"This original and long-needed book on modern celibacy as a distinctive kind of sexuality-as opposed to the lack or negation of sexuality, or symptom of the repression of sexuality-holds true to its promise to show us just how richly varied celibacy can be, and how vital it in fact was to U.S. and British modernism. As Benjamin Kahan shows through insightful readings of texts by Henry James, Mina Loy, Marianne Moore, W. H. Auden, Father Divine, and Andy Warhol, among others, modernist celibacies were secular as well as religious, collectivizing as well as individualizing, sensuous as well as ascetic; celibacies were also capable of being feminist, erotic, strategic, and episodic. Attentive to celibacy as both practice and identity, Celibacies will be indispensable reading for queer theory and modernist studies."-Sianne Ngai, author of Our Aesthetic Categories: Zany, Cute, Interesting "When did celibacy become unfashionable? Why has queer studies colluded with its denigration? And what do the histories of celibacy, homosexuality, queerness, friendship, and the contemporary Asexuality Movement share? Benjamin Kahan's compassionate genealogy of an alternative modernism provides judicious answers to these questions, while theorizing celibacy's tenacious existence along the edge of the intelligible. Countering queer studies' infatuation with sex-as-visible-transgression and its willingness to cede abstinence's reformist energies to the political Right, Celibacies offers savvy inspiration for thinking sexuality without sex."-Valerie Traub, author of The Renaissance of Lesbianism in Early Modern England Kahan has written a book that is both interesting, well articulated, progressive, and perhaps for some, rather provoking. . . . The book is not only for those interested in the history of celibacy and sexuality, but also for those who work in the field of human sexuality. In Celibacies, Kahan has managed to offer a new perspective on celibacy without focusing on the politics of conservatism and religion, which is refreshing." - Hennie Weis (Metapsychology Online Reviews) “…Celibacies in a truly innovating way expands the concept rendering it positively connoted and giving it a new lease on life…. the author has managed to aggrandize the concept giving it breadth and depth, a past and a future.” - Aristi Trendel (American Studies) “This scholarly but accessible study turns our notions of celibacy on their heads…. The book’s power derives from Kahan’s skill in making us reconceive sexual categories, particularly celibacy, which he argues convincingly is a positive way of choosing how to be in the world." - Daniel A. Burr (Gay & Lesbian Review) “Although abstinence does not exactly come off as sexy in Celibacies, Kahan succeeds in making it legible, visible and historically significant for a period that is more typically understood as one of sexual expression and revolution. Kahan does for abstinence what Rachel Whiteread’s reverse castings do for negative space: both reveal the thrum of what is typically thought of as emptiness or lack.” - Laura Frost (Times Higher Education) "Kahan’s analysis intrigues as well as provokes, forcing us to ask new questions about how we define sexuality and understand its history." - Carolyn Herbst Lewis (Journal of American History) "Kahan’s long-overdue consideration of celibacy as sexuality provides significant insights into nineteenth- and twentieth-century American formations of gender, politics, race, aging, citizenship, marriage, and popular culture. . . . Kahan’s achievement lies not only in what it so effectively accomplishes-the resituation of celibacy within sexuality-but also in the many avenues of future inquiry it brings to view." - Melissa Sanchez (GLQ) “More than simple erotophobia, celibacy in Kahan’s hands yields nuanced literary readings of a range of queer writers and artists. . . . There is something wonderfully counterintuitive about Kahan’s characterization of celibacy as a form of sexuality rather than the absence of one. … Celibacies is an impressive first book, thoroughly researched and elegantly written. . . .” - Tim Dean (American Literary History) "Kahan offers a tour de force set of readings that reveal that it is time to pay closer attention to sexuality without sex. . . . We should never take for granted that celibacy is a way of withdrawing from life; it can, on the contrary, be a productive, generative, and even erotic way of engaging with it. Throughout his masterful study, Kahan’s brilliant readings demonstrate that modernism’s silences and sidelong glances are often attractive and meaningful ways of experiencing desire rather than hiding it." - Brian Glavey (Modern Philology)
