna Clark, author of Scandal: The Sexual Politics of the British Constitution “Too often, debates about design reform, about artisan and fine art education, and about the development of museums, have been allowed to stand as separate narratives. The brilliance of Lara Kriegel’s account lies in her use of new evidence to synthesize these separate stories into a broad cultural history, locating them all in relation to the development of market capitalism. Grand Designs will change not only the way we think about industrial design and education but also the way we teach British cultural history and art history.”-Tim Barringer, author of Men at Work: Art and Labour in Victorian Britain “[A] bold and focused monograph. The book is a successful grand design itself, as the author buries for the foreseeable future myths about Victorian indifference to the many facets of creating and displaying the beautiful and useful, and its attendant association of the nineteenth century with ugly melodramatic statues and equally hideous painted iron bridges. . . . [An] artfully illustrated and skillfully researched study. . . .” - Peter H. Hoffenberg (American Historical Review) “[A]n ambitious, important book that studies the design reform movement of the mid-nineteenth century, giving special attention to questions of industry and labor. . . . [T]horough and imaginatively conceived.” - Kate Hill (Victorian Studies) “In this fascinating interdisciplinary study, Lara Kriegel has woven strands of nineteenth-century economic theory, design history, social developments, and cultural events into a richly textured portrayal of how aesthetics were contemplated and manipulated by various audiences. . . . In a well-written, engaging narrative that flows easily among the various disciplines that inform this study, Kriegel has produced a significant and substantive addition to the literature on nineteenth-century design. The content will be intriguing to scholars of design, social/cultural history, and economic history.” - Marilyn Casto (Enterprise & Society) “Kriegel’s Grand Designs is an important addition to the study of museums as they developed and operated culturally in the nineteenth century. . . . The great triumph of the book is to take seriously the mid-Victorian reformers’ concern to improve the labouring and artisanal classes through education and to examine the means by which they undertook this task.” - Bruce Robertson (Social History) “The book is well illustrated and is an excellent addition to both historical studies of design and social histories of labour-two worlds that rarely intersect in academic discourses but have been made to do so with wonderful deftness by Kreigel.” - Deepika Ahlawat (Journal of Design History)

• List of Illustrations xiAcknowledgments xv1. Introduction Chapter One. Configuring Design: Artisans, Aesthetics, and Aspiration in Early Victorian Britain 19Chapter Two. Originality and Sin: Calico, Capitalism, and the Copyright of Design, 1839-1851 52Chapter Three. Commodification and Its Discontents: Labor, Print Culture, and Industrial Art at the Great Exhibition of 1851 86Chapter Four. Principled Disagreements: The Museum of Ornamental Art and Its Critics, 1852-1856 126Chapter Five. Cultural Locations: South Kensington, Bethnal Green, and the Working Man, 1857-1872 160Afterword. Travels in South kensington 191Notes 203Bibliography 253Index 293