Nicholas Mirzoeff is Professor of Media, Culture, and Communication at New York University. He is the author of several books, including An Introduction to Visual Culture, Watching Babylon: The War in Iraq and Global Visual Culture, and Diaspora and Visual Culture: Representing Africans and Jews, as well as the editor of The Visual Culture Reader.

“[V]isual studies will no longer be the same before and after this book. . . . Mirzoeff's work does it all: offering new perspectives, blurring the boundaries between disciplines, disclosing what had been hidden, and shooting trouble.” - Jan Baetens, Leonardo Reviews “The Right to Look offers the fledgling discipline, and the thriving interdiscipline [of visual studies], a historical narrative against which it must now measure its claims to grasp the present. It marks a coming of age that has brought cultural studies past the variability and the enchantments of its postmodern moment. It highlights the need for responsibility toward actual pasts, and toward the actual demands of contemporary realities. These are significant achievements.” - Terry Smith, Public Books “This volume advances and enhances Mirzoeff's reputation as one of the intellectual leaders of visual culture studies. Highly recommended. Graduate students, researchers, faculty.” - C. J. Lamb, Choice “The Right to Look is a brilliant book-original, ambitious, and constantly surprising. Nicholas Mirzoeff is at the center of the most advanced thinking in visual culture studies, and The Right to Look is a very important project within the field. It is a genuinely postcolonial text that places visual culture studies on broad historical and political footing for the first time.”-Terry Smith, co-editor of Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity “Nicholas Mirzoeff’s The Right to Look is a passionate and magisterial intervention in the field of visual culture studies. Emphatically arguing that the human visual experience, with all its technical prostheses and metaphorical extensions, is a fundamentally ethical and political domain, Mirzoeff ranges over amazingly varied historical and geographical terrain. From the administration of the colonial plantation to missionary and military adventurism, to drone attacks and counterinsurgency flowcharts, to the latest tactics of spectacle and surveillance, everything is analyzed with a sure sense of the crucial detail and the revelatory anecdote. This is a brilliant contribution to visual culture studies, one that sets a very high standard for this emergent discipline.”-W. J. T. Mitchell, author of Cloning Terror: The War of Images, 9/11 to the Present and What Do Pictures Want? “The Right to Look offers the fledgling discipline, and the thriving interdiscipline [of visual studies], a historical narrative against which it must now measure its claims to grasp the present. It marks a coming of age that has brought cultural studies past the variability and the enchantments of its postmodern moment. It highlights the need for responsibility toward actual pasts, and toward the actual demands of contemporary realities. These are significant achievements.” - Terry Smith (Public Books) “[V]isual studies will no longer be the same before and after this book. . . . Mirzoeff's work does it all: offering new perspectives, blurring the boundaries between disciplines, disclosing what had been hidden, and shooting trouble.” - Jan Baetens (Leonardo Reviews) “[T]his monograph functions as an important historiographical intervention, revealing how the field of the visual has been constituted as modernity’s central epistemic field. Providing detailed historical analysis, this book is a valuable and important addition to the emergent field of visual cultural studies as well as to visual anthropologists seeking to understand and teach how the visual methods they deploy or theorize are circumscribed within a larger historical context of the visual.” - Ethiraj Gabriel Dattatreyan (Visual Anthropology Review)

• List of Illustrations ixPreface. Ineluctable Visualities xiiiAcknowledgments xviiIntroduction. The Right to Look, or, How to Think With and Against Visuality 1Visualizing Visuality 351. Oversight: The Ordering of Slavery 482. The Modern Imaginary: Anti-Slavery Revolutions and the Right to Existence 77Puerto Rican Counterpoint I 1173. Visuality: Authority and War 1234. Abolition Realism: Reality, Realisms, and Revolution 155Puerto Rican Counterpoint II 1885. Imperial Visuality and Countervisuality, Ancient and Modern 1966. Anti-Fascist Neorealisms: North-South and the Permanent Battle for Algiers 232Mexican-Spanish Counterpoint 2717. Global Counterinsurgency and the Crisis of Visuality 277Notes 311Bibliography 343Index 373

Nicholas Mirzoeff is Professor of Media, Culture, and Communication at New York University. He is the author of several books, including An Introduction to Visual Culture, Watching Babylon: The War in Iraq and Global Visual Culture, and Diaspora and Visual Culture: Representing Africans and Jews, as well as the editor of The Visual Culture Reader.

“[V]isual studies will no longer be the same before and after this book. . . . Mirzoeff's work does it all: offering new perspectives, blurring the boundaries between disciplines, disclosing what had been hidden, and shooting trouble.” - Jan Baetens, Leonardo Reviews “The Right to Look offers the fledgling discipline, and the thriving interdiscipline [of visual studies], a historical narrative against which it must now measure its claims to grasp the present. It marks a coming of age that has brought cultural studies past the variability and the enchantments of its postmodern moment. It highlights the need for responsibility toward actual pasts, and toward the actual demands of contemporary realities. These are significant achievements.” - Terry Smith, Public Books “This volume advances and enhances Mirzoeff's reputation as one of the intellectual leaders of visual culture studies. Highly recommended. Graduate students, researchers, faculty.” - C. J. Lamb, Choice “The Right to Look is a brilliant book-original, ambitious, and constantly surprising. Nicholas Mirzoeff is at the center of the most advanced thinking in visual culture studies, and The Right to Look is a very important project within the field. It is a genuinely postcolonial text that places visual culture studies on broad historical and political footing for the first time.”-Terry Smith, co-editor of Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity “Nicholas Mirzoeff’s The Right to Look is a passionate and magisterial intervention in the field of visual culture studies. Emphatically arguing that the human visual experience, with all its technical prostheses and metaphorical extensions, is a fundamentally ethical and political domain, Mirzoeff ranges over amazingly varied historical and geographical terrain. From the administration of the colonial plantation to missionary and military adventurism, to drone attacks and counterinsurgency flowcharts, to the latest tactics of spectacle and surveillance, everything is analyzed with a sure sense of the crucial detail and the revelatory anecdote. This is a brilliant contribution to visual culture studies, one that sets a very high standard for this emergent discipline.”-W. J. T. Mitchell, author of Cloning Terror: The War of Images, 9/11 to the Present and What Do Pictures Want? “The Right to Look offers the fledgling discipline, and the thriving interdiscipline [of visual studies], a historical narrative against which it must now measure its claims to grasp the present. It marks a coming of age that has brought cultural studies past the variability and the enchantments of its postmodern moment. It highlights the need for responsibility toward actual pasts, and toward the actual demands of contemporary realities. These are significant achievements.” - Terry Smith (Public Books) “[V]isual studies will no longer be the same before and after this book. . . . Mirzoeff's work does it all: offering new perspectives, blurring the boundaries between disciplines, disclosing what had been hidden, and shooting trouble.” - Jan Baetens (Leonardo Reviews) “[T]his monograph functions as an important historiographical intervention, revealing how the field of the visual has been constituted as modernity’s central epistemic field. Providing detailed historical analysis, this book is a valuable and important addition to the emergent field of visual cultural studies as well as to visual anthropologists seeking to understand and teach how the visual methods they deploy or theorize are circumscribed within a larger historical context of the visual.” - Ethiraj Gabriel Dattatreyan (Visual Anthropology Review)

• List of Illustrations ixPreface. Ineluctable Visualities xiiiAcknowledgments xviiIntroduction. The Right to Look, or, How to Think With and Against Visuality 1Visualizing Visuality 351. Oversight: The Ordering of Slavery 482. The Modern Imaginary: Anti-Slavery Revolutions and the Right to Existence 77Puerto Rican Counterpoint I 1173. Visuality: Authority and War 1234. Abolition Realism: Reality, Realisms, and Revolution 155Puerto Rican Counterpoint II 1885. Imperial Visuality and Countervisuality, Ancient and Modern 1966. Anti-Fascist Neorealisms: North-South and the Permanent Battle for Algiers 232Mexican-Spanish Counterpoint 2717. Global Counterinsurgency and the Crisis of Visuality 277Notes 311Bibliography 343Index 373

Nicholas Mirzoeff is Professor of Media, Culture, and Communication at New York University. He is the author of several books, including An Introduction to Visual Culture, Watching Babylon: The War in Iraq and Global Visual Culture, and Diaspora and Visual Culture: Representing Africans and Jews, as well as the editor of The Visual Culture Reader.

“[V]isual studies will no longer be the same before and after this book. . . . Mirzoeff's work does it all: offering new perspectives, blurring the boundaries between disciplines, disclosing what had been hidden, and shooting trouble.” - Jan Baetens, Leonardo Reviews “The Right to Look offers the fledgling discipline, and the thriving interdiscipline [of visual studies], a historical narrative against which it must now measure its claims to grasp the present. It marks a coming of age that has brought cultural studies past the variability and the enchantments of its postmodern moment. It highlights the need for responsibility toward actual pasts, and toward the actual demands of contemporary realities. These are significant achievements.” - Terry Smith, Public Books “This volume advances and enhances Mirzoeff's reputation as one of the intellectual leaders of visual culture studies. Highly recommended. Graduate students, researchers, faculty.” - C. J. Lamb, Choice “The Right to Look is a brilliant book-original, ambitious, and constantly surprising. Nicholas Mirzoeff is at the center of the most advanced thinking in visual culture studies, and The Right to Look is a very important project within the field. It is a genuinely postcolonial text that places visual culture studies on broad historical and political footing for the first time.”-Terry Smith, co-editor of Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity “Nicholas Mirzoeff’s The Right to Look is a passionate and magisterial intervention in the field of visual culture studies. Emphatically arguing that the human visual experience, with all its technical prostheses and metaphorical extensions, is a fundamentally ethical and political domain, Mirzoeff ranges over amazingly varied historical and geographical terrain. From the administration of the colonial plantation to missionary and military adventurism, to drone attacks and counterinsurgency flowcharts, to the latest tactics of spectacle and surveillance, everything is analyzed with a sure sense of the crucial detail and the revelatory anecdote. This is a brilliant contribution to visual culture studies, one that sets a very high standard for this emergent discipline.”-W. J. T. Mitchell, author of Cloning Terror: The War of Images, 9/11 to the Present and What Do Pictures Want? “The Right to Look offers the fledgling discipline, and the thriving interdiscipline [of visual studies], a historical narrative against which it must now measure its claims to grasp the present. It marks a coming of age that has brought cultural studies past the variability and the enchantments of its postmodern moment. It highlights the need for responsibility toward actual pasts, and toward the actual demands of contemporary realities. These are significant achievements.” - Terry Smith (Public Books) “[V]isual studies will no longer be the same before and after this book. . . . Mirzoeff's work does it all: offering new perspectives, blurring the boundaries between disciplines, disclosing what had been hidden, and shooting trouble.” - Jan Baetens (Leonardo Reviews) “[T]his monograph functions as an important historiographical intervention, revealing how the field of the visual has been constituted as modernity’s central epistemic field. Providing detailed historical analysis, this book is a valuable and important addition to the emergent field of visual cultural studies as well as to visual anthropologists seeking to understand and teach how the visual methods they deploy or theorize are circumscribed within a larger historical context of the visual.” - Ethiraj Gabriel Dattatreyan (Visual Anthropology Review)

• List of Illustrations ixPreface. Ineluctable Visualities xiiiAcknowledgments xviiIntroduction. The Right to Look, or, How to Think With and Against Visuality 1Visualizing Visuality 351. Oversight: The Ordering of Slavery 482. The Modern Imaginary: Anti-Slavery Revolutions and the Right to Existence 77Puerto Rican Counterpoint I 1173. Visuality: Authority and War 1234. Abolition Realism: Reality, Realisms, and Revolution 155Puerto Rican Counterpoint II 1885. Imperial Visuality and Countervisuality, Ancient and Modern 1966. Anti-Fascist Neorealisms: North-South and the Permanent Battle for Algiers 232Mexican-Spanish Counterpoint 2717. Global Counterinsurgency and the Crisis of Visuality 277Notes 311Bibliography 343Index 373